Re-cycle

What's the worst in Re-Cycle is an absence of story. Purposeless journey, groundless twists, meaningless dialogs, loose ends all way round. To avoid misunderstanding, the script isn't simple or stupid, it nearly doesn't exist.

The only thing, which shines are creative, scary, stylish, surprising visuals/sets. Those sets with recycled books, rotten town, waiting deads almost took my breath away from either visual or creative points of view. Worth mentioning, last time it happened to me with Silent Hill. Extra marks.

Special effects and scares are not novel for those, who have seen previous Pang brothers features, but they are mixed in quite a fresh way. Across the movie one may also experience feelings resembling The Cell, Silent Hill, and even Matrix.

Avoid if looking for traditional horror movie, but watch rather to widen your imagination and to have several strong scares. Provision yourself with patience to neglect the absence of the story.

This movie has a writer who has some trouble in her life at the particular moment the movie starts. An old love has resurfaced and she is having difficulty with her next novel. She is seemingly being haunted by a figure she wrote about, but then tossed away then she is somehow pulled into another realm. The movie does start off a bit slowly as there is a bit of set up with a few scares here and there like the typical Asian horror movie. Then when she gets to the other realm the movie is suddenly totally cool as it is so like watching a Silent Hill movie instead. I mean these strange ghosts start chasing our heroine and they move just like the ghosts in Silent Hill 4, she encounters a cliff like in any of the Silent Hill games and she enters an area that looks like the industrialized zone in part 4. Then she runs into an old man and the movie slams on the breaks and you get a few more great visual scenes, but the movie never has the energy it did when the heroine first enters this strange realm. There are still a couple of good visuals such as the mysterious creepy hanging people and the bridge and well. However, there are a few to many scenes that seem to need a push as it takes a while for them to get going and there are a lot of talking scenes and the final confrontation is very anti climatic. Then the ending comes and they throw a twist on top of the rather predictable twist and movie over. All I could think is what could have been if we had more scenes like that where she first arrived rather than say the scene with the flowers and neglected dead people which had no energy and rather light music. This movie also seems to want to be original, but it does not even come close. Other than Silent Hill there is also bits of The Neverending Story, Wizard of Oz, Spirited Away, and a host of other movies. I guess the makers of this film wanted to recycle a lot of other ideas where they might have been better off using just one or two.

Up front let's save a lot of people some time: this is NOT A HORROR MOVIE. So if you're looking for a flick that'll make you spill your popcorn and dig your nails into the flesh of the unlucky person sitting next to you (hopefully not a total stranger), you might want to look elsewhere.

"Re-Cycle" is the quintessential "morality tale". A morality tale is typically a fantasy that makes heavy use of symbolism and allegory, often personifying human traits into characters (like the 7 deadly sins). The protagonist undergoes a surreal journey with episodic events that relate to some moral message. "Dante's Inferno", the 14th century epic poem (not to be confused with "Dante's Peak" the 1997 flick about a guy chasing a volcano), is a great example of a morality tale. And now a few centuries later we have "Re-cycle" (original Cantonese title "Gwai wik" or "Ghost Land").

The story is about a romance author Ting-Yin (Angelica Lee) who decides to write her first horror story. She is told in the beginning that writing horror stories brings out ghosts. And so the stage is set. But like I said, this is not a horror story but instead it's a dark (often scary) fantasy about Ting-Yin's descent into a bizarre, disturbing world of ghosts and creepers and AWESOME imagery.

Enough about the plot; it's the imagery I want to focus on because the plot is best left for you to experience. Initially shot in very cold, claustrophobic scenes, the film comes alive once Ting-Yin enters the new realm. From there we see grand, majestic and terrible landscapes which I can only compare to the imaginative visuals of Tarsem ("The Cell", "The Fall"), Jean-Pierre Jeunet ("City of Lost Children") and Terry Gilliam ("Brazil"). A lot was done with digital effects, but a lot was also constructed with life-size props such as the stunning abandoned amusement park with its towering, rusted ferris wheel. Side note: that scene was a recreation of a real amusement park that was demolished years ago, and like a lot of sets, it has special significance to people familiar with the original Chinese locations they depict. Me, I've never been to China, but I watched the "Making Of" featurette where they explain a lot of this stuff.

The movie carries a tense vibe, augmented with some very creepy moments which may actually make you spill your popcorn come to think of it. Then there are some absolutely poetic moments. If I had to fault this film for anything, it would be that I wanted more of the poetic moments, like the "orchard of abandoned love" deleted scene... why?? Well, I know why. Probably because they needed to keep things tense and scary for mass appeal. That comes with the business, I guess.

The message of the movie is a great one, and it applies to each and every person out there. And no, it's not just about recycling your plastic haha. Watch it and you'll find out. If the film succeeds with you as it did with me, it may make you appreciate the little things in life a little bit more. For some odd reason I feel the uncontrollable urge to go rescue a dog from an animal shelter. That's not in the movie, but at the end maybe you'll understand my point.

Tsui Ting-Yin is a best-selling author and for her new book she decides to change genre and instead of writing love stories focus on the supernatural.When writing a chapter for her new book,entitled Re-Cycle,the supernatural she writes about appears to her in real life in the form of a woman.Afraid at first,Tsui Ting-Yin later follows the long-haired woman that appeared to her in order to be able to write more and is soon plunged into a world of fantasy and horror."Re-Cycle" plays more like a fantasy flick than horror.The film certainly looks truly beautiful and features some jaw-dropping scenery,unfortunately it lacks scares and is simply dull at times.Unlike their previous films,the building of nail-biting tension and creepy suspense did not play as big a part in "Re-Cycle".Overall,I expected more from the makers of "The Eye" and "Ab-normal Beauty".A solid 6 out of 10.

The Pang Brothers book marked a creatively grim, if disconnected little supernatural horror film balancing that of a novelist (a perfectly pitched performance by Angelica Lee) trying to write a horror novel, but finding out what she writes is personally happening to her. Being haunted by her work with the growing expectations, or a former if complicated love coming back on the scene. She enters a dream reality (where the title comes in to play), mixing the stark horror and fleeting happiness in what is a journey of discovery… up until its undermining ending. I was actually liking the (traditional, but stimulating) build-up (consisting of eerie sounds, lurking figures and a sense of danger) until she enters this fantasy world (like a nightmarish spin of 'Alice's in Wonderland'), where the story felt more like clips (well that's how memories kept hidden, waiting to be remembered simply come and then go) and being cluttered with crazy CGI… which wasn't badly projected, as some sequences were amazing, but eventually I grew tired of the routine. The Pang Brothers' surefooted handling is slick, letting the flowing cinematography craft out haunting frames and wonderfully strange imagery. Inspired, but emotionally starved and the story really loses momentum.