Outlaw

Just spent some time watching this move .. and unlike the previous reviewer enjoyed this film. I disagreed with him so much it prompted me to write my first ever comments on IMDb. In the trivia part of the IMDb description it says that actual events were used as inspiration for the scenes and i thought they were all quite believable. "He's hidin in da countryside"! was one comment i found funny as is in the age of big brother hiding in the city would have made for a very short movie.

Somehow i suspect that other people who have watched this film sort of missed the point and have probable led sheltered lives somewhere with mummy and daddy feeding them with a silver spoon as i found the characters true to life as i have met people who talk and act how the script was written.

I'm not claiming that this film should win any awards .. however i thought it deserved higher praise and didn't want any other potential viewers to be put off. blair witch scored higher and my little eye scored the same ( i turned both of these movies off before the end). This movie has far more entertainment value than both and after all isn't that what movies are for .. thanks for listening.

Sean Bean gives a good performance as a Para who seems to have lost a sense of purpose after leaving the armed services in Outlaw. I really got into this movie and I thought hey there are some snags but I am enjoying this. Yes it is a bit controversial in its thinking but sometimes you have to accept that society does not always think logically. Another good point to the film is how you watch the characters reactions to the whole philosophy of retaliation. Some of members of the gang seem to struggle with the violence, whilst others simply bask in it. However, the fundamental flaw appears with this film as far as I was concerned was towards the end. For 3 quarters of the film I wanted to know what was going to happen, where the characters were going. I wanted the film to end in a crescendo of action and intrigue. Instead sadly it ended with a bit of a farce and a whimper. I won't spoil it for those that want to see it but lets just say that it seemed to me that the script writer either ran out of ideas or the director ran out of money. In my opinion if Outlaw was 15 minutes longer and the ending thought about a bit more this could have been a good film. In the end all it left me was the bitter taste of disappointment though.

The idea of vigilante revenge is a powerful basis.

This movie shows not only the possibilities of revenge but the reluctance and hesitation to engage in the same.

It was well acted and mostly believable but the plot did tend to get muddied a bit at certain points. Gives an interesting view of British home life, office life, and countryside as well to those interested in British culture.

Overall, it caught my interest and kept me watching until the rather predictable ending. But predictable ending aside it shouldn't matter to most movie watchers as the action keeps everything moving and keeps it interesting to the end.

This isn't a great film and I was never quite sure whether it meant to be a study of the dark underbelly of disaffected Britain or a crude vigilante flick. A lot of reviewers here have been dismissive of it, but I think it had fleeting touches of real power. Unfortunately, they did not build into anything of substance.

The gang members did not convince and their behaviour took the film into a strange fantasy-land world.

Sean Bean made a reasonable stab at a two dimensional character and a better script would have brought this to life. Supporting cast made a fair stab at it, but all-in-all an opportunity missed.

When I saw the trailer for OUTLAW I knew I wanted to see it – Sean Bean is one of my favourite actors and I loved the look of the vigilante plot. But it was one of those films that slipped by until now, when I finally caught up with it on TV one night. I'm glad I didn't get to it sooner.

The film is a crushing, no-budget disappointment, nothing like it's made out to be in the trailer. The plot is passable at best, and while it contains some intense, shocking moments (the attack on the barrister's wife is one of the most disturbing I've seen in some time), it never seems to go anywhere, and by the end turns into the usual good guys vs. arch villain type action flick. Some scenes are ludicrous, like the bit with the shoot-out with the police in the wood, and the characters are never likable as they should be. Take Sean Bean's lead for instance – he's a disturbed ex-soldier, yes, but we never learn a thing about his background or what makes him tick. Bean tries hard to make the best of the material, but his talents are wasted here.

It's a shame, as the talents of other decent actors – such as Lennie James and Bob Hoskins – are also left unexploited to their full potential. The biggest problem of all lies in the director, Nick Love. For some stupid reason, he adopts a shaky cam in an attempt to give his film edge, but it's distracting at best and nauseating at worst. Paul Greengrass he certainly isn't – and the camera-work alone is enough to ruin what was potentially an interesting film that raises some important questions about crime and justice.