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6.0/10
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Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.
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Long Term Relationship (LTR) is so poorly written and flatly presented it makes the typically weak programming on the TV channel Logo look like Masterpiece Theatre.
LTR is supposed to be a comedy drama. The comedy consists of terrible one liners or sight gag montages. There's some frank joking about sexual incompatibility and discussion of supposedly insurmountable political differences but everything LTR attempts to address or make a joke about has been done before and much better.
The story is standard romantic comedy fluff with spikes of drama thrown in. The writing sounds like a college freshman's first script. Most of the characters are terrible clichés, the side characters in particular. There's a supposedly wise and sexy Asian female best friend of the main character, her husband who hangs out with gay guys but is utterly clueless about anything gay (Har!), a couple of mildly flaming constantly quipping gay guys, the professor, and Mary Ann. The last two aren't really in LTR but the side characters are as one dimensional as old TV sitcom characters. Except the acting in LTR isn't as good as the acting in a TV sitcom.
The two leads acting is competent (when they fall flat it's mainly due to the terrible writing) and their characters have some interesting aspects...Interesting enough that it makes you wonder what a better writer and director would have done with them.
The most notable thing about LTR (other than some pleasant but completely out of place piano music) is that the gay characters all have hair that looks as if they just rolled out of bed or possible cut it themselves. If believable hair was the goal it's LTR's one success. But the reason the hair is even noticed at all is that everything else about the film is so dull and obvious it makes the hair really stand out.
LTR is supposed to be a comedy drama. The comedy consists of terrible one liners or sight gag montages. There's some frank joking about sexual incompatibility and discussion of supposedly insurmountable political differences but everything LTR attempts to address or make a joke about has been done before and much better.
The story is standard romantic comedy fluff with spikes of drama thrown in. The writing sounds like a college freshman's first script. Most of the characters are terrible clichés, the side characters in particular. There's a supposedly wise and sexy Asian female best friend of the main character, her husband who hangs out with gay guys but is utterly clueless about anything gay (Har!), a couple of mildly flaming constantly quipping gay guys, the professor, and Mary Ann. The last two aren't really in LTR but the side characters are as one dimensional as old TV sitcom characters. Except the acting in LTR isn't as good as the acting in a TV sitcom.
The two leads acting is competent (when they fall flat it's mainly due to the terrible writing) and their characters have some interesting aspects...Interesting enough that it makes you wonder what a better writer and director would have done with them.
The most notable thing about LTR (other than some pleasant but completely out of place piano music) is that the gay characters all have hair that looks as if they just rolled out of bed or possible cut it themselves. If believable hair was the goal it's LTR's one success. But the reason the hair is even noticed at all is that everything else about the film is so dull and obvious it makes the hair really stand out.
This film deals with a gay relationship that for some reason has problems attaining sexual fulfillment. As gay relationship which wants to endure, it does smash apart the still homophobic view among certain heterosexuals that long term commitments between men cannot last. This is a good point to make when we look at films such as 'Call Me By Your Name' and 'Brokeback Mountain' which I dislike intensely. On top of that, the two lovers come from opposite poles of the political spectrum, and I will give no spoilers about how this added problem works out. For some of the friends that surround them this a sort of sleeping with the enemy, and yes, there is humour in this as well. One of the lovers has a flatmate. The flatmate loves his sharing partner very strongly. The actor who plays him I found excellent. And to a certain extent I got a bit tired of why the sex between the two lovers failed despite their devotion to each other. But there are good things in this film and in my opinion it is well worth watching. It was clearly made on a shoestring, but then a lot of good films are. See it if you can. Made in 2006 it is still relevant.
Interesting to read all the varying comments posted here regarding this movie. I think viewer reaction really depends on how much of a sucker you are for a romantic comedy that does away with reason and believability in an effort to come up with a happy ending.
One person mentioned that the director/writer/producer only read "Directing For Dummies" before he helmed this. I wish he had read "Screenwriting For Dummies" too. I think the major problem lies not in the direction but in his script. The development of the central relationship doesn't make sense. Supporting characters disappear for a good portion of the movie, only to reappear at the end.
There are a couple of laugh-out-loud funny lines - mostly delivered by actor Artie O'Daly as Eli. Some would say the character he plays is stereotypical, but he's a good actor with great comic timing & almost steals the movie. That said, other dialogue (and performances) are cringe-worthy.
Questions regarding political and sexual incompatibility in the central gay relationship are raised - which is good - but the solution, according to this film, is to just go ahead and get married! The Republican character doesn't offer any objection. Nothing is worked out. Just slap a happy ending on it. It's a shame. What we're left with is another gay indie film in which a writer/director/producer would have benefited from collaborating with someone to come up with a better finished product.
