IMDb RATING
6.0/10
1K
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Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.
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Interesting to read all the varying comments posted here regarding this movie. I think viewer reaction really depends on how much of a sucker you are for a romantic comedy that does away with reason and believability in an effort to come up with a happy ending.
One person mentioned that the director/writer/producer only read "Directing For Dummies" before he helmed this. I wish he had read "Screenwriting For Dummies" too. I think the major problem lies not in the direction but in his script. The development of the central relationship doesn't make sense. Supporting characters disappear for a good portion of the movie, only to reappear at the end.
There are a couple of laugh-out-loud funny lines - mostly delivered by actor Artie O'Daly as Eli. Some would say the character he plays is stereotypical, but he's a good actor with great comic timing & almost steals the movie. That said, other dialogue (and performances) are cringe-worthy.
Questions regarding political and sexual incompatibility in the central gay relationship are raised - which is good - but the solution, according to this film, is to just go ahead and get married! The Republican character doesn't offer any objection. Nothing is worked out. Just slap a happy ending on it. It's a shame. What we're left with is another gay indie film in which a writer/director/producer would have benefited from collaborating with someone to come up with a better finished product.
One person mentioned that the director/writer/producer only read "Directing For Dummies" before he helmed this. I wish he had read "Screenwriting For Dummies" too. I think the major problem lies not in the direction but in his script. The development of the central relationship doesn't make sense. Supporting characters disappear for a good portion of the movie, only to reappear at the end.
There are a couple of laugh-out-loud funny lines - mostly delivered by actor Artie O'Daly as Eli. Some would say the character he plays is stereotypical, but he's a good actor with great comic timing & almost steals the movie. That said, other dialogue (and performances) are cringe-worthy.
Questions regarding political and sexual incompatibility in the central gay relationship are raised - which is good - but the solution, according to this film, is to just go ahead and get married! The Republican character doesn't offer any objection. Nothing is worked out. Just slap a happy ending on it. It's a shame. What we're left with is another gay indie film in which a writer/director/producer would have benefited from collaborating with someone to come up with a better finished product.
Movie had some good acting and good moments (though obviously pretty low budget), but bad rating due to basic premise being badly developed. The main point of conflict between the two leads doesn't play out in a realistic manner at all. There are a few scenes where they disagree because of it, but no discussions of any great depth that would explain how they can be together while seeing the world so differently, especially since the employment of Glenn is so wound up in this part of his life (and Adam is active enough with his that he supports it with time and money.) Also, several times Glenn is portrayed negatively for being the way he is (apologizing to Adam for his past) while Adam is shown to be upstanding and "traditional," which the film proclaims to be the "good" way in the end. I don't like being preached to like that. I attended a discussion session with the director after viewing LTR, and he said that he presented this conflict between them because, if he was in Glenn's shoes (and he said he does in real life relate to Glenn's view) that he could never date someone with Adam's views. Well, then, I think he should have done a much better job explaining how Glenn could do it in the film. Also, director said he directed this, his first movie, only after reading (Directing For Dummies.) Directing was not that bad, but far from a top notch effort. I've seen worse, but I rarely leave films feeling this frustrated.
Not so bad, but that's about all that can be said for it.
There are some genuinely amusing moments in the movie, mostly supplied by the supporting cast, but at times both the comedy and the drama really stretch credulity and fall flat.
When Glenn asks Mary Margaret why she's drinking herbal tea instead of coffee, she smiles coyly and says she's in her first trimester. His reaction: "oh are you going back to school." Ha. Ha.
When Adam's parents come for a visit, Glenn is hesitant and nervous about spending the night with Adam while his parents are in the house, but then later in the night he comes out of the bedroom stark naked, walks past the bathroom and stands at the kitchen sink for a drink of water with Adam's father sitting a few feet away. Surprise. Then, when the father invites him to sit and talk, he stays naked sitting at the dining room table rather than quickly grabbing a pair of shorts or a bathrobe or even a tea towel, but we're supposed to be amused by him feeling awkward and uncomfortable because he's naked with his boyfriend's father.
These contrived, desperate attempts at humor along with some really lame miscommunications situations that lead to some thin but over-acted drama, unfortunately reduce what could have been a reasonably decent movie down to soap opera or second-rate sitcom level.
The supposed intensity of love between the two lead characters never really comes across so that their communications mix-ups and fumbling attempts at sex don't really raise much tension on the part of viewers for fear that their romance might flounder. Actually I was hoping Glenn would forget about Adam and realize that his friend & roommate Vincent, who had a long-standing crush on Glenn, was a far better, more attractive and lively catch.
The "happily ever after" wrap-up that encompassed most of the characters felt like it was tacked on at the end simply because the movie had gone on long enough and a resolution, no matter how fairytale-ish, was needed before the curtain came down on it all.
