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Pour l'amour du risque
S1.E15
All episodesAll
  • Cast & crew
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IMDbPro

Which Way, Freeway?

  • Episode aired Sep 5, 1982
  • TV-PG
  • 1h
IMDb RATING
7.5/10
140
YOUR RATING
Robert Wagner and Stefanie Powers in Pour l'amour du risque (1979)
ActionAdventureCrimeMysteryRomance

Freeway's got a new girlfriend, and when her master is killed, Freeway disappears with the gun -- but doesn't have it when he gets home.Freeway's got a new girlfriend, and when her master is killed, Freeway disappears with the gun -- but doesn't have it when he gets home.Freeway's got a new girlfriend, and when her master is killed, Freeway disappears with the gun -- but doesn't have it when he gets home.

  • Director
    • Ray Austin
  • Writers
    • Sidney Sheldon
    • Mary Ann Kasica
    • Michael Scheff
  • Stars
    • Robert Wagner
    • Stefanie Powers
    • Lionel Stander
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    140
    YOUR RATING
    • Director
      • Ray Austin
    • Writers
      • Sidney Sheldon
      • Mary Ann Kasica
      • Michael Scheff
    • Stars
      • Robert Wagner
      • Stefanie Powers
      • Lionel Stander
    • 2User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos

    Top cast19

    Edit
    Robert Wagner
    Robert Wagner
    • Jonathan Hart
    Stefanie Powers
    Stefanie Powers
    • Jennifer Hart
    Lionel Stander
    Lionel Stander
    • Max
    Paul Sylvan
    Paul Sylvan
    • Joey Armstrong
    Rebecca Hollen
    • Eileen Nash
    Peggy Pope
    Peggy Pope
    • Annette
    Stephen Elliott
    Stephen Elliott
    • Steven Baldwin
    Lester Fletcher
    Lester Fletcher
    • Manager
    • (as Lester C. Fletcher)
    Hugh Gillin
    Hugh Gillin
    • Dr. Gastone
    William Marquez
    • Gardener
    Tybee Brascia
    • Airline Official
    Charles Allen-Anderson
    • Security Man
    • (as Charles Anderson)
    Jack Berle
    • Customer
    • (uncredited)
    John Blower
    • Jewelry Shop Employee
    • (uncredited)
    Charlie
    • Freeway
    • (uncredited)
    Anthony Gordon
    • Pilot
    • (uncredited)
    Robert Hitchcock
    • Pedestrian
    • (uncredited)
    Guy Miller
    • Airport Commuter
    • (uncredited)
    • Director
      • Ray Austin
    • Writers
      • Sidney Sheldon
      • Mary Ann Kasica
      • Michael Scheff
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews2

    7.5140
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    Featured reviews

    5aramis-112-804880

    Warning: a difficult episode to watch

    Two things set my teeth on edge: touching suede and people who climb onto their high horses to announce they're animal lovers. They only do that adopt an air of unbearable superiority. Watch me with my cats and dogs and if you tell me I'm not I'll whop you with a shovel. I've never mistreated an animal but I won't boast I'm a human lover. I don't try to pretend I'm better than other people.

    Whether you're an animal lover like me or if you're one of those unbearable prigs who ride your high horse, there's a cringe-worthy moment, in this episode, of dog abuse. Not actually shown on-camera but it's bad enough. If you can't take that, don't watch this episode. I never will again. I never watch movies with pet cats and dogs. Too many nasty things happen to them and I can't bear it. I can watch Clint Eastwood in a World War II flick mow down thousands of Germans, presumably with wives and children and mothers; but rub a cat's fur the wrong way and I'm furious.

    So who is the fellow in the wheelchair? That's an unexpected moment in a show like "H2H" where little is surprising.

    I despise the name Freeway. My folks grew up on farms so animals were rarely on the house and when I was a kid I had too many dogs run over. The very name makes me nervous. The moment of dog abuse is hard to take. It's one of those moments that make you wish they'd reintroduce public hangings.
    6HilaryElizabeth9

    Two woofs are better than one

    There's a ton going on in this first and best Freeway-based episode. Some of it great, some of it fun, some of it silly, some of it stupid; but ultimately, it's very watchable. Right away you get a beautiful shot tracking around the full depth of the kitchen that culminates in Jennifer in a bunny costume. Why is she in a bunny costume? Cuz they want us to say, OMG, she's adorable in that bunny costume. Yes, there's a plot point of them having a charity event for animals (that makes up for the Night Horrors fur), but they never get there and just trust me, it's solely meant to make you look at Stefanie in the bunny costume. It's effective, too, cuz she's adorable. The plight of Freeway's doggie girlfriend, Susie, gets us invested pretty quickly. The Harts do what they do for all creatures in their sphere and take responsibility for her (even though they know the owner), get her to the vet, and then return her right into the lap of the bad guys. Incidentally, the Larchmont Pet Clinic really exists, and the sign hasn't changed a lick since 1980. Soon Freeway's safety is threatened, and I spent the rest of the episode terrified for the dogs. Well done stuff with the interaction of the two pooches on screen. Not so well done were the frequent use of unnecessary dubs over scene transitions and lazy, reused shots. For instance, it doesn't take my critical eye to notice that Jennifer's reaction shots in the living room when Freeway first comes back are clearly from the earlier kitchen scenes. I mean, blatantly obvious. But there's also a very unique chase scene in golf carts that had me pretty impressed midway thru the ep that made me forgive. This show will constantly remind us that Jonathan is fabulous at absolutely everything; as a business magnate, that golf is one of them should be a surprise to no one. In this case, RJ didn't have to fake it, he really hit that golf ball, and we all get to see it sail from stroke to green in the nicely executed long shot. The entire set of golf locations scenes were great, expertly crafted, and all three of them looked like they were having a serious hoot filming them. There's also J&J gold in this ep via the clear communicating they do with each other solely in their subtle glances. I also about howled when I saw Peggy Pope – again – as a maid – AGAIN!!! She'll be another maid in a couple more years in "Hart & Sole." This woman has the market cornered on maid roles, seriously, I laughed out loud. Then there's the bad guy's line to the bad guy girlfriend; her character is Eileen, and as soon as he says, "come on, Eileen," you know you'll be hearing Dexy the rest of the day.

    Blooper Alert --> Last act, Jonathan calls the dead man Stuart Baldwin instead of the character's actual name, Steven. Also in that scene, not a blooper, but the wine bottle is in some kind of silver service holder thingie, and it just kind of blew my mind.

    I didn't love the climax of J&J swiping the luggage tram. Like the taking of the fire truck, it was gratuitous and made even worse when Jonathan threw all the luggage around. As a traveler, that's a huge turn off for me; but Stef is really driving the thing. In the end, it was very, very Hart to Hart. But I'm left genuinely sad, because I know we never see Susie again. That just begs the question … is she OK, where does she go, and since the Harts have more money than god, why can't she stay?

    Storyline

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    Did you know

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    • Goofs
      The bandage on the dog Freeway's girlfriend Suzie is missing in several scenes and this dog does not have the large wound.
    • Soundtracks
      Hart to Hart
      Music by Roger Nichols

      Lyrics by Leslie Bricusse

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    Details

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    • Release date
      • September 5, 1982 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Via Verde Country Club, 1400 Avenida Entrada, San Dimas, California, USA(Golf cart chase scene)
    • Production companies
      • Rona II
      • Spelling-Goldberg Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      1 hour
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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