One person mentioned that the director/writer/producer only read "Directing For Dummies" before he helmed this. I wish he had read "Screenwriting For Dummies" too. I think the major problem lies not in the direction but in his script. The development of the central relationship doesn't make sense. Supporting characters disappear for a good portion of the movie, only to reappear at the end.
There are a couple of laugh-out-loud funny lines - mostly delivered by actor Artie O'Daly as Eli. Some would say the character he plays is stereotypical, but he's a good actor with great comic timing & almost steals the movie. That said, other dialogue (and performances) are cringe-worthy.
Questions regarding political and sexual incompatibility in the central gay relationship are raised - which is good - but the solution, according to this film, is to just go ahead and get married! The Republican character doesn't offer any objection. Nothing is worked out. Just slap a happy ending on it. It's a shame. What we're left with is another gay indie film in which a writer/director/producer would have benefited from collaborating with someone to come up with a better finished product.
This is a traditional romantic comedy--love at first sight, complications, reconciliations, and lots of laughs. It centers around Glenn, a wiry, handsome, intense, Richard Gere type, who gets lots of one-night stands. His best friend/roommate is looking through the personals for an "LTR". He reads one that catches Glenn's interest, and Glenn winds up meeting Adam, a Brendan Fraser type. If you've ever wanted to see Richard Gere make love to Brendan Fraser, now's the chance. The contrast between the two types makes the physical contact especially hot.
The description of the movie in the program for New York's LGBT Film Festival gave away one of the best punchlines, which I will not do here. There are major differences, however, between Adam and Glenn, but they have such a strong love for each other that they stick together. Until . . .
This was a really enjoyable film, with hot actors, snappy dialog, and a decent plot. It's very easy to relate to the situations. Maybe a bit too much emphasis on the campy gay friends, and the best female friend role has been done to death already (I guess you need the fag hag to attract the female demographic). But the film is fun all the way. And, have I mentioned, hot?
The description of the movie in the program for New York's LGBT Film Festival gave away one of the best punchlines, which I will not do here. There are major differences, however, between Adam and Glenn, but they have such a strong love for each other that they stick together. Until . . .
This was a really enjoyable film, with hot actors, snappy dialog, and a decent plot. It's very easy to relate to the situations. Maybe a bit too much emphasis on the campy gay friends, and the best female friend role has been done to death already (I guess you need the fag hag to attract the female demographic). But the film is fun all the way. And, have I mentioned, hot?
Long-Term Relationship is one of those films that will go down as a must see for gay film lovers. First off it is very funny. The script is witty at every turn but doesn't lose sight of it's story because of it.
The cast is great. The stand out is Mattew Montgomery. He holds the whole film together. With his good looks and quiet charm, Matthew treads along the zany world of his friends and works on getting his long-term relationship perfect. The other characters are pretty well rounded too. And what is a gay film without cute guys? The cast is full of them but as far as cuteness goes, I am partial to Jeremy Lucas who plays Vincent.
The romance in the film is so natural. The characters of Glenn and Adam develop a real relationship complete with the way they talk to each other to having relationship rules as well.
All and all this is a nice writing and directing debut by Rob Williams. It is an intelligent and funny film about relationships and gay culture. I look forward to seeing other films Rob does.
The cast is great. The stand out is Mattew Montgomery. He holds the whole film together. With his good looks and quiet charm, Matthew treads along the zany world of his friends and works on getting his long-term relationship perfect. The other characters are pretty well rounded too. And what is a gay film without cute guys? The cast is full of them but as far as cuteness goes, I am partial to Jeremy Lucas who plays Vincent.
The romance in the film is so natural. The characters of Glenn and Adam develop a real relationship complete with the way they talk to each other to having relationship rules as well.
All and all this is a nice writing and directing debut by Rob Williams. It is an intelligent and funny film about relationships and gay culture. I look forward to seeing other films Rob does.
Did you know
- GoofsThough Adam's surname is clearly indicated as Harris, when we see his father's tombstone prominently in the forefront of the cemetery scene, it reads Farris.
- Crazy creditsNo animals or Republicans were harmed in the making of this film.
- ConnectionsReferences Spartacus (1960)
- SoundtracksLoving You
Performed by Jamie Coon
Written by Jamie Coon and Rafael Barajas
Produced by Pat Evans and Tom Von Doom
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- Long-Term Relationship
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- Budget
- $50,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.78 : 1
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