A Little Thing Called Murder

Judy Davis is mesmerizing as the pitiful, warped Sante Kimes. Her sons (the actors) are both wonderful in their roles as well as her husband. Its a nonstop ride of dark comedy and over the top performances that are actually taken from real life scenarios. I think its an Emmy nod for Davis. It still should be made into a feature considering the wealth of real life situations that were never realized because of time, and the fact that this mother/son duo is so rare and full of intrigue as to what took so long as to where they finally ended up in jail for life after several decades of murders, cons, and dysfunction. This movie just touches the surface of the horrors they inflicted as part of their entertainment of life. I loved the movie and the direction is what moves it along so well. Altogether a great TV movie and entertainment.

"A Little Thing Called Murder" is another TV movie about Sante and Kenny Kimes, the real-life mother and son con artist/murder team. The first film starred Mary Tyler Moore and focused mainly on the murder of Irene Silverman, the New York woman killed for her brownstone and whose body was never found. (Court TV also did a documentary on them.) In this version, the murder of Irene is at the end of the movie. Director Richard Benjamin takes us through the bizarre life of Sante, with each crime a new episode that begins with the title "A Little" - which is how Sante thought of her crimes - A Little Problem with the Maid (slavery), A Little Problem with the Check, etc.

Now in prison, Sante Kimes must be in life as over the top as depicted by Mary Tyler Moore - and if you thought Moore was outrageous, wait until you see Judy Davis sink her teeth into Sante. The approach in this film is more of dark comedy, though much of it is quite shocking. Davis' performance can only be described as out there - and probably accurate. Sante thoroughly corrupts her young son, played here by adorable Jonathan Jackson, which makes his crimes and killings all the more horrible. She sets fire to the family home for insurance; she takes a test drive in a car and holds onto it for a year; her Mexican help are actually slaves; she shoplifts, and when caught, she hits her son and goes after the security guard; the two claim to the cops that the security guard slapped Kenny and leave; she hides her husband's death so she can clean out his Bahamian bank accounts; and finally, of course, the Silverman case. In real life, not shown here, Sante actually posed as Silverman, an 82-year-old, in order to sign some papers.

Catch Davis performing "Santa Baby" with a boa and you'll know you've entered the twilight zone. She's a scream. The film is very well done, interesting, and intriguing. But don't look for motives or reasons. The writers deliberately didn't explore them. Sante is so nuts, though, one wonders if she hadn't lost sight of her original demons years earlier.

We're told that the Sante and Kenny Kimes is a true story. Not even Tennessee Williams would have dare to dream up a mother/son relationship like this one. Horribly funny. Monstruosly entertaining. Judy Davis is, quite simply, spectacular. Although Richard Benjamin (the director) seems to go for the campy aspects of this outrageous tale, Judy Davis keeps it rooted to some kind of illogical logic. Sante's madness is a first for the screen. Part Bette Davis, part Judy Garland but one hundred per cent Judy Davis. If that seems like an absurdity, look at the movie. Sante/Judy is in constant movement even when she's standing still. A fearless magnificent performance. If this little murder had been a big screen movie. Judy would, certainly, be nominated for an Oscar.

Judy Davis will certainly merit an Emmy nomination come the next time they hand those awards out. She is absolutely fabulous in "A Little Thing Called Murder."

Despicable, insane, brutal are just some of the many adjectives that can be used to describe Miss Davis's brilliant performance as grifter Sante Kimes.

This woman, who apparently was born to do evil, is everything you wouldn't want in a person. Manipulative, maniacal and just outrageous. Slapping her child and then blaming the security guard for it is just the tip of the iceberg.

Killing just comes natural to Sante. Whether it's drowning or strangulation, she is up to the task completely.

The worst thing that ever happened to her son was when she is released from prison after a 4 year stint of enslaving maids. She is back home to mold him into her evil ways and what a job she did.

Kudos to the makeup artist for making Davis old and ugly with an almost matronly look that anyone might just sympathize with. That's of course until she opens her mouth. It's as if the whole world is against her, which of course is her basic trouble.

Absorbing film. Judy Davis, you're one heck of a great actress!

Sometimes truth is stranger than fiction.

For what this movie was, it was perfect. It was Mommy Dearest meets Weekend at Bernies.

Judy Davis was incredible as a Grifter of extraordinary caliber, manipulating everyone yet seemingly believing in her own innocence. The actress should get an award for her superb performance. As an added bonus, she often (perhaps this was intentional?) looked like another flamboyant life of the party - Serina, Samatha's witch cousin from the original Bewitched television series.

Chelcie Ross and Jonathan Jackson were also a great supporting cast, completely believable in their roles as basically manipulated, yet loved, family members.