L'inconnue

"The Unknown Woman" is such an intense film that don't even think about "having a good time" while going to see it. "Cinema Paradiso" shouldn't be your reference for this "dark" Tornatore film. This is not for having a good time! This is for witnessing the lives that you can hardly think someone lived. This is feeling the pain of injustice in your veins. This is feeling shame that you live in such a world and can't and won't be able to do anything to change it. This is heart breaking! This is being absorbed by a touching story that is beautifully told. This is what cinema is for. One can only say,"Bravo Tornatore"!

not a false move anywhere in this movie. superb acting/direction. beautifully shot, yet disturbing, troubling, and brutal. a mystery, thriller, love story, but it's not simply about adult love, even though it's present;it has almost mother daughter love. murder, trickery,prostitution, thievery, cruelty, affection. stunning photography, great music, and a plot with believable twists. not a film that cheats the audience with false leads, implausible situations, or idiotic characters. great dialogue, even in the translation. not a car chase, snide, supposedly witty remark in it at all. some scenes are really difficult, but they are short snatches, quickly cut and edited. this one should rank up there with any recent Italian masterpiece.

I need to clarify one thing before I begin this review. I am a man. I enjoy watching muscle cars hurdle through a race track, I could watch Die hard 2 any day of the week and I never had the urge to watch Desperate housewives/Sex and the city or anything else that might give me an insight to the opposite gender (assuming those shows do that). I am not writing this as an apology on behalf of my gender but because the female psyche is a realm that I have yet to fathom and this film not only exposes the abyss of the women's trade atrocities but also to the uncharted territory of one woman's quest for happiness.

That particular woman is Irena (Xenia Rappoport- her performance is beyond describable), Irena is an Italian speaking, Russian-descent woman in her 30's that starts to work as a maid in an affluent house of well to do parents and their little girl. At first, her "curiosity" for her employers' belongings (and since they are in the Diamond business, belongings they have in abundance) leaves the viewer to assume that Irena is a skilled thief that believes in the broader definition of the term "Cleaning". Clearly, the truth is much more complicated.

It is also clear that the past of Irena is riddled with humiliation, violence and degradation committed on her by, well, the lesser people of my specimen but most of all she is haunted not only by what she had to endure but by what she had and lost and more importantly, what she never got the chance to have. I am deliberately enigmatic because the film is too. The peeling of Irena's past is is gradual and seemingly sporadic and her past is gut wrenching and scarring.

While the viewers are getting clearer glimpses of that past, Irena, knowing that the skeletons in her closet are vivid and always present, forms a bond with her employers' daughter, a young and fragile kid that Irena seems determined, far too determined to a stranger's eye, to instill the street-toughness that Irena had to acquire in ways that are anything but pleasant.

The fictitious story of Irena (which is all too real to too many women) could have been a display of sensationalist voyeurism, a self righteous lecture of the trivial and obvious (and let's face it, I didn't need to see the film to find the notion of women trading despicable) or a mere excuse to show a morbid film under a politically correct subject.

This film doesn't have a shred of the above characteristics. The director enhances the horror atmosphere by the chilling musical score, the absolutely flawless acting and script and primarily, by exposing a woman's quest for happiness amidst the live that leaves very little chance of attaining it.

I am usually highly reluctant to discover major plot advancement in movies (even movies I don't recommend to watch) but this film excavates the problem because the deciphering the enigmatic story of Irena is so engrossing and the most valuable asset of the film that disclosing even the smallest of details might weaken the movie's effect. This movie is worth seeing with a companion so you can discuss its qualities and ponder of the true nature of the movie's end (and I used the word "Enigmatic" in this review far too many times already).

There are a couple of matters that I do prefer to clarify:

The movie is the reason why people make movies and why people like yours truly enjoy movies so much. Not only there aren't any noticeable flaws in the film, there are also no redundant scenes, tedious dialog lines that could be discarded or disturbing views that can be eliminated without heavily impairing the overall impression of the film.

The disturbing views are usually implied and the ones that are clear appear for a fraction of a second but leaves a far longer impression. Those of you who envision this film as a myriad of scenes of red wine and Lake Maggiore passing through the window of a fiat 500 are in for a major disappointment.

The rest, though, will experience the true effect of a flawless film that leaves an impression that exceeds the limitations of my penmanship.

10 out of 10 in My FilmOmeter

We have been waiting for Tornatore for years. But it was worthy, if this is the result! After Malena, he is returning to the highest levels of his carrier. Few movies, but most of them are unforgettable pearls! In this one, nothing is out of place and all the actors are playing at their best, with various original stories all perfectly interlacing: everything put together, this is one of the best movies ever directed by Tornatore!! Michele Placido is heavily representing the evil in this story, playing one of his most ambiguous, scaring and demonic characters of his long carrier. But everyone is completely believable in their roles and the suspense of the plot keeps you constantly concentrated until the end.

The Ukranian Irena (Xenia Rappoport) arrives in the city of Velarchi, rents an expensive but simple apartment and seeks a job as a servant in the building in the other side of the street. Then she manages to work for the wealthy couple of gold dealers Adacher, and occasionally babysitting their little daughter Tea (Clara Dossena), who has a rare neurological disease that leaves the little girl without self-defense against any sort of aggression or accident. While working for the family, she is haunted by recollections from her mysterious past of prostitution and violence in Ukrania. However, her nightmares come true when she meets her former pimp that she believed had died. "La Sconosciuta" is a surprisingly solid and original Italian thriller, with an engaging dramatic story disclosed like a puzzle through a non-linear screenplay. I saw this movie on DVD with a group of friends with low expectation and we found it so good that we never dare to stop the film to make any comment, or drink water or go to a toilet so absorbed we were with the story. The direction of Giuseppe Tornatore from "Cinema Paradiso" is outstanding, with top-notch performances of Xenia Rappoport, Clara Dossena and the cast. The resolution of the plot is excellent and never corny. My vote is eight. Title (Brazil): "A Desconhecida" ("The Unknown")