IMDb RATING
5.8/10
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After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.
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Matt Campbell (Kyle Gallner) has a terminal cancer and is submitted to an experimental treatment in the St. Michael's Hospital Goatswood in Connecticut. The responsible for the trial, Dr. Brooks (D.W. Brown), advises that if Matt starts seeing things, he should drop the experiment. His religious mother Sara (Virginia Madsen) drives almost eight hours with her son since he has nausea and needs to vomit during the travel. She proposes her husband Peter (Martin Donovan), who had trouble with booze, to rent a house in Connecticut to be close to the hospital despite their second mortgage. Sara finds an old house with an affordable price and she questions the catch to the owner and he explains that the house has a history, since it was a funeral home in the past. Sara hides the truth from Peter and the family moves to the house. While in the treatment, Matt befriends Reverend Popescu (Elias Koteas), who has also cancer. When Matt has weird visions and nightmares from the past, he calls Popescu that tells him that an evil entity is trapped in the house and they are able to see him because they are in the borderline of the worlds of the living and the dead.
"The Haunting in Connecticut" is an above average movie of haunted house since it blends a very well developed family drama with spooky scenes of a ghost story. There are many realist situations like the bad financial situation of the Campbells that are usually forgotten in American movies. Further, there is a beautiful message of faith, and Sara truly believes that God works in a mysterious way. The drinking problem of Peter and how it affected the relationship with Sara is just glanced and could be better explored. I do not like the sensationalism that highlights on the cover of the DVD that the story is based on a true event since this movie is better than that. My vote is seven.
Title (Brazil): "Evocando Espíritos" ("Evoking Spirits")
"The Haunting in Connecticut" is an above average movie of haunted house since it blends a very well developed family drama with spooky scenes of a ghost story. There are many realist situations like the bad financial situation of the Campbells that are usually forgotten in American movies. Further, there is a beautiful message of faith, and Sara truly believes that God works in a mysterious way. The drinking problem of Peter and how it affected the relationship with Sara is just glanced and could be better explored. I do not like the sensationalism that highlights on the cover of the DVD that the story is based on a true event since this movie is better than that. My vote is seven.
Title (Brazil): "Evocando Espíritos" ("Evoking Spirits")
I made a deal with myself a long time ago that, whenever I would watch a horror movie of which I know from beforehand that I probably end up hating it, I would try to keep an open mind and avidly search for at least one positive aspect! This can be almost anything, except for gratuitous boobs on display (too easy), but I'm primarily hoping for at least one innovative plot aspect or surprising story twist. My expectations for "The Haunting in Connecticut" were set very low, because this production clearly features a number of clichéd elements that I dislike the most: paranormal entities in an abandoned house, supposedly based on a true story (yeah, right
), probably copious amounts fake scares and predictable "boo!"-moments and an overload of irritating PG-13 approved digital effects. Yes, the film does feature all the above mentioned stuff, but to my surprise it was still relatively easy to find the innovative plot aspect! To my knowledge and unless if I'm overlooking a certain title – which is always possible with more than 3.500 reviewed horror movies - "The Haunting in Connecticut" is the first movie I've seen that makes a connection between terminal illness and being a paranormal medium. The protagonist, teenager Matt Campbell, suffers from a deadly form of metastatic cancer, and the fact that he continuously balances on the edge of life and death apparently makes him more receptive for paranormal activities. It's definitely not a world- shocking new twist to the ghost-movie sub-genre, but at least I found it acceptable. Since Matt can't physically handle the long car trips between their house and the specialized cancer clinic, his devoted mother Sara rents an extra house in Connecticut. The family can hardly finance this, but they stumble upon a large house that is very cheap due to its past as a funeral home with a macabre history. Matt immediately begins to see nightmarish things, like corpses with strange carvings all over and their eyelids cut off. Together with his older sister and a local priest, also a cancer patient, they dig up the house's history and discover that the original mortician – Mr. Aickman – also used the basement to organize séances. His young assistant Jonah was an exceptional medium who even produced ectoplasm, but one of the séances went horribly wrong and killed all participants including Aickman. Jonah's restless soul, as well as those of hundred others, are still inside the house and now manifest themselves through Matt. Poor kid
As if dying from cancer and struggling through sickening special treatments isn't miserable enough already, he also has to face malevolent Connecticut ghosts! I didn't make any efforts to find out elements of the script are truthful and what others are fictionalized (the latter probably counts for 99%), but at least I can honestly state that this was one of the least annoying haunted-houses/paranormal entities movies that I watched since the new Millennium. I admit I'm a sucker for spooky old photographs and atmospheric black/white flashbacks set in the 1920s/1930s period, so "The Haunting in Connecticut" gains a couple of extra points for featuring this, and the special effects were adequate too. The film has a more than decent cast, with the lovely Virginia Madsen ("Candyman") as the concerned mother and Elias Koteas as the helpful priest. There's a sequel already, set in Georgia this time, and another one upcoming set in New York. After that I assume there will be 47 more of these movies, one for each state.
