The Body
- Episode aired Feb 27, 2001
- TV-PG
- 1h
Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.
- Anya
- (as Emma Caulfield)
- Spike
- (credit only)
- Rupert Giles
- (as Anthony Stewart Head)
- 911 Operator
- (voice)
- Lisa
- (as Rae'Ven Larrymore Kelly)
Featured reviews
Buffy reverts to a child about the same age as Dawn when she discovers the body. Anya is more human than she is at any other moment of the series when she admits her profound confusion over Joyce's death, and cries. Zander, ever male in his childishness, wants to hit someone--or something--in his anger at the injustice of natural death. Willow can't find who she is, because she can't define herself without the "right" top. And Dawn has to see the reality of her mom's death with her own eyes, because her own reality is so iffy. Powerful moments for each character to face and it's the soundtrack of everyday life that frames each character's confrontation with reality, not music. Another brave choice by Joss Whedon and the perfect counterpoint to his "Hush" that succeeds just as perfectly.
If art is the attempt to perfectly capture an emotion or an idea through a medium (whether it's music, prose, visual, etc.), then it would not be an exaggeration to say that this episode is a masterpiece. If art, and not entertainment, is the measure of quality television then I could, with certainty, say that this is the best hour of television ever produced. It may be the best thing ever filmed.
As a rather critical person, I realize how silly the praise above sounds. I think many people who haven't experienced the loss of a parent won't "get it." But those that have should come away with similar praise.
When I watched the episode, I felt that it wasn't that long ago at all. In fact, I was actively reliving the incident as if it was happening right in front of my eyes. The paramedics... The police... The coroner... I do not recall a single name or face, just the face of my brother, lying, innocently smiling as if in a pleasant dream... My hand touching his forehead - bitter cold as it was. I recall having to hug my parents all the time, comforting them as much as I could possibly do.
I broke into tears only after getting back to my apartment late at night, crying my eyes out, my sweater all wet of snot and tears - just sitting in the dark crying for god knows how long.
It often comes back to me in the best and therefore worst of moments - Christmas, birthdays, my wedding, but never in recent time as strong as while I was watching "The Body".
Thank you, Joss Whedon, for writing this episode, and let me say I am sorry for whatever loss has inspired it - otherwise it would be impossible to write something this profound.
Thomas
While Buffy doesn't rank amongst my all-time favourite shows, it did produce some ground breaking episodes and this perhaps the best of the bunch, I remember feeling so drained when I first watched this and repeated viewings have not really dulled my emotional response (Emma Caulfield's speech gets me every time). Yes that heavy feeling deep in my gut I had the first time around is still there.
The Body is pitch perfect on practically every level. So much so that if you have been unfortunate enough to experience something similar in real life watching this will be achingly familiar and may even help you to re-evaluate your own feelings and actions.
The performances are all great and always feel natural and real. But ultimately it's the other touches that Joss Whedon brings that really hit home and heighten the reality. The absence of music, the direction (which includes some interesting shots and POV's)and the cruel moments of false hope all meld together to give the viewer the same sense of disorientation that Buffy is feeling.
There's also some great staging, for instance the scene where Buffy tells Dawn is beautifully handled and we are reduced to onlookers who understand only too well but yet are hopeless to act or to truly be involved.
With this episode Buffy transcends its origins and becomes art.
If you are not moved in some way by watching this something may be wrong
Did you know
- TriviaJoss Whedon wanted the scenes to be long which is why there are four scenes (other than the Christmas scene). Whedon has stated that he wanted to capture how time feels stuck when grief strikes. There is no music, either, because Whedon said that music is a comfort to the audience.
- GoofsParamedics in the state of California are not allowed to pronounce death. Joyce would have been taken to the hospital where it is likely she would have been pronounced DOA. Also, once paramedics begin CPR, it is usually not allowed to be stopped until someone with a higher degree of medical training takes over.
- Quotes
Anya: Are they gonna cut the body open?
Willow Rosenberg: Oh my God! Would you just stop talking? Just... shut your mouth, please!
Anya: What am I doing?
Willow Rosenberg: How can you act like that?
Anya: Am I supposed to be changing my clothes a lot? I mean, is that the helpful thing to do?
Xander Harris: Guys...
Willow Rosenberg: The way you behave...
Anya: Nobody will tell me.
Willow Rosenberg: Because it's not okay for you to be asking these things!
Anya: But I don't understand! I don't understand how this all happens,
[starts crying]
Anya: how we go through this. I mean, I *knew* her, and then she's- There's just a body, and I don't understand why she just can't get back in it and not be dead anymore. It's stupid. It's mortal and stupid. And-And Xander's crying and not talking. And-And I was having fruit punch, and I thought, well, "Joyce will never have any more fruit punch, *ever*, and she'll never have eggs or yawn or brush her hair, not ever." And no one will explain to me why.
- Crazy creditsInstead of the regular opening credits, a flashback scene was created that consisted of the whole cast having Christmas dinner at the Summers' house. It was created so as not to have written credits appearing over the dramatic opening scenes.
- ConnectionsFeatured in Buffy contre les vampires: The Gift (2001)