An enemy of MacGyver's fills a supposed safe house with several deadly booby traps to exact his revenge on MacGyver.An enemy of MacGyver's fills a supposed safe house with several deadly booby traps to exact his revenge on MacGyver.An enemy of MacGyver's fills a supposed safe house with several deadly booby traps to exact his revenge on MacGyver.
- Director
- Writers
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Herbert Fux
- Artur Scenes from 'Funeral in Berlin'
- (archive footage)
- (uncredited)
Wolfgang Völz
- Werner 'Pall bearer' 'Scenes from 'Funeral in Berlin' (Opening Gambit)
- (archive footage)
- (uncredited)
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Featured reviews
This episode is another of my honorable mentions for the show. It's true that this episode isn't perfect, I'll get some of the bugs out of this room first.
One is a minor quibble which is Pete he didn't really get to do much no was in the episode very long; though this episode is on the first season and this was before the dynamic between both Pete and MacGyver was established, let alone doesn't hurt the story so I can let this slide.
The other is that despite a good premise it doesn't quite push the envelope as we don't quite explore enough of the mansion, which would of meant more traps and challenges for MacGyver, but this probably couldn't be helped due to time constraints so oh well.
Now that the bugs are out of the room let's get to business, I do like the plotline which feels like the kind for a "Batman" story as this feels like the kind of challenge The Riddler would put Batman though. The main villain Quale I thought was solid, in a way he's clearly a proto-Murdoc as he's got the same ingenuity and even borderline insanity as that villain.
The suspense is tight as you see MacGyver is trapped is in one giant escape room scenario, only there won't be any second chances as you feel the next room and turn in the house could be your last, or even the simplest object we see and take for granted can be a fail trap waiting for you to trip.
You also feel stakes are high as the lives of his allies are at stake and the longer MacGyver stays in that house the more his chances of dying increase.
Can MacGyver find a way to turn the tables and have Quale play his game; you'll just have to wait and see.
Rating: 3 and a half stars.
One is a minor quibble which is Pete he didn't really get to do much no was in the episode very long; though this episode is on the first season and this was before the dynamic between both Pete and MacGyver was established, let alone doesn't hurt the story so I can let this slide.
The other is that despite a good premise it doesn't quite push the envelope as we don't quite explore enough of the mansion, which would of meant more traps and challenges for MacGyver, but this probably couldn't be helped due to time constraints so oh well.
Now that the bugs are out of the room let's get to business, I do like the plotline which feels like the kind for a "Batman" story as this feels like the kind of challenge The Riddler would put Batman though. The main villain Quale I thought was solid, in a way he's clearly a proto-Murdoc as he's got the same ingenuity and even borderline insanity as that villain.
The suspense is tight as you see MacGyver is trapped is in one giant escape room scenario, only there won't be any second chances as you feel the next room and turn in the house could be your last, or even the simplest object we see and take for granted can be a fail trap waiting for you to trip.
You also feel stakes are high as the lives of his allies are at stake and the longer MacGyver stays in that house the more his chances of dying increase.
Can MacGyver find a way to turn the tables and have Quale play his game; you'll just have to wait and see.
Rating: 3 and a half stars.
Why is this an almost perfect MacGyver?
First, it still has an opening gambit. These didn't last long but they brightened early entries of the show. This one uses footage from the Michael Caine movie FUNERAL IN BERLIN. Well, MacGyver is nothing if not derivative.
Second, it has an arch-foe from his past who wants to play with him before executing him. Too bad Murdoc hadn't been invented. He'd have loved this. But the guy the hired is an acceptable proto-Murdoc.
Third, like a good novel by Alistair McLean, there's treachery within. But I won't expand on that. It keeps the prisoners of the electronics-wizard bad guy guessing. And us.
Fourth, Pete and MacGyver still work for "The Department." Frankly, though I always prefer private enterprise to a meddling government, I always felt the Phoenix Foundation was a bit too goody-goody and definitely too big for its boots.
And finally, this episode provides Angus MacGyver plenty of opportunities to show off his peculiar ingenuity.
I like the character of Angus. He's always polite, always says Sir and Ma'am, and only loses his temper at his friends. I'm the same way.