It has its familiar moments and a sprinkle of cliches, but The Haunting in Connecticut does prove to be a decent and quite interesting little haunted house film- feeling very reminiscent as well as inspired by The Amityville Horror. Personally I enjoyed this flick. Yeah, it has some melodramatic moments at times, but I was certainly never bored while watching it. The fact that this film has such low ratings, especially when compared to other anticipated flops like The Possession is quite alarming. The acting is pretty well done, namely from Virginia Madsen, Elias Koteas, and Kyle Gallner. The only one who isn't all that great is Martin Donovan as the father character, but he's hardly in the movie enough to make a difference- heck even the kid actors are decent in this film. The imagery throughout the movie is haunting and surreal, it crawls under your skin, and truly allows for the atmosphere to really shine throughout the film despite its more noticeable flaws. The cinematography is nice, and the story is pretty well paced, albeit a bit formulaic at times, but still enjoyable. In the end, I do not see why The Haunting in Connecticut deserves so much hate, and found it to be a rather decent little horror flick. It may have some similarities to horror films in the past, but its unique moments and inspired ones lend it to be a very entertaining and creepy film i'm glad I didn't pass on.
My Rating: 7.3/10.
My Rating: 7.3/10.
In THE HAUNTING IN CONNECTICUT, the Campbell family moves into a former funeral home (!) in order to be closer to the doctor of their terminally ill son. They're unaware that their new home was once the site of unspeakable acts of necromancy.
Now, the former victims of these violations are out to make their presence known.
This movie exceeds expectations. The story is engaging, the characters are believable, and the ghouls are original. Virginia Madsen plays the tormented Mrs. Campbell with the perfect balance of familial love and growing terror. Kyle Gallner is Matt, who gets one of the most memorable scenes in this or any other supernatural tale!
Definitely worth a look...
Now, the former victims of these violations are out to make their presence known.
This movie exceeds expectations. The story is engaging, the characters are believable, and the ghouls are original. Virginia Madsen plays the tormented Mrs. Campbell with the perfect balance of familial love and growing terror. Kyle Gallner is Matt, who gets one of the most memorable scenes in this or any other supernatural tale!
Definitely worth a look...
2009. The year of the almost good horror film. Less then half way through this movie season we have had a whole wad of horror/slasher/thriller movies that have come so close yet haven't make the cut. Instead, so far we only have The Univited that can lay claims to being a solid entry, but lagging behind in the just-not-good-enough clan is Friday the 13th, My Bloody Valentine, The Last House on the Left and now The Haunting in Connecticut.
I have actually seen the Discovery Channel documentary of the same name and the movie is not exactly loyal, but does take numerous elements into consideration when crafting this consistently creepy but ultimately familiar ghost flick. I do enjoy a film that relies on atmosphere and character drama to build tension and a sense of dread over the Hostel philosophy that spend all your budget on fake blood is the best way to proceed. Yet, as with many fright flicks the director loses confidence in the audience to stay interested on atmosphere alone and perforates the story with boo moments and just enough clichés to make it forgettable.
Diagnosed with cancer, teenager Matt Campbell (Kyle Gallner) is suffering far more from the lengthy car rides to treatment then he is from his tragic disease. Taking charge, Matt's mother (Virginia Madsen) finds a rental property in Conneticut just a short trip from the clinic. Moving away from their hometown, Matt, his father (martin Donnovan), younger sister and brother (Sophi Knight and Ty Wood), cousin Wendy (Amanda Crew) and mother think that they have found a godsend in the old but charming property. But the home has ties to something far more satanic as strange occurrences begin to plague Matt. Is it his medication, or is something more sinister after the weakened teen?
