Je suis un cyborg

A myriad of colourful souls, who pull their own strings and controls, in different worlds, insanity swirls, as the days replicate and unwhirl.

Cha Young-goon has become a cyborg, very lucky not to be in the morgue, decided to try, charging from mains supply, intravenously through a mains cord.

She's made a new friend Park Il-sun, he's helping her to overcome, an eating disorder, using a converter, rice and radish is now so much fun.

The weird and wacky world of Park Chan-wook's hospital for the mentally ill and unstable, incredibly vibrant and volatile, a little ridiculous but honest, generous and full of imagination.

Director Park Chan Wook is known for creating very eccentric films, including his widely known 'vengeance trilogy'. In the interviews that he had with the Korean press, he said that he made 'Saibogujiman kwenchana'because he wanted to take it easy after finishing his vengeance trilogy. While it is definitely much less violent and different from his previous films, it certainly has a strong touch that separates director Park from the average movie director.

The storyline is simple,yet it is something that has never been tried before. Two patients at a mental hospital fall in love with each other. Young Goon(brilliantly played by Lim Soo Jung)is a patient who thinks she's a cyborg, having a strong dislike towards doctors(because they took away her grandmother when she was young)and not eating food for fear that her robot-body would break down. Il Soon(played by the sensational singer Rain)is a patient who thinks that he can steal other people's abilities and has a fear of being demolished from the world.

It's simple yet complicated because there are twists and turns everywhere that Park leaves unexplained. It's not your average blockbuster, I don't even know if foreigners would like this movie,seeing as that Lim Soo Jung and Rain are not famous in the western world.(although Rain was named one of the 100most influential people by Time Magazine last year) But in a world where the film industry is running out of ideas, this film is definitely outstanding, unlike the average cliché Korean love stories filled with Cinderella stories and triangular relationships. How many people could think up such a beautiful love story that takes place at a mental hospital? After watching this film, I truly understand why Park Chan Wook is a great film director. He's not the kind of director that only directs safe,cash-guaranteed blockbusters. He's the sort of director(like Kim Ki Duk)who takes a challenge and tries to create a new chapter in cinema history. Already rumors are spreading in Korea that this film is a front runner for next year's Cannes International Film Festival. Although I think it is totally a rumor, I do wish that this competes at Cannes, a festival that elevated Park into worldwide fame.

Like all good movies, "I'm a Cyborg" is more than the sum of its plot points. So don't be put off by the synopsis. Normally, the minute I'm hearing "modern fairy tale", "touching love story", or "poetic images", I'll turn tail and run. But when I found out this is by the guy who made "Old Boy", I knew it had to be different. And it is. Think "Angels of the Universe" meets "Twelve Monkeys", packed with visual thrills. The opening sequence is one of the biggest kicks of its kind.Wheels are spinning are gears are grinding in pale translucent green, vaguely reminiscent of x-ray images. It turns out we are observing a Cyborg's inner life, cleverly interwoven with the opening scenes of the actual feature. Before we really understand how Cha (cover girl Su-Jeong Lim) ended up on the funny farm, the camera is gliding downstairs in an impossible dolly shot, smoothly passing through closed doors, down to the asylum's mysterious sub-basement with its candy-colored pipework. In the course of the movie's 105 minutes, Chan-Wook Park takes us from Seoul to the Swiss alps and back again. I say, forget Bollywood. South Korea is the new Hollywood.

I have to say, I really don't see where all the dislike and criticisms come from. Granted, Cyborg is a far different film from all of Park's other works, and especially in the world of romantic comedies falls into the really freaking weird category, but I found it to be really entertaining. It was very sweet, but in a good way. No excessive cuteness, no magical cure to being crazy. The crazy people are crazy, and that ain't gonna change anytime soon. The cinematography and visuals were great. I really loved the set design of the hospital. And all of the side characters were a great cast of crazies. I have not watched a great deal of Korean cinema, and have never seen the leads in anything before. I live in Korea, so I'm very aware of Rain (or Be, as its pronounced here), but I thought that both pulled off their rolls very well, especially the girl. If you are looking for something fun, light hearted and a little bizarre, check this out. Just know that it is not your normal Park Chan Wook film.

The director's stamp is all over I'm a Cyborg, But That's OK. It's filled with the trademark beautiful visuals, bold uses of colour and CG flourishes fans of Park Chan-wook will appreciate. Also familiar from his Vengeance Trilogy are the imaginative fantasy sequences, and a similar score that gives off the impression of a director putting on a pair of comfortable slippers.

The film though is a disappointing misfire. While it picks up in the second half where something resembling a plot kicks in, far too much time is spent on frankly boring episodes, with a script that seems content to observe the goings-on inside the mental hospital where the film takes place without commenting on them or concern for narrative impetus. After nearly an hour or so of this it's tempting to switch off, and I wish I could say the pay-off was worth persevering for, but it falls just short.

There are a handful of wonderful individual moments in the picture, particularly in the second half: the amateur surgery to implant a device into our heroine's back, a tense cafeteria sequence where the patients are as nervous about the outcome of a meal as the audience, a couple of magical but all-too-brief musical numbers, doctors mown down in a hail of bullets. They're incorporated seamlessly into the movie, but they have a tendency to stick out like sore thumbs considering everything surrounding them is so dull.

Ultimately it's quite a touching film with some funny moments - and it looks gorgeous - but it doesn't seem to serve much of a purpose and fails more often than not in its attempts to be quirky.