Bella

I thought this was a surprisingly-good "chick flick" until the final 15 minutes when it got ultra-weeping "Lifetime Network" on us, but overall is a film which should appeal to a lot of people. Yes, it's pure melodrama but: ladies, it's so well done that it should keep your husband or boyfriend interested most of the way.

This also is beautifully photographed. Man, for a small-budget independent film with basically no-name actors, this has all the visual slickness of a Spielberg film. Also, the food in here looks so good it will have you salivating.

The main ingredient in this award-winning film is "charm," I would think. Everyone is pretty likable, there's a lot of emotion and the characters are very realistic. If you elaborated on the story, it might sound extremely boring because mainly it's a day in the life of two people. They both work in a restaurant and she gets fired for being late again and he goes after her to see if she's okay. As the day goes on, the two work out past traumas with the ending being a tear-jerker feel-good one.

For a film in which most viewers probably aren't familiar with the director or the actors, it is impressive. What's odd about this film, in addition to being interesting despite almost nothing going on, is that there is absolutely no profanity or sex, either. I suppose some could look at this movie as some sappy do-gooder type story, but it isn't. It's so professionally done that you kind of feel like a fly on the wall, content to just observing and being a part of these people's lives for a day.

Executive Producer Steven McEveety (Braveheart, We Were Soldiers, Passion of the Christ) has put his efforts behind another sure winner, (this one without Mel Gibson)and with newcomer director/writer Alejandro Gomez Monteverde, and a cast of relatively unknown actors.

This is an intelligent and emotional film, with the action interwoven between flashbacks and the developing plot line. Because of this storytelling method, it is nearly impossible to give much detail of the story without a spoiler.

The movie centers around Nina, a young, unmarried waitress at a Mexican restaurant who finds herself pregnant and out of a job after coming in late to work several days because of morning sickness. Jose, the restaurant's chef, is taken by Nina's plight and becomes her sole confidant. Jose helps her walk through her decision on what to do with her pregnancy. In the process, he bears secrets from his own mysterious past, which reveal his tenderness and passion for her and the child she is carrying.

The film stars Eduardo Verastegui (the Mexican Brad Pitt), and Tammy Blanchard, each performing in only in their second movie role. They are excellent both individually and in their interactions with each other. You're sure to see more from both of these rising stars.

A believable script, quality acting, and effective cinematography, music, and sound kept my attention from start to finish. I had no expectations from this film and came away truly impacted--A very powerful piece of cinema. No wonder this rookie work shocked all the big name pictures to win the top prize at Toronto Film Festival.

Latest word is that it is set for release in April 2007. And don't be surprised to see this one in the running for one or more Oscars.

This film is due for release in April 2007. Any reviews prior to this date (including this one) are from people who saw it at a film festival or at a pre-screening like I did. The one I attended had a question and answer session at the end along with a handout that asked people to help promote the film by writing positive reviews. Make no mistake; this is a Catholic-inspired movie with an unabashed pro-life message.

In the beginning, a very hirsute Jose, looking very much like my conception of Jesus Christ (I actually found this rather distracting and Eduardo Verastegui looks nothing at all like he does in the main promotional poster), is working as a chef in his brother's Mexican restaurant in New York City. His co-worker, Nina, is unmarried and finds herself pregnant, late for work, and consequently unemployed. The two then spend the day together and Jose, as a friend, is both consoling and supportive as she comes to terms with the decisions she must make.

Although slow in parts, the acting is believable, the script intelligent (albeit with some odd bits and a few things that didn't make much sense), and the cinematography remarkable. And the message, although not subtle, is not overbearing. If you are Christian, and especially if you are pro-life, you will love this film. And even if you're not it may well bring a tear to your eye. After all, it did win the People's Choice award at the Toronto Film Festival in 2006.

I had the privilege of seeing "Bella" at the Toronto Film Festival and was amazed by this beautiful love story! After i heard the buzz about this little film i decided to go see it with out knowing what to expect and i was blown away. Actually, i think it is best to see this film without knowing anything about the story. A lot of people were surprised when Bella took the top prize at Toronto except for me and the other people who saw the film. Our screening ended in a standing ovation and the Q&A went so long that the moderator had to cut it off. The performances were incredible and the directing was remarkable. It was a powerful experience with a lot of unexpected twists and turns... especially the ending. It is amazing that this little film beat out all of this years Oscar hopefuls to get the most coveted Award at Toronto but it could not have happened to a better film. Congrats!

BELLA is a poignant portrayal of love-conquers-all that runs the gamut from spellbinding to uplifting with a firm but gentle hand as the writer tells a tale of fallen dreams that breathes life into a dying world where family, faith, and friends are re-discovered and claimed as the "ties that bind." The captivating cast as well as the crew embody the very essence of family life among the Latino community yet the writing is so cleverly crafted that it transcends the tumult and transition of recovering from shattered spirits in any family of any ethnic background. The "realness" of the plot and characters makes you feel like you're in the middle of every scene!