Two animal rights activists are murdered following a protest of a fox hunt.Two animal rights activists are murdered following a protest of a fox hunt.Two animal rights activists are murdered following a protest of a fox hunt.
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A group of animals rights activists head to protest a fox hunt, the group have been joined by a group of things who've simply gone along to make trouble. Young member Nick Walder is killed and soon after Daza Scott is also killed, Frost investigates and is once again joined by DC Clive Barnard.
Very memorable, after the incredible Appropriate Adults, Quarry is another excellent, gritty episode.
David Jason is at his very best here, that scene where Frost addresses the officers and talks about his dream was just brilliant, his character is actually growing.
It's a sad storyline, it comes with two big twists, a couple of unexpected reveals. It's definitely a story of class, there's a huge divide, there's the Walder family living on the breadline, then there's the Ormrods, living a life of idle wealth.
I loved the falling out scene between Jack and Barnard, I'm really glad Clive became a regular, it made a difference having a constant sidekick, there's a growing affection between the two, love Matt Bardock.
Plenty of humourous touches as you'd expect, I loved that scene where Frost ends up in a tree. A little bit of sadness too, poor Kate.
It's very well acted, the whole cast are on top form, but it's Jason who absolutely nails it.
9/10.
Very memorable, after the incredible Appropriate Adults, Quarry is another excellent, gritty episode.
David Jason is at his very best here, that scene where Frost addresses the officers and talks about his dream was just brilliant, his character is actually growing.
It's a sad storyline, it comes with two big twists, a couple of unexpected reveals. It's definitely a story of class, there's a huge divide, there's the Walder family living on the breadline, then there's the Ormrods, living a life of idle wealth.
I loved the falling out scene between Jack and Barnard, I'm really glad Clive became a regular, it made a difference having a constant sidekick, there's a growing affection between the two, love Matt Bardock.
Plenty of humourous touches as you'd expect, I loved that scene where Frost ends up in a tree. A little bit of sadness too, poor Kate.
It's very well acted, the whole cast are on top form, but it's Jason who absolutely nails it.
9/10.
'A Touch of Frost' is a personal favourite of mine, and one of my favourite shows from the detective/mystery genre. Do have a preference perhaps for the earlier-mid-show episodes over the later ones, but none of the episodes are less than watchable and none do anything to embarrass the show.
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. The second season opener "A Minority of One" was up to their level. "Widows and Orphans" is a slight step down from the previous episodes but is still very good, and the otherwise very worthwhile "Nothing to Hide" was let down by a far too obvious ending. "Stranger in the House" was the best of the season and to me one of the show's best episodes.
"Quarry" is not quite as good as the previous episode "Appropriate Adults", to me one of the best, most moving and gut-wrenchingly powerful 'Frost' episodes, with one of the best supporting performances on the show (Timmy Lang). It is still a great episode though, all the 'Frost' episodes up to this point are very good to outstanding. Frost's cruelty to Barnard was somewhat of a turn off, don't remember Frost ever being that cruel to any other partner of his, even in other cases where subjectivity is lost, and it was no surprise at all that Barnard snaps in a powerfully written and acted scene. When Frost becomes more sympathetic towards him the change is still very believable.
With that being said, as ever "Quarry" looks great visually. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing while the theme tune is one of the most iconic in the detective genre (or at least to me it is).
The script is well written, with a few amusing quips from Frost, and thought-provoking, and the story is continually compelling and incredibly powerful, shocking me, giving me the creeps and moving me to tears. The solution to the first case is a complete shock and very sad, once that is solved the second case isn't as much of a shock but is not too obvious.
Frost is a remarkably well-established character for so early on, and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Again he shows his less than perfect side but this is a situation where it is understandable.
Jason is brilliant as usual as Frost, while Bruce Alexander and John Lyons are just as good. Barnard makes a welcome return and Matt Bardock pre-'Casualty' days portrays him appealingly. Supporting acting is solid.
Overall, great episode if not quite as good as the particularly outstanding episodes up to this point "Stranger in the House" and "Appropriate Adults". 9/10 Bethany Cox
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. The second season opener "A Minority of One" was up to their level. "Widows and Orphans" is a slight step down from the previous episodes but is still very good, and the otherwise very worthwhile "Nothing to Hide" was let down by a far too obvious ending. "Stranger in the House" was the best of the season and to me one of the show's best episodes.
"Quarry" is not quite as good as the previous episode "Appropriate Adults", to me one of the best, most moving and gut-wrenchingly powerful 'Frost' episodes, with one of the best supporting performances on the show (Timmy Lang). It is still a great episode though, all the 'Frost' episodes up to this point are very good to outstanding. Frost's cruelty to Barnard was somewhat of a turn off, don't remember Frost ever being that cruel to any other partner of his, even in other cases where subjectivity is lost, and it was no surprise at all that Barnard snaps in a powerfully written and acted scene. When Frost becomes more sympathetic towards him the change is still very believable.
