Broken Trail

If you're looking for a good view of the old West, this movie is well worth your time.

Great storyline, great acting, and fantastic scenery.

Duvall seems to be timeless, as always, this time in a story that's all about time. Thomas Haden Church adds his best performance ever, showing he's ready for more serious roles.

The plot develops with a made-for-TV pace, which on occasion doesn't develop a scene as deeply as it could, but it does not fail to develop the characters to a fine pitch.

On balance, it's the characters and the fantastic western setting which make this a western that should stand time.

I'll enjoy watching it again in a few years.

As a Chinese-American, I had no doubt I would schedule my life around the two nights BROKEN TRAIL was airing. Having seen part 2 last night, I am still reeling from the beauty of the backdrop, the vastness and the loneliness--something I remember from the film, A RIVER RUNS THROUGH IT, which was also in Wyoming I believe and definitely featured fly fishing but I digress.

Robert Duvall said in an interview on CBS' Sunday Morning that BROKEN TRAIL represented the finale to his western trilogy (Lonesome Dove, Open Range and now Broken Trail) and that's sad but what a body of work he's left us and countless generations to enjoy! I loved the economy of language because that's how I imagine life was among men in those days. The leisurely pace of the film might have pulled the story down but not in this case. I applaud AMC for going forward with this production and the minimal intrusion of commercials. I truly hope this comes out on DVD because I know I will have to have it. I found the casting to be perfect and disagree with the reviewer who lamented the exclusion of Tom Selleck or Keith Carradine among others. The familiarity I felt for Robert Duvall and Thomas Haden Church was enough without being overwhelming--they just seemed to lend honesty and truth to their performances--more known actors weren't needed. I appreciated the fact this wasn't a cast of thousands, although there were suppose to be 500 horses or so...

My final comment to all who enjoyed this mini-series and to those who did not know much of the Chinese who came to the 'Golden Mountain' in the 1800's--please look for Ruthanne Lum McCunn's book, "THOUSAND PIECES OF GOLD" which is based on a true story (I'm still not sure if Broken Trail is, although I believe the writer was somewhat influenced by this book since there are common threads i.e. Chinese girls sold into prostitution and setting roots in far flung states--Idaho in the book and Wyoming in the mini-series). THOUSAND PIECES...has also been made into a film but is not as good as BROKEN TRAIL.

I can't wait for AMC to show repeat airings--for any of you who didn't get a chance--WATCH IT!!!

I gave this 10 stars.

Both parts of this 2 part mini series deserve 10 stars. It was an extremely well done film.

I got the impression at the end of the film that this was based on real people and their experiences, which I had no idea was the case when I began watching it.

Robert Duval as Print Ritter carries the film, although all of the performers did good jobs.

The storyline was fresh, original and interesting, something I see so seldom these days, it really made it stand out. Another thing that made this stand out from the usual garbage that passes for entertainment in film these days - was the heroes really were heroes. These men were brave and did the right thing. They had values and ethics.

The story revolves around Print Ritter (Robert Duval) and his nephew Will, I think was his name, (and sorry but I didn't know who any of the actors were except for Duval)driving a herd of horses north to sell.

They end up with people they didn't count on being along for the trip--4 or 5 young Chinese girls, who do not speak a word of English, a fiddle player, and a couple of other people who join the group later in the story.

The Chinese girls are very young, the oldest might be 18. They have been sold by their parents and sent to America where they will be forced into prostitution.

None of the 4 men who eventually travel with the girls and protect them, try to take advantage of them, and the two romances in the story, are kept low-key.

The bad guys in the film are just that - they're wicked through and through. No explanation or psycho-analysis given or needed. This picture is getting back to the basics of the American western, good vs. evil.

There's gunfire when needed, confrontations when needed, and great characterizations, as our group journeys along and encounters various people and adventures.

And yes, there's even a plot! Another element I've discovering missing all too often in films of late.

How does an honest man make his way in a corrupt world? Walter Hill has been investigating this question since his days as a screenwriter, with a couple of stopovers in Dashiell Hammett country (his dauntingly unsuccessful version of Hammet's RED HARVEST, filmed as LAST MAN STANDING), comedies (48 HOURS), but here, in this leisurely western, he has found a perfect vehicle for this problem, and the right actor for the role in the ever-watchable Robert Duvall. And the answer is that you wind up accumulating a pack of people as wounded as yourself, ducking your head against the storm and slogging on through: a nephew estranged from his mother, your sister, a Virginian who can't stop traveling, five Chinese virgins intended for a mining camp's whorehouse... the list goes on. In the midst of a beautiful land -- the magnificent Canadian plains, west of Calgary where they rise to the Rockies -- they slog on, doing their best.

To what end? When death and violence surround you, then the wise man comes to recognize that the effort is all he can offer.

It is a pleasure to watch canny old pro Duvall at work, and to watch Thomas Haden Church, as his nephew, play off against him. And the beauty of moving horses across the Canadian plains is the revival of a seemingly lost art; the westerns, once the myth of America and bedrock of the film industry, are now an occasional production from people nostalgic for the form. But their nostalgia is suffused with a strong sense of film-making and this mini-series should not be missed.

Watching AMC's Western miniseries Broken Trail is similar to reading a compelling novel - the beauty's in the details. Rather than rushing story and character development in order to get to the next action scene (so as to appease those with Attention Span Deficit Syndrome), Broken Trail understands that the mark of a really good Western lies with interesting, colorful characters and a storytelling style that convinces you to keep watching.

I've always been a fan of Westerns and always will be; that's why it's so disappointing that today's movie/TV landscape doesn't seem to have the time, money, or patience to do the genre right. Hopefully, Broken Trail is just the beginning of a reversal to this trend.

If you're a fan of Western epics in the vein of Lonesome Dove then I strongly suggest you check out Broken Trail. The story is a little unconventional as far as Westerns go, but you know what? It works. And it works well.

I was initially curious how captivated I would be by watching two men accompany five Chinese girls across the Western wilderness, but rather than focusing on the concept, this is all about the journey and the adventures and characters that are encountered along the way. Church proves himself quite a versatile actor (how far has he come since Wings?), and Duvall puts in the type of effortless performance that I could watch him deliver every week. He's not unlike Augustus McCrae, but what does it matter? He plays the character flawlessly. Here's a tip - never doubt a Western that Duvall is attached to.

Moving at a smooth, campfire pace, Broken Trail presents characters you'll care about, conflicts you'll want to see resolved, cinematography that will convince you to take a trip out West, and enough Western justice to keep the die-hard fans of action content. Just keep in mind that the shootouts aren't thrown in for the mere sake of satisfying those who demand violence in their Westerns. All the gunplay comes as a necessity to the story and is allowed to happen exactly when it needs to. It's never forced for the sake of hurrying things along.

This is a miniseries that is reason enough alone to justify your cable or satellite bill, and we can only hope that enough viewers tune in to influence more quality programming like this in the future.