Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him?)

I saw this superb documentary at the Santa Barbara Int'l Film Festival. It is extremely absorbing and very well crafted, drawing you into the life and career of Harry Nilsson, one of the most overlooked musical talents of the 1960's and 70's. While I was familiar with his better known compositions ("One is the Loneliest Number", "Without You"), I learned about this man's brilliant writing and beautiful singing. If you love music, you'll find plenty to draw you in to his world, which unfortunately spiraled out of control as his success increased and his past haunted him. However sad, he nonetheless was completely devoted to his family and you will find yourself so glad to have met this man. The profile is effectively told through Nilsson's own words and those of his friends and colleagues (a virtual Who's Who of Rock)who loved and respected him. Don't miss this!

This tough-to-see little picture played at the Mods & Rockers 2007 festival. It is a wonderful and loving look at Harry Nilsson, using many famous faces who sit for interviews, rarely seen TV performances and behind-the-scenes footage of Nilsson at work. There's even a few shots from "Son Of Dracula". This movie is the final and fitting tribute to one of the finest voices, the most clever songwriter and the funniest man in popular music. It's a crime that this man's name is not as well known as some of the songs he wrote and/or performed. His friends tell incredibly funny stories about this talented hulk with a subconscious wish for self-destruction. As a bonus, you even get Eric Idle performing the song with wrote for Nilsson's final album during the closing credits. It's funny, it's sad. It's not in general release. If this picture plays anywhere near where you live, see it!

Biodoc on the enigmatic singer/songwriter who, according to friends' accounts, spent the last 15 years of his relatively short life seemingly on a mission of self-destruction. He died at 52, overweight and dissipated, of heart disease, after a protracted rampage of virtually non-stop overindulgence in alcohol, cigarettes, marijuana and cocaine, raucous partying, and flagrant misuse of his vocal instrument (he confided to a friend that he shouted out his lyrics at one performance with such force that spattered blood was left on the microphone).

All of this despite the fact that he was: (1) widely considered to have perhaps the most gifted pop singing ability of his generation; (2) successful, after years of effort, in terms of industry acclaim - a Grammy, an Oscar, a decent recording contract with a top label, and at least two stellar albums - 'Nilsson Schmilsson' (originals), and 'A Little Touch of Schmilsson in the Night' (standards); and (3) very happily married (for the third time), with a lovely young family that he seemed to adore.

The film's strengths begin with the completeness of its account of Nilsson's life, including fine use of archival film footage and many stills of Nilsson; the editors do an especially good job of bringing movement to the stills. We learn of his close ties to John Lennon and, later, Ringo Starr (Lennon often said that Nilsson was his favorite American musician).

Even more impressive are the talking heads, often a documentary's weakest aspect. Here we get people like Perry Botkin, Jr., Ray Cooper, Mickey Dolenz, Terry Gilliam, Mark Hudson, Eric Idle, Rick Jarrard, Randy Newman, Van Dyke Parks, Jimmy Webb and Robin Williams, all telling amazing stories about Nilsson – many uproariously funny, others deeply pathetic - and everyone conveying their deep affection for him. Equally informative and moving are interview segments with Nilsson's wives – Annie and Una, his son Zach, and cousin Doug Hoefer. Best set of heads I can recall in a biodoc.

The most glaring deficiency of the film is that it crowds out Nilsson's music. Even the performance of his greatest hit, "Without You," is cut short after about 8 bars. Arrrrgh!! There is no excuse for this, not given that the movie runs a full two hours as it is. Lose a few head shots and we could have heard at least that song through, and perhaps one or two more, like "One," or his Oscar winning cover of "Everybody's Talking.'" The filmmakers are simply too intent on plumbing Nilsson's psychological mystique and not attentive enough to his music. My grades: 7.5/10 (low B+) (Seen at the NWFC's Reel Music series, 01/07/07)

The best documentaries about music make you want to explore the artist further (two examples: The Band's "The Last Waltz" and "Rush Beyond The Lighted Stage")and intrigue you as to the person and their vision. This is a great documentary about a true American original who had major talent both as a singer and songwriter. Ironically, his two biggest hits "Everybody's Talking" and "Without You" weren't written by him. You get a lot of rare footage, as well as interviews from people who knew him and worked with him. These interviews are excellent, as some are from people whom you rarely see, with the two most insightful comments by songwriter/artist Jimmy Webb and record producer Richard Perry. Nilsson's idiosyncrasies are explored (he never gave a concert and he was an unusual person), as well as his substance abuse. However, you can tell the people who speak about him love him. Rather than this being about a slightly crazed person who couldn't always control his demons, you get a glimpse into his personal life, including interviews with his widow and even his children. I was touched by so many of the comments from his friends and family. The DVD has even more to offer and is very highly recommended. A very good compilation of his hits called Nilsson's Greatest Hits is a great complement to watching this film. Don't miss it.

Well I know his songs but had never heard of this singer/songwriter's name. This documentary was a revelation for me and if you give it 2hrs of your time it will be for you too. The number of high profile contributors is evidence itself of the scope of influence of Harry Nilsson. But a man who is hardly known outside of the music industry and his close circle of friends and collaborators. Using archive footage, recordings and recollections from the great and good this extra long portrait is long overdue and rightly deserved. I now know why Harry was often known as America's unknown 'Beatle' and like many other rock stars self destructive, very much in the same vein of Elvis, Cash and to some degree Lennon himself.