With that being said, as ever "Quarry" looks great visually. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing while the theme tune is one of the most iconic in the detective genre (or at least to me it is).
The script is well written, with a few amusing quips from Frost, and thought-provoking, and the story is continually compelling and incredibly powerful, shocking me, giving me the creeps and moving me to tears. The solution to the first case is a complete shock and very sad, once that is solved the second case isn't as much of a shock but is not too obvious.
Frost is a remarkably well-established character for so early on, and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Again he shows his less than perfect side but this is a situation where it is understandable.
Jason is brilliant as usual as Frost, while Bruce Alexander and John Lyons are just as good. Barnard makes a welcome return and Matt Bardock pre-'Casualty' days portrays him appealingly. Supporting acting is solid.
Overall, great episode if not quite as good as the particularly outstanding episodes up to this point "Stranger in the House" and "Appropriate Adults". 9/10 Bethany Cox
This all starts when a group of animal rights saboteurs attempt to disrupt a big hunt. From then on it gets confusing. It reminded me a little of all those movies about the IRA. Which side are they on? Because it seems that there are moles in each party. This is about the privilege of the rich and the boredom they encounter. Of course, Mullett wants people to approach with kid gloves because these wealthy are the ones he must answer to. Anyway, when brothers turn on brothers, it becomes incredibly sad. There is a point at which Frost loses all of his objectivity and becomes incredibly cruel to his partner, Mullett's nephew who returns for this episode. The social milieu is one that I haven't encountered to this point, but it ultimately gets down to betrayal and mistaken identity.
When a local hunt saboteur is murdered, Frost must pit his wits against the local hunt organisers in order to find out the truth....However, he soon comes to realise that someone very close to home may know what happened....
Jack is reunited with old sidekick DC Barnard, but their working relationship slowly begins to turn sour.... However, when a horrifying accident leaves one person dead and another seriously injured, they soon reconcile their differences.
Quarry is another fine edition in the Frost franchise combining the usual serious drama with a dash of humour, just to keep the viewer entertained. A round-the-clock investigation finally leads to the suspects in which no doubt may leave viewers surprised. A well-acted story with fine performances. 9/10
Jack is reunited with old sidekick DC Barnard, but their working relationship slowly begins to turn sour.... However, when a horrifying accident leaves one person dead and another seriously injured, they soon reconcile their differences.
Quarry is another fine edition in the Frost franchise combining the usual serious drama with a dash of humour, just to keep the viewer entertained. A round-the-clock investigation finally leads to the suspects in which no doubt may leave viewers surprised. A well-acted story with fine performances. 9/10
This episode revolves about the landed gentry local to Denton namely the Ormrod family, they hold a regular hunt on their land and however hard they try and organise its security it all manages to pear shaped.
When animal rights activists descend on the hunt desperate to sabotage the proceedings, an altercation occurs between both sides and a young protester is attacked.
The police investigation into the incident takes a series turn, for the worst with tragic circumstances for the hunt protester Nick Walder.
The investigations become even murky with the subsequent of another person, deeply involved in hunt sabotage a Mr Stratton.
The hunting and shooting set prove ever bit as determined to protect their privileged status and to hang on to what they have acquired, as those that they consider as being of the "lower orders"
When animal rights activists descend on the hunt desperate to sabotage the proceedings, an altercation occurs between both sides and a young protester is attacked.
The police investigation into the incident takes a series turn, for the worst with tragic circumstances for the hunt protester Nick Walder.
The investigations become even murky with the subsequent of another person, deeply involved in hunt sabotage a Mr Stratton.
The hunting and shooting set prove ever bit as determined to protect their privileged status and to hang on to what they have acquired, as those that they consider as being of the "lower orders"
Did you know
- TriviaThis episode was originally (and subsequently) shown out of sequence. It was supposed to be the first episode of season three, as DCI Allen is mentioned as still being at the station (although away on leave), whereas in the previous episode, "Appropriate Adults", DCI Hawkes has replaced him.
- GoofsAt about 25:00, the camera crew is visible in reflection as they move behind Mahatma's blue van (and again as the camera moves back to the sidewalk).
- Quotes
D.C. Clive Barnard: I was out of order yesterday. Losing my rag.
DI Jack Frost: Forget it. I'll just tell your uncle, the Chief Constable.
D.C. Clive Barnard: I'm sorry.
DI Jack Frost: That's all right. I'll tell you one little trick, though. Out of order is no good to anyone. Out of step is much better. That way you tread on the bits the other people miss.
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