Director Peter Cornwell builds tension very well throughout the opening half of the film, peppering the atmosphere with terrifying visions from the eyes of Matt. Like most horror films however, things begin to dissolve in the latter portions as we are introduced to the token priest, the boo moments mount and we are subjected to silly flashbacks that do nothing to heighten the mood back to its original lofty footing. Thankfully some credibility is returned in a extremely creepy climax that will make you reconsider hiring a home inspector next time you look to move.
The performances, especially from Madsen and Gallner are quite solid and they keep things grounded as best they can as things go awry. But presenting its PG rating as more of a limitation than an opportunity to raise the bar ultimately left me fairly numb, even if I checked the closet an extra time the night after.
6.5 / 10.0
Read all my reviews at: http://www.simonsaysmovies.blogspot.com
I have actually seen the Discovery Channel documentary of the same name and the movie is not exactly loyal, but does take numerous elements into consideration when crafting this consistently creepy but ultimately familiar ghost flick. I do enjoy a film that relies on atmosphere and character drama to build tension and a sense of dread over the Hostel philosophy that spend all your budget on fake blood is the best way to proceed. Yet, as with many fright flicks the director loses confidence in the audience to stay interested on atmosphere alone and perforates the story with boo moments and just enough clichés to make it forgettable.
Diagnosed with cancer, teenager Matt Campbell (Kyle Gallner) is suffering far more from the lengthy car rides to treatment then he is from his tragic disease. Taking charge, Matt's mother (Virginia Madsen) finds a rental property in Conneticut just a short trip from the clinic. Moving away from their hometown, Matt, his father (martin Donnovan), younger sister and brother (Sophi Knight and Ty Wood), cousin Wendy (Amanda Crew) and mother think that they have found a godsend in the old but charming property. But the home has ties to something far more satanic as strange occurrences begin to plague Matt. Is it his medication, or is something more sinister after the weakened teen?
Director Peter Cornwell builds tension very well throughout the opening half of the film, peppering the atmosphere with terrifying visions from the eyes of Matt. Like most horror films however, things begin to dissolve in the latter portions as we are introduced to the token priest, the boo moments mount and we are subjected to silly flashbacks that do nothing to heighten the mood back to its original lofty footing. Thankfully some credibility is returned in a extremely creepy climax that will make you reconsider hiring a home inspector next time you look to move.
The performances, especially from Madsen and Gallner are quite solid and they keep things grounded as best they can as things go awry. But presenting its PG rating as more of a limitation than an opportunity to raise the bar ultimately left me fairly numb, even if I checked the closet an extra time the night after.
6.5 / 10.0
Read all my reviews at: http://www.simonsaysmovies.blogspot.com
Did you know
- TriviaEd Warren and Lorraine Warren, who are known for involvement in The Amityville Horror case, were investigators for this case.
- GoofsCorpses' eyes dessicate noticeably and morticians as a matter of routine fill out eye sockets with cotton wadding for open-casket funerals. As a result, corpses that have had their eyelids cut off would not have the natural looking eyes portrayed here.
- Quotes
[reciting a poem]
Matt Campbell: One bright day in the middle of the night, two dead boys got up to fight. Back to back they faced each other, drew their swords and shot each other. A deaf policeman heard the noise and came and killed those two dead boys.
- Alternate versionsAn unrated version has been released on DVD which runs 10 minutes longer than the PG-13 Theatrical Version (92mins) and also runs the same length as the version approved in the UK by the BBFC at 102mins. 98% of the changes relate on different color schemes of individual takes - partly only frame-short - as well as alternative material. The supernatural appearances are mainly in monochrome but colored in the unrated version. Many things can only be recognized in single frame mode or while watching entirely close.
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Extrañas apariciones
- Filming locations
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Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $55,389,516
- Opening weekend US & Canada
- $23,004,765
- Mar 29, 2009
- Gross worldwide
- $77,578,320
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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