Oh, the plot. As hinted at above, Angus, Pete, a babe and a woman who's an expert at crytoanalysis are trapped in a "safe house" (actually a mansion with some fine woodwork) while this fellow hired to recover some microfilm MacGyver stole from East Berlin sets his sights on some long, slow revenge. You know, sharks with lasers on their forehead stuff. After all, if he just shot Angus and his pals while he had them under his thumb the episode wouldn't last long and stations across the country airing this would have to go to PSAs.
Oh, and this early on the series the USSR and its satellites, thug regimes who keep control of their people at gunpoint, ostensibly Communist but keeping the people poor and deliberately starving while the heads of state live in luxury, were enemies to be defeated by covert means, since no one really wanted World War III. Later in the show MacGyver and the Phoenix Foundation mollycoddled Soviet leaders under Smiling Jack Gorbachev (too many Americans would buy a used car from that man) and their military while finding enemies in the American military. Phooey.
So, overall, especially if you haven't seen FUNERAL IN BERLIN, this is an almost-perfect MacGyver.
BTW, a small point, but this episode gives an alternate-universe story of how Mac and Pete met. I suppose the true story is still classified by "the Department."
First, it still has an opening gambit. These didn't last long but they brightened early entries of the show. This one uses footage from the Michael Caine movie FUNERAL IN BERLIN. Well, MacGyver is nothing if not derivative.
Second, it has an arch-foe from his past who wants to play with him before executing him. Too bad Murdoc hadn't been invented. He'd have loved this. But the guy the hired is an acceptable proto-Murdoc.
Third, like a good novel by Alistair McLean, there's treachery within. But I won't expand on that. It keeps the prisoners of the electronics-wizard bad guy guessing. And us.
Fourth, Pete and MacGyver still work for "The Department." Frankly, though I always prefer private enterprise to a meddling government, I always felt the Phoenix Foundation was a bit too goody-goody and definitely too big for its boots.
And finally, this episode provides Angus MacGyver plenty of opportunities to show off his peculiar ingenuity.
I like the character of Angus. He's always polite, always says Sir and Ma'am, and only loses his temper at his friends. I'm the same way.
Oh, the plot. As hinted at above, Angus, Pete, a babe and a woman who's an expert at crytoanalysis are trapped in a "safe house" (actually a mansion with some fine woodwork) while this fellow hired to recover some microfilm MacGyver stole from East Berlin sets his sights on some long, slow revenge. You know, sharks with lasers on their forehead stuff. After all, if he just shot Angus and his pals while he had them under his thumb the episode wouldn't last long and stations across the country airing this would have to go to PSAs.
Oh, and this early on the series the USSR and its satellites, thug regimes who keep control of their people at gunpoint, ostensibly Communist but keeping the people poor and deliberately starving while the heads of state live in luxury, were enemies to be defeated by covert means, since no one really wanted World War III. Later in the show MacGyver and the Phoenix Foundation mollycoddled Soviet leaders under Smiling Jack Gorbachev (too many Americans would buy a used car from that man) and their military while finding enemies in the American military. Phooey.
So, overall, especially if you haven't seen FUNERAL IN BERLIN, this is an almost-perfect MacGyver.
BTW, a small point, but this episode gives an alternate-universe story of how Mac and Pete met. I suppose the true story is still classified by "the Department."
Did you know
- TriviaAt the start of the episode, at the shot of people exiting the landing pad, the helicopter can be seen wobbling and then taking off with its door open. Although innocuous in appearance that was a case of "ground resonance", a dangerous condition where a helicopter standing on the ground may start to shake increasingly violently and eventually suffer a catastrophic failure wrecking the helicopter. The pilot took off to prevent this from happening, and the footage was left in the episode.
- GoofsMacGyver wonders if the front door is electrified. Incredibly, he touches the metal door with the tip of his pocket knife and says that it isn't electrified, which is a good thing, since touching an electrified door with a metal pocketknife would have been fatal for him. However, many Swiss Army knives have a plastic casing rather than metal; plastic would act as an insulator.
- ConnectionsEdited from Mes funérailles à Berlin (1966)
- SoundtracksMacGyver Theme
Written by Randy Edelman
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