Timecrimes

I love many time-travel movies, and this one seems very clever and tightly plotted at first, especially while you are watching it and figuring out how all the pieces of the puzzle fit together very nicely. But there is one big problem that others have already pointed out:

The things that he does mostly make no sense, and most of the movie is spent having him repeat these things that make no sense the next time he goes around the time loop, just so that the events in the first time happen the way he remembers them. And that's not clever.

I can do this easily by making up a simple example: Joe is sitting in his living room and sees a dead bird thrown through his window, he goes out to investigate, falls into a time-machine into the past, then when he sees himself in the living room, he kills a bird and throws it through the window so that he will go out to investigate. The End.

Not very satisfying is it?

There are elements that make this movie entertaining, especially the dark way that he solves the final problem and the fact that there are three versions of himself running around trying to make or stop things from happening, but otherwise, it's just an extended version of my story.

Quite often, time-travelling films are too pompeous and full of complex moral dilemmas. This treasure has nothing of a sort. It is, finally, a story about "little man" in unusual circumstances of time travelling. A man, who isn't very bright, who isn't destined to save the world, who isn't parcticularly "good" or "bad". This - this is what I genuinely enjoyed whatching. There's no higher power behind all of this, nor great or malicious power - no, the hero is driven mostly by his own actions, worldview and lack of rationality. Because of that, more interesting things become when he starts falling into the bottomless pit of wrong choices, inevitable circumstances and despair. Hector is very much usual - and that's what makes the story so tense and interesting.

It's very hard to review "Los cronocrímenes" without spoiling the fun of watching the movie and seeing how the different stories within the main plot outline keep unraveling ever so intelligently. Let's just say that it all starts out with a man watching through his binoculars and spotting something that catches his eye. He follows his curiosity, and that will be the start of some extremely unusual, mysterious, and intriguing events involving this man, a mysterious stalker with his head wrapped in a pink bandage, a naked girl in the woods, and a young scientist.

"Los cronocrímenes" is a terrific movie, one that was made with a low budget, a reduced cast, and very few settings. It combines sci-fi/fantasy, mystery, action, and also sprinkles of comedy -I found myself laughing out loud more than once while watching this. It's a twisted, tragic, cynical sense of humor that I find very fitted to the Spanish way of being and general look on life.

You may enjoy "Los cronocrímenes" for what it is, taking it at face value, and enjoying the twists and turns (and even if you think you've got it figured out, it keeps the ability to surprise you all along). You may also take a deeper look into it. Each viewer sees a different story and message in a movie; for me, personally, besides an extremely entertaining and thoughtful mystery and action movie, "Los cronocrímenes" offers good insight into the human soul, our deepest and darkest motivations for things, and how the line between good and evil is ever so blurry.

"Time is a storm in which we are all lost." William Carlos Williams

"Time flies around here," says Hector's (Karra Elejalde) girl friend before time gets warped maliciously when he goes back in a time machine for about an hour. The ironic statement could as well apply to this intelligent sci fi, Time Crimes, that actually tries to show what confusion will reign if we ever do time travel.

While this Spanish thriller is reminiscent of Memento's playing with time and memory and various other time travel fictions, it lacks psycho-philosophical depth (notwithstanding the Hitchcock relevance of the hero using binoculars to see a fetching lass). Even more, character exploration is secondary to the puzzle of time traveling. The film, concerned with the tricky interplay of cause and effect in the travel, could have given more to the ethical-humanistic implications of voyeurism and bending nature to our will.

Its atmosphere is creepy enough, a black and white effect from muted color, a semi-real world where appearance and reality collide, not unlike this time-bound life itself without the machine. Its heroine, a beautiful nude played by Barbara Goenaga, suggests those Freudian chambers of our hearts where desire and violence seem only a door opening or time change away.

In an age of "system restore," where we can set our computers back in time, altering the continuum to expunge viruses and such makes the premise of Timecrimes seem almost possible. The ramifications from our computer restore are usually saving time and money; from a time machine may come a chance to upset the balance of nature, to throw ourselves into a primitive state of lawlessness. At least that's how writer director Nacho Vigalondo sees it, and his film theorizes.

Nice to have a thoughtful movie these days.

This is a fun movie. It explores time travel in an interesting way, making one big consistent whole. While movies like Primer have more convoluted plots, this one is simpler. It explores the events within timeline in a way that menages to reinterpret them and is an interesting conceptual work. Though somewhat predictable, it still menages to be fun and thought provoking. There are not really any plot holes except that main character acts somewhat in fear of not ruining what he knows happens, at least at first, which is somewhat dubious, but the consistency is preserved. What would happen if he tried to subvert it is not explored, but still, a solid work and an unexplored angle. Less ambitious than Predestination, and at a lower budget, but delivers similar experience if in more low key way, which is sometimes sweeter, in a way small but clever films can be.