A group of friends gather at a secluded vacation home, despite the legend of The Ridge Runner, a killer who struck in the area years before.A group of friends gather at a secluded vacation home, despite the legend of The Ridge Runner, a killer who struck in the area years before.A group of friends gather at a secluded vacation home, despite the legend of The Ridge Runner, a killer who struck in the area years before.
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Worse movie I've ever seen. The sound quality was poor, the script was even worse, and the acting was pathetic! Even the ending sucked pimentos! Obviously Neal Bledsoe has gotten much better, he couldn't have gotten any worse, that is for sure. Acting was way over the top when it came to fear ... totally over-exaggerated to the point that I couldn't watch the entire movie. I have far too much respect for my to put it through the torture of watching a film of this caliber! The sound reminded me of early soap operas ... empty. The scripting wasn't even worth calling this a B movie. All in all, walk away ... you'd get more entertainment by watching a dripping faucet.
The film is a contemporary horror that draws from the urban legend of The Ridge Runner, a brutal killer out to slaughter anyone who settles on his land. "The Ridge" begins slow and clunky but within the first fifteen minutes the atmosphere becomes a nonstop slaughter fest. Okay maybe a bit more than fifteen minutes but the point is what starts as a questionable flick turns into a real chiller.
The story opens with the cliché set-up of friends on a getaway. Only within the first few moments of arriving to the house, nestled in the woods, things get eerie. The dialog is flimsy, random, and doesn't really seem to lead into the story, at least not until the standard "do you know a scary story" moment. That is when we are introduced to the urban legend of the brutal ridge runner. There are moments when the story, even the telling of the legend, feels contrived, but for the most part it is a plausible premise. It is obvious though that most of the writing focused on action and kills based on the weak dialog. So at first the film starts off shaky. But when the sh*t hits the fan, the film almost transforms into something totally new.
The special effects are pretty tight. The attention to presenting killer scenes and action sequences is obvious in "The Ridge". The house plays a big role in the film with so many rooms, levels and areas for the killer to pop out from, The night shooting and sound effects help create a traditional horror look, that will be recognizable to horror fans. From the moment the first body is found, explaining the eerie beginning to the film, "The Ridge" really goes full throttle giving total slasher entertainment. The soundtrack at times feels hokey-hallmark-y, but I can over look the style of music used to create an emotional continuity to the story.
Overall "The Ridge" turns into a pretty decent indie slasher film. The fact that the horror just happens, with no justification other than a faceless killer mad about loosing his land, only adds to the nightmare. There is some pretty stellar directional choices and cinematography in "The Ridge". Honestly if the dialog and first part of the film would have had the strength that pops up in the second and third act then this would have been a ten for me.
The story opens with the cliché set-up of friends on a getaway. Only within the first few moments of arriving to the house, nestled in the woods, things get eerie. The dialog is flimsy, random, and doesn't really seem to lead into the story, at least not until the standard "do you know a scary story" moment. That is when we are introduced to the urban legend of the brutal ridge runner. There are moments when the story, even the telling of the legend, feels contrived, but for the most part it is a plausible premise. It is obvious though that most of the writing focused on action and kills based on the weak dialog. So at first the film starts off shaky. But when the sh*t hits the fan, the film almost transforms into something totally new.
The special effects are pretty tight. The attention to presenting killer scenes and action sequences is obvious in "The Ridge". The house plays a big role in the film with so many rooms, levels and areas for the killer to pop out from, The night shooting and sound effects help create a traditional horror look, that will be recognizable to horror fans. From the moment the first body is found, explaining the eerie beginning to the film, "The Ridge" really goes full throttle giving total slasher entertainment. The soundtrack at times feels hokey-hallmark-y, but I can over look the style of music used to create an emotional continuity to the story.
Overall "The Ridge" turns into a pretty decent indie slasher film. The fact that the horror just happens, with no justification other than a faceless killer mad about loosing his land, only adds to the nightmare. There is some pretty stellar directional choices and cinematography in "The Ridge". Honestly if the dialog and first part of the film would have had the strength that pops up in the second and third act then this would have been a ten for me.
Look, they, production crew and cast, had a crack. Well, Brett Hayley had a crack given that he wrote, directed and played one of the leads. It's one of those, a group of friends spend a weekend in a remote borrowed holiday house scenarios. Oh, and there is a creepy story accompanying the house.
When I read this plot summary I was promptly consumed with anticipation having absolutely no idea where the film would take me! Sarcasm is never helpful and those involved deserve to at least have the dignity of their intent respected. Sorry.
The Lauren Power character, Anna, having diabetes was an odd twist though I suppose it did make her more vulnerable increasing audience empathy. Important given that there is little empathy for the remainder of the cast.
An aside and a convention of the genre but I am always left wondering how it is that a group of great strapping lads are not able to overcome a solitary psychopath. Especially, as in this instance, the psychopath's weapon of choice is a largish kitchen knife and the lads have all sorts of doings for deadly deeds at their disposal.
Austin Donahue is credited with all original music so I suppose he is responsible for the compulsive and compelling percussion work. It is something unique in a film that is otherwise indistinguishable from so many low / no budget slashers.
The film was an average watch but the big test is, was it good enough to devote valuable space too on shelves already over crowded with worthier fare and the answer is, sadly, no.
When I read this plot summary I was promptly consumed with anticipation having absolutely no idea where the film would take me! Sarcasm is never helpful and those involved deserve to at least have the dignity of their intent respected. Sorry.