I sat through most of it, although towards the end I started jabbing at the fast-forward button. A different actor playing Adam might have made a big difference.
There are some genuinely amusing moments in the movie, mostly supplied by the supporting cast, but at times both the comedy and the drama really stretch credulity and fall flat.
When Glenn asks Mary Margaret why she's drinking herbal tea instead of coffee, she smiles coyly and says she's in her first trimester. His reaction: "oh are you going back to school." Ha. Ha.
When Adam's parents come for a visit, Glenn is hesitant and nervous about spending the night with Adam while his parents are in the house, but then later in the night he comes out of the bedroom stark naked, walks past the bathroom and stands at the kitchen sink for a drink of water with Adam's father sitting a few feet away. Surprise. Then, when the father invites him to sit and talk, he stays naked sitting at the dining room table rather than quickly grabbing a pair of shorts or a bathrobe or even a tea towel, but we're supposed to be amused by him feeling awkward and uncomfortable because he's naked with his boyfriend's father.
These contrived, desperate attempts at humor along with some really lame miscommunications situations that lead to some thin but over-acted drama, unfortunately reduce what could have been a reasonably decent movie down to soap opera or second-rate sitcom level.
The supposed intensity of love between the two lead characters never really comes across so that their communications mix-ups and fumbling attempts at sex don't really raise much tension on the part of viewers for fear that their romance might flounder. Actually I was hoping Glenn would forget about Adam and realize that his friend & roommate Vincent, who had a long-standing crush on Glenn, was a far better, more attractive and lively catch.
The "happily ever after" wrap-up that encompassed most of the characters felt like it was tacked on at the end simply because the movie had gone on long enough and a resolution, no matter how fairytale-ish, was needed before the curtain came down on it all.
I sat through most of it, although towards the end I started jabbing at the fast-forward button. A different actor playing Adam might have made a big difference.
This film deals with a gay relationship that for some reason has problems attaining sexual fulfillment. As gay relationship which wants to endure, it does smash apart the still homophobic view among certain heterosexuals that long term commitments between men cannot last. This is a good point to make when we look at films such as 'Call Me By Your Name' and 'Brokeback Mountain' which I dislike intensely. On top of that, the two lovers come from opposite poles of the political spectrum, and I will give no spoilers about how this added problem works out. For some of the friends that surround them this a sort of sleeping with the enemy, and yes, there is humour in this as well. One of the lovers has a flatmate. The flatmate loves his sharing partner very strongly. The actor who plays him I found excellent. And to a certain extent I got a bit tired of why the sex between the two lovers failed despite their devotion to each other. But there are good things in this film and in my opinion it is well worth watching. It was clearly made on a shoestring, but then a lot of good films are. See it if you can. Made in 2006 it is still relevant.
This is a traditional romantic comedy--love at first sight, complications, reconciliations, and lots of laughs. It centers around Glenn, a wiry, handsome, intense, Richard Gere type, who gets lots of one-night stands. His best friend/roommate is looking through the personals for an "LTR". He reads one that catches Glenn's interest, and Glenn winds up meeting Adam, a Brendan Fraser type. If you've ever wanted to see Richard Gere make love to Brendan Fraser, now's the chance. The contrast between the two types makes the physical contact especially hot.
The description of the movie in the program for New York's LGBT Film Festival gave away one of the best punchlines, which I will not do here. There are major differences, however, between Adam and Glenn, but they have such a strong love for each other that they stick together. Until . . .
This was a really enjoyable film, with hot actors, snappy dialog, and a decent plot. It's very easy to relate to the situations. Maybe a bit too much emphasis on the campy gay friends, and the best female friend role has been done to death already (I guess you need the fag hag to attract the female demographic). But the film is fun all the way. And, have I mentioned, hot?
The description of the movie in the program for New York's LGBT Film Festival gave away one of the best punchlines, which I will not do here. There are major differences, however, between Adam and Glenn, but they have such a strong love for each other that they stick together. Until . . .
This was a really enjoyable film, with hot actors, snappy dialog, and a decent plot. It's very easy to relate to the situations. Maybe a bit too much emphasis on the campy gay friends, and the best female friend role has been done to death already (I guess you need the fag hag to attract the female demographic). But the film is fun all the way. And, have I mentioned, hot?
Did you know
- GoofsThough Adam's surname is clearly indicated as Harris, when we see his father's tombstone prominently in the forefront of the cemetery scene, it reads Farris.
- Crazy creditsNo animals or Republicans were harmed in the making of this film.
- ConnectionsReferences Spartacus (1960)
- SoundtracksLoving You
Performed by Jamie Coon
Written by Jamie Coon and Rafael Barajas
Produced by Pat Evans and Tom Von Doom
Details
- Release date
- Country of origin
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- Long-Term Relationship
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- Budget
- $50,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.78 : 1
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