The Living Wake

Great dark comedy!

Mike O'Connell gives a genous performance. Other actors are also very good.

But the ending is too dark. It killes the viewer's admiration for this movie. Big mistake.

I stumbled upon this movie quite by accident, and am I ever glad I did. I can not heap enough praise upon it. Everything about it appeals to me. Mike O'Connell is absolutely hilarious in his portrayal of the hapless K.Roth Binew, who's last day of life the film chronicles. We journey with K. Roth and his biographer/chauffeur/poet Mills Joaquin (played my Jesse Eisenberg) as he attempts to invite all who have touched his life to his 'Living Wake', to be held later that evening. Aside from a plot that is well rounded and fulfilling, the dialogue is both at times snappy and ridiculously over dramatic. O'Connell's facial expressions and mannerisms alone warrant a viewing. However, what I enjoyed most about this movie was everything going on in the background. While Binew's world is populated by people and places that at first seem familiar to us, upon closer inspection we see that his world has taken on a somewhat unreal, otherworldly twist. The costumes, the props, the lighting - even the hand painted signs all lend to a magical feeling that permeates the film. Even the humble score is beautiful, particularly the piece playing in the final scene. As of this writing, the film is available for free on Hulu, and I highly recommend a viewing. I, for one, having now seen it, will attempt to find a DVD copy for purchase. It's really that good.

7.5/10

If Leon Redbone made movies instead of music, this would be it! This movie is kooky, funny, and just plain out there. It has the feelings of 1920s slap-stick with a dark humor that comes off being incredibly enjoyable (think of those piano playing guys from Family Guy). The script is incredibly witty and outrageous situations are portrayed as regular mundanely regular occurrences for our main character. The movie is really a slice of Americana and experiments with artistic expression in a multitude of ways.

At its heart, The Living Wake is a story about a man trying to find his way in the world as he comes to terms with death. We see K. Roth Binew go through his final day on Earth as he tries to figure out the "short, powerful monologue" - his way of trying to reconcile with the memory of his father walking out on him as a child. Really, though, it is about exploring who we are and how we see ourselves versus how we want people and the world to remember us after we pass.

I never know what to make of a movie like this. I assume it had some sort of deeper meaning to the creator, but to me it just feels like an extended parody of a certain type of character we occasionally see in movies, the eccentric speaking in florid language, never upset by the people around him (it's usually him, not sure why). The Spoils of Babylon was built on this idea, or Norm MacDonald's fantastic channeling of John Huston in Hollywood and Wine.

But is it enough for a whole movie? Hmm.

To it felt like a Bob Byington movie (think. Frances Ferguson, or Somebody Up There Likes Me) but honestly I think Byington does it better (if the goal is comedy, at least) because he works with a wider cast and a wider range of situations.

If you're expecting an A-List Hollywood movie, don't bother. If you're looking to watch a unique and quirky movie with humorously distorted characters- this is it! I was laughing the whole way through at the antics employed by the primary characters. Unfolds a bit more like an on-stage story rather than a screenplay. Some of us can appreciate that! ;)

Mike O'Connell delivers the slightly abrasive character true to form and Michael Cera's character Mills is lovable.

While it's intended as a comedy, the core issues the lead struggles with are real (albeit distorted) and engage the viewers empathy if not their sympathy!

As far as Indie films go, this is one of my new favorites!