The Sign of Four

Of all the Granada Sherlock Holmes presentations, I believe this to be the best. It has an intricate plot with an amazing story behind it. It is full of unforgettable characters. It has action. It has the Baker Street Irregulars. It has a dog named Toby. Mostly, it is full of life. Jeremy Brett is never better than in this presentation. The British imperialists in India must have been an interesting lot. There's that whole thing with entitlement through domination and power. The four men who become embroiled in the plot are dedicated to each other, even unto death. The two brothers, whose father turns out to be the fly in the ointment, are incredible, both physically and in terms of character. What is the revenge about? It's betrayal, but what is it based on? Where is the treasure? What is the treasure? Where did those strange footprints come from? It all unfolds with hardly a wasted moment in the almost two hour feature. There's also the romantic intentions of Watson who marries the young woman later, if you read the books. This is the young woman he leaves behind constantly as he and Holmes run off on their adventures. If you have an opportunity, see this.

This is an extremely faithful adaptation of the original Doyle novel, and for purists, it can hardly be objected to (although the novel does start and end with Holmes' drug usage -- but is clearly eliminated in this adaptation, apparently by Jeremy Brett who thoroughly objected to that aspect of Doyle's character). As for the uninitiated, or general viewer, it's a bit of a slog. Brett is snappish and somewhat rude at times, unlike the Holmes of the stories, but otherwise excellent, with a gritty baritone that is quite commanding. Ronald Lacey almost steals the show as the Sholto brothers (and it's sad that he would die only a few years later). The real problem with this film is the slack editing and low key direction. Many scenes provide opportunity for dramatic punch but are handled matter-of-factly, with no help from an equally low-key music score. Also, the series of requisite backstories presented in the novel is too much for the film, getting to a point where we're even given a flashback-within-a-flashback. And to top it off, the climax of the story is yet another backstory flashback. It IS Doyle and it IS faithful, so you can't complain that the filmmakers took liberties and fouled things up... but the weakness of the novel as film material is also exposed. Purists though, should be delighted.

JEREMY BRETT and EDWARD HARDWICKE head the cast of an excellent version of THE SIGN OF THE FOUR, given fine support by JENNY SEAGROVE, RONALD LACEY and JOHN THAW.

The intricate story begins with a young woman (Jenny Seagrove) coming to Holmes with a story involving the mysterious disappearance of her father. Several years after his death she began receiving yearly presents of priceless pearls, one by one each year. The story becomes more and more complex as more of the characters involved in her father's disappearance come to the fore. Among them, RONALD LACEY, who gives a quirky performance as twin brothers whose father wanted them to receive his inheritance. JENNY SEAGROVE and JOHN THAW are particularly interesting in well-defined supporting roles.

All the Victorian atmosphere is here along with elaborate settings and fine color photography. The two hours go by swiftly, since there's so much story to tell. Well worth watching with only a few scenes toward the end that seem to go on too long.

One of Conan Doyle's best Holmes stories is adapted to perfection in this, the first feature length Holmes adventure from Granada Television. Jeremy Brett and Edward Hardwicke are fantastic (as always) and the supporting cast are quite good, not to mention appropriately quirky (especially important in this adventure).

The adaptation itself is, as was typical with the Granada series (and at least the first two feature length outings), quite faithful to the original story. It's well crafted and beautifully directed, with all the twists and turns of the Conan Doyle original (one of his most remarkable tales).

In short, this version of The Sign of Four manages to outshine all previous adaptations, and hasn't been rivaled since. The 1983 television version with Ian Richardson was certainly passable, but doesn't come close to this. Once again, Granada prove that their Holmes is without equal.

Sherlock Holmes is a brilliant crime series, and has a brilliant star in the name of Jeremy Brett, who was without doubt the best Sherlock Holmes.

What is excellent about this adaptation, is the closeness to the book, and of course the acting of Brett and Hardwicke. And the fine camera work and period detail. Jenny Seagrove and Ronald Lacey did very well in their roles.

But for me, the highlight was the boat on the river chase, and the introduction of Jonathan Small(the flashback sequences were very interesting and beautifully played too), who was brilliantly played by the late John Thaw. He was the best actor in the adaptation, apart from Brett. It must be really uncomfortable with a wooden leg though. Great music too, very haunting at the beginning especially.

This is really good, if a little creepy, Tonga was very scary. The Ian Richardson version is also good, but not as effective. 9/10 Bethany cox