The Body
- Episode aired Feb 27, 2001
- TV-PG
- 1h
Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.Buffy, Dawn, and their friends deal with the aftermath of Joyce's death.
- Anya
- (as Emma Caulfield)
- Spike
- (credit only)
- Rupert Giles
- (as Anthony Stewart Head)
- 911 Operator
- (voice)
- Lisa
- (as Rae'Ven Larrymore Kelly)
Featured reviews
What Whedon taps into in his style here (what he calls the "physicality" of people in the first few hours after a loved one has passed) is the inability to cope with mortality. Every character has his or her own way of "dealing"- in quotes since it's a dealing that is about as heavy as one can not hope to imagine- and most significant is seeing Buffy's initial reaction at the start of the episode, of the same disillusionment that sends one into a state of shock (and, frankly, us too), and Anya, who up until now has been mildly or quite annoying as a 'comic-relief' only to provide as the once-demon persona on the show the most profound statement on death heard in a while. Only monologues spoken in Ingmar Bergman films dealing with the matter of life and death (and the incredible, impossible void left for us in the presence of nothingness) top this one for a cinematic depth of this situation.
It's great storytelling, superb and intimate acting, and with a final moment in a morgue that has a poetic flavor. Dare I say it, it's even better than Hush at conveying a breakdown of the human spirit.
If art is the attempt to perfectly capture an emotion or an idea through a medium (whether it's music, prose, visual, etc.), then it would not be an exaggeration to say that this episode is a masterpiece. If art, and not entertainment, is the measure of quality television then I could, with certainty, say that this is the best hour of television ever produced. It may be the best thing ever filmed.
As a rather critical person, I realize how silly the praise above sounds. I think many people who haven't experienced the loss of a parent won't "get it." But those that have should come away with similar praise.
If anyone has gone through something like that (like me) this episode really cuts deep as it's so realistic.
And for the person in here saying: 'We don't watch Buffy for emotional crap, but for the humor and the action' - I don't know what series you have been watching but Buffy was just that. Humor, Action & a lot of emotional 'crap'. The beauty of this series is that you can laugh, scare and cry in one single scene. Whedon's trademark.
Now, i have to talk about the acting. Every single actor shines in this this episode. Emma Caulfield: i didn't know she could act this great. Her monologue about Joyce's death broke my heart and make me cry like a river. She was just outstanding. Alyson Hannigan: she did have some really good acting scenes but in this episode she is great. In the whole scene about looking for the blue shirt she made me think i really misjudged her. Amber Benson: even she did a great job in this scene with Buffy in waiting room she wasn't amazing like other but she showed she can act. And finally Sarah Michelle Gellar: Her acting developed through the seasons and in this episode she was so real and act like her own mother died, applause!
The biggest applause goes to Joss Whedon. He's genius and takes this series to higher level. 10/10.
Did you know
- TriviaJoss Whedon wanted the scenes to be long which is why there are four scenes (other than the Christmas scene). Whedon has stated that he wanted to capture how time feels stuck when grief strikes. There is no music, either, because Whedon said that music is a comfort to the audience.
- GoofsParamedics in the state of California are not allowed to pronounce death. Joyce would have been taken to the hospital where it is likely she would have been pronounced DOA. Also, once paramedics begin CPR, it is usually not allowed to be stopped until someone with a higher degree of medical training takes over.
- Quotes
Anya: Are they gonna cut the body open?
Willow Rosenberg: Oh my God! Would you just stop talking? Just... shut your mouth, please!
Anya: What am I doing?
Willow Rosenberg: How can you act like that?
Anya: Am I supposed to be changing my clothes a lot? I mean, is that the helpful thing to do?
Xander Harris: Guys...
Willow Rosenberg: The way you behave...
Anya: Nobody will tell me.
Willow Rosenberg: Because it's not okay for you to be asking these things!
Anya: But I don't understand! I don't understand how this all happens,
[starts crying]
Anya: how we go through this. I mean, I *knew* her, and then she's- There's just a body, and I don't understand why she just can't get back in it and not be dead anymore. It's stupid. It's mortal and stupid. And-And Xander's crying and not talking. And-And I was having fruit punch, and I thought, well, "Joyce will never have any more fruit punch, *ever*, and she'll never have eggs or yawn or brush her hair, not ever." And no one will explain to me why.
- Crazy creditsInstead of the regular opening credits, a flashback scene was created that consisted of the whole cast having Christmas dinner at the Summers' house. It was created so as not to have written credits appearing over the dramatic opening scenes.
- ConnectionsFeatured in Buffy contre les vampires: The Gift (2001)