The Lauren Power character, Anna, having diabetes was an odd twist though I suppose it did make her more vulnerable increasing audience empathy. Important given that there is little empathy for the remainder of the cast.
An aside and a convention of the genre but I am always left wondering how it is that a group of great strapping lads are not able to overcome a solitary psychopath. Especially, as in this instance, the psychopath's weapon of choice is a largish kitchen knife and the lads have all sorts of doings for deadly deeds at their disposal.
Austin Donahue is credited with all original music so I suppose he is responsible for the compulsive and compelling percussion work. It is something unique in a film that is otherwise indistinguishable from so many low / no budget slashers.
The film was an average watch but the big test is, was it good enough to devote valuable space too on shelves already over crowded with worthier fare and the answer is, sadly, no.
Poorly acted, written and directed. No sexual chemistry between the characters. No attempt at any racial inclusion. Boring and awful in every level.
Five college youths take a getaway to a luxurious vacation home on a scenic ridge and somehow incur the wrath of the legendary Ridge Runner, a murderous woodsman.
"The Ridge" (2005) is a micro-budge film (costing just $2400) written and directed by Brett Haley, who also stars as the semi-pathetic Blake who's rejected by the woman he craves and disrespected by his brother (Neal Bledsoe) and another dude before going off to brood. Will his suppressed rage conjure up a beast from his Id that will give birth to the rash, murderous actions he could only daydream about with his conscious mind à la "Forbidden Planet"?
I was wondering if that was how the film would pan out, but I'm not going to say.
Anyway, "The Ridge" begins with all the hallmarks of spare change budget fare, like poor sound, hand-held cams, less-than-stellar acting and dull dialogue/drama. The entire first half of the movie (43 minutes) is like this, which will tempt some viewers to tune out, but that would be a mistake because everything kicks into gear at the halfway point and Hayley's talent is showcased from there out. Seriously, the change in quality is so great that "The Ridge" is almost like two movies. Drama obviously isn't Haley's forte, but suspense/horror definitely is. The quality score by Austin Donohue accentuates the suspense.
Lydia Hyslop as Cara is a highlight; she's sweet & beautiful and (almost) worth the price of admission. Neal Bledsoe plays the main dude; I hear he went on to greater things.
Someone compared "The Ridge" to the Friday the 13th movies and said that it was better than some of the sequels. While it's true that it's a taken from the Friday the 13th mold, it lacks the budget of any of those films and is therefore one-dimensional and amateurish by comparison (the first half, at least). It also lacks the humor of some of the sequels of that franchise. It's totally serious, particular once the killer is revealed. Speaking of which, I like the fact that the Ridge Runner is presented as a mysterious killing machine with zero attempt to explain his (or her) insane actions, except for the legends spoken about him, but only in hushed tones late at night when the fires burn low.
THE FILM RUNS 87 minutes and was shot on a ridge in Iron Mountain, Michigan, which is located in the northwestern part of the state near the border of Wisconsin.
GRADE: First half C- and second half A for a balanced grade of B-
"The Ridge" (2005) is a micro-budge film (costing just $2400) written and directed by Brett Haley, who also stars as the semi-pathetic Blake who's rejected by the woman he craves and disrespected by his brother (Neal Bledsoe) and another dude before going off to brood. Will his suppressed rage conjure up a beast from his Id that will give birth to the rash, murderous actions he could only daydream about with his conscious mind à la "Forbidden Planet"?
I was wondering if that was how the film would pan out, but I'm not going to say.
Anyway, "The Ridge" begins with all the hallmarks of spare change budget fare, like poor sound, hand-held cams, less-than-stellar acting and dull dialogue/drama. The entire first half of the movie (43 minutes) is like this, which will tempt some viewers to tune out, but that would be a mistake because everything kicks into gear at the halfway point and Hayley's talent is showcased from there out. Seriously, the change in quality is so great that "The Ridge" is almost like two movies. Drama obviously isn't Haley's forte, but suspense/horror definitely is. The quality score by Austin Donohue accentuates the suspense.
Lydia Hyslop as Cara is a highlight; she's sweet & beautiful and (almost) worth the price of admission. Neal Bledsoe plays the main dude; I hear he went on to greater things.
Someone compared "The Ridge" to the Friday the 13th movies and said that it was better than some of the sequels. While it's true that it's a taken from the Friday the 13th mold, it lacks the budget of any of those films and is therefore one-dimensional and amateurish by comparison (the first half, at least). It also lacks the humor of some of the sequels of that franchise. It's totally serious, particular once the killer is revealed. Speaking of which, I like the fact that the Ridge Runner is presented as a mysterious killing machine with zero attempt to explain his (or her) insane actions, except for the legends spoken about him, but only in hushed tones late at night when the fires burn low.
THE FILM RUNS 87 minutes and was shot on a ridge in Iron Mountain, Michigan, which is located in the northwestern part of the state near the border of Wisconsin.
GRADE: First half C- and second half A for a balanced grade of B-
Did you know
- TriviaThe actress that played Anna actually had diabetes.
- GoofsWhen the group enters the house the sun is setting, which you can see through a window in the kitchen. When Noah investigates a disturbance if you look out the door it's clear the sun has set. When Noah goes back into the kitchen you can see the sun is still up.
- SoundtracksLovers on the Edge of Love
Written and Performed by Austin Donohue
Details
- Runtime
- 1h 26m(86 min)
- Color
- Aspect ratio
- 2.35 : 1
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