Sarkar Raj

Sarkar Raj is disappointing. More so because it is the sequel of Sarkar, which though copied largely from Godfather, was a good film.

Three things let down the film - slow pace, unimaginative cinematography and jarring background score.

Ram Gopal Varma has a story in his hands but it is not long enough to stretch to the duration that he wants it to. As a result, he compromises on the pace. The film is slow and at times just drags on. In this endeavor, the camera comes to his support. Each shot just keeps on moving at snails pace. The camera lingers and moves slowly at acute angles. There is an overkill of the use of lighting, shadows and silhouettes. Add to this the background score which seems to be taken from a temple fair. The energy of the music and the dead slow pace of camera and story are divergent contrasts.

The dialogs are unrealistic, philosophical and indirect most of the times. There was not need to complicate the film with such devices. Do a father and son never talk in straight language? Saving grace of the film is the performances. Inspite of the lighting and camera angles which try every bit to take away the quality from the natural performances of the Bachchans, they manage to survive.

Ram Gopal Varma needs a break. He probably needs to go on a long vacation and then come back to do something completely out of his style - cast Shah Rukh Khan and Kajol in a romantic comedy set in Europe or Manhattan. I hope, he will then rediscover his lost touch. I so much want him to, like many of his other fans.

I personally really liked the movie.

True, it may not have been as fast-paced or powerful as the first one, but it definitely leaves an impact, and a big one too. I not only enjoyed every minute of this movie, but learned a lot from it too.

The background music was good, it suited the scenes and the genre and the religious temperament of Subhash Nagre, who after all IS the protagonist. Everything eventually, does revolve around him. Dialogues were amazing. So what if they were philosophical and unrealistic at times? They were meaningful and thought-provoking. I have to admit, even after the movie and during dinner with my family, I was pondering over some of Subhash Nagre's words. I especially loved the dialog "There is very thin line between profuse loyalty and betrayal." Honestly, it made a lot of sense and got me thinking about something I had never realised. Whoever wrote the dialogs deserves special praise! I think they were one of the film's strongest aspects.

Of course, in order to give justice to notable dialogs, you need apt actors who can deliver them perfectly. And thank goodness, the dialogs don't go to waste! Big B, Abs and Aish were all top-notch in this movie. They proved themselves, once again, to be one of the finest actors in the film industry. They also proved their versatility because their roles were definitely not easy and very different to other roles they had taken on in the past. Everything about them was perfect...no criticisms or complaints! The story and plot were interesting and although the pace may have slackened at various points, I would not regard it as one of the film's (if there are any), minus points. I think the slow scenes were a much needed contrast to the fast and violent scenes that the film comprised of otherwise. They made the audience realise that the characters in the film, no matter how heroic or powerful they may be, are humans, with emotions and moments where they simply need to be with each other and express themselves. It added a realistic and human touch to the film. The twists and the climaxes were extremely well executed and definitely had the intended effect on the viewer. All the characters and situations in the film contributed to the happening of the twists and climax brilliantly. Nothing made me question - but how can that happen...or why did that happen? I was satisfied and convinced throughout.

Overall, Sarkar Raj was a remarkable piece of cinema that will have a deep impact on the audience, and although you may not want to watch it again, it will take longer than you think to escape your mind

Sarkar Raj was a Indian political drama thriller film set in the world of Indian politics and crime directed by Ram Gopal Varma.this movie was some different from the others. Theme of movie was very nice and very focused according to the story. The movie included many new thoughts which were meaningful.The film was a sequel to 2005 film Sarkar and the second installment of Sarkar film series. Both of 1st and 2nd installments contains meaningful characters. But some weak points also in both of these.The music was composed by Bapi and Tutul. Music of the movie was just wonderful.This movie also won the various awards. Screen Award for Best Film (2009) Screen Award for Best Director (2009)- Ram Gopal Varma etc. Overalls movie was amazing.

I am not a fan of RGV's films but this movie is a great make. amazing suspense,correct hold on the direction. as the name suggest( rule of Almighty), it rocks as how mastermind thinks. Good thing about the movie is that it leaves a good message to be true,straight and to think about good of community. movie has low pace but all the characters are strong enough to hold you. some time movie goes in predictable manner and you can guess what would be the next dialog. but after all the movie is good(full of violence,without showing much blood). dialog delivery is superb,and ya .... i didn't see Ash's goggles worth 50 Lacs in the movie :(. i liked the movie for it's best direction, thrilling story, good delivery and best length.

This movie brings RGV back on track after quite a few miserable movies. This is a sequel to a 2005 hit Sarkar and it fulfills all the requirement of a great sequel.Besides its strong content, SARKAR RAJ has been filmed exceptionally well too. In fact, SARKAR RAJ has the trademark RGV stamp in every sequence. The review would be incomplete without giving the due credit to writer Prashant Pandey's incredible and almost flawless script. Amar Mohile's background score is topnotch. The by-now-famous 'Govinda' chant in the background only enhances the impact. Amit Roy's cinematography is exceptional. The DoP succeeds in giving the film the raw-n-rustic look, which works very well. Action Allan Amin, in minimal doses, is perfect. SARKAR RAJ is embellished with superb performances! Amitabh Bachchan, expectedly, comes up with a terrific performance. He's as ferocious as a wounded tiger in the finale and takes the film to great heights.

First YUVA, then GURU, now SARKAR RAJ. Abhishek Bachchan is cast opposite the finest actor of this country, yet he sparkles in every sequence. This time, the father and son go neck to neck as far as acting honors go. Aishwarya Rai Bachchan is fabulous and delivers her career-best performance in SARKAR RAJ. Enough has been written about her looks, but not much space has been devoted to her performances. HUM DIL DE CHUKE SANAM, DEVDAS, PROVOKED, GURU, JODHAA AKBAR and now SARKAR RAJ - she's only got better with every film.

Every supporting actor in SARKAR RAJ stands out - Dilip Prabhawalkar was superb, Govind Namdev was first-rate, Sayaji Shinde was perfect, Ravi Kale and Supriya Pathak were OK.Tanisha is alright. The actor enacting the role of Dilip Prabhawalkar's grandson makes a strong impact.