IMDb RATING
4.9/10
3.9K
YOUR RATING
A man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.A man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.A man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.
- Awards
- 5 nominations total
Russhita Singh Rushita Singh
- Reema B. Roy
- (as Rushita Singh)
Featured reviews
Many have said this before, but I'm afraid I have to repeat the opinion on the account that a surprising many have decided that Zinda is worth of anything more than 1 star in IMDb. Zinda is a unscrupulous photocopy of the masterpiece Oldboy, and should be avoided, if not boycotted.
Some will claim that Zinda is a 'tribute' or a 'remake' of the Oldboy. To them I ask one question: "What kind of filmmakers make remakes of a movie when the original came out two years ago and has been selling DVDs very well internationally?" It seems that this particular brand of Indian cinema has decided that it is quite content making money off of other people idea for free. And though it is impossible for the original filmmakers to sue the filmmakers of Zinda (on the account that Indian copyright laws does not allow for such suit), Zinda should be remembered as a true stain on the development of Indian Cinema.
Because it has photocopied a great movie, Zinda avoids being an absolute terror of a movie. However, this does not excuse Sanjay Gupta and the section of 'Bollywood' that has involved itself in Zinda's production. Because of the blatant plagiarism, and the Zinda's makers absolutely refusing to apologize and reimburse the original filmmakers, I must say Zinda deserves 1 star, if not 0.
Some will claim that Zinda is a 'tribute' or a 'remake' of the Oldboy. To them I ask one question: "What kind of filmmakers make remakes of a movie when the original came out two years ago and has been selling DVDs very well internationally?" It seems that this particular brand of Indian cinema has decided that it is quite content making money off of other people idea for free. And though it is impossible for the original filmmakers to sue the filmmakers of Zinda (on the account that Indian copyright laws does not allow for such suit), Zinda should be remembered as a true stain on the development of Indian Cinema.
Because it has photocopied a great movie, Zinda avoids being an absolute terror of a movie. However, this does not excuse Sanjay Gupta and the section of 'Bollywood' that has involved itself in Zinda's production. Because of the blatant plagiarism, and the Zinda's makers absolutely refusing to apologize and reimburse the original filmmakers, I must say Zinda deserves 1 star, if not 0.
Having seen the Korean movie that Zinda is based on, and realizing how difficult a job Sanjay Gupta had on his hands, I went into this screening giving Zinda all the chance I could. What I eventually ended up watching got me thinking: Since Gupta has seen the original, what did he see at all in his version that he let it be released in cinemas? He should have left this movie on the shelves, or let out a quite Home video release and saved himself a lot of face. Or be man enough to announce that he failed. It is impossible that he could have been satisfied with the end-product. For a movie where the director deceives himself, what chance do the audience have? Zinda follows the life of Bala (Sanjay Dutt) who is plucked off his beach-house in Bangkok without notice, shortly after arriving there with his wife. He is imprisoned in a hotel-room, fed & cared for and yet devoid of all human contact. He is not even allowed to kill himself. His only contact with the outside world is a Television set which eventually gives him news that his wife has been killed and all evidence points to him as the murderer. 14 years of solitary confinement followed by sudden release fuels Bala's quest for vengeance against his captor (John Abraham). At his aid are a Female Punjabi Cab Driver (Lara Dutta) and his childhood friend (Mahesh Manjrekar).
Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.
Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.
My Rating --> 2/5
Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.
Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.
My Rating --> 2/5
... I totally agree with the previous comments, how can someone copy shameless a good movie AND took out the best scenes and best story elements? Oldboy is definitely one of the best movies (that's why it's good story copied that often), but when I try to copy something than I try to IMPROVE the copy, not to omit the best things! I'm sure the good voting only were given by people who didn't see the original movie.
Please watch Oldboy - you will not waste your time. I really don't understand this Bollywood "Hype", bad actors, bad cinematography and a copied or other well known story - it's always the same. Finally I only recommend you to spend this 116 minutes of your valueable life with other things than watching this movie!
Please watch Oldboy - you will not waste your time. I really don't understand this Bollywood "Hype", bad actors, bad cinematography and a copied or other well known story - it's always the same. Finally I only recommend you to spend this 116 minutes of your valueable life with other things than watching this movie!
The only reason this movie ended up with more as 1 star is because some hardcore nationalist bollywood lovers didn't write honest reviews. Don't get me wrong. I have nothing against remakes nor bollywood, but this is just uninspired crap. I like any kind of movies. But movies ought to be made by people who enjoy making them, they should be skilled. Willing to put effort in making a good movie. This guy is allowed to make movies because he is from a rich influential family.
Sanjay Gupta must be one of the least talented directors these days. None of his work is original and all of his movies are cheap copies. this is the same, he saw a movie. Liked it, but just didn't understand it. it doesn't even come close to the original. Everything is just worse as the original oldboy. Camera work, story (that doesn't work out anymore) de fighting is lame, making it not offending for the Indian audience by cutting out the incest totally destroyed the story. The actor had to be a pretty face, too bad he didn't have acting skills with it. This untalented director shouldn't even be allowed to sell pop-corn in a cinema. Too bad mom and dad had money.
Its a direct insult to the real oldboy, and Sanjay didn't even pay for the rights to rip it. Please don't watch it, get oldboy instead. This one will only make you vomit
Sanjay Gupta must be one of the least talented directors these days. None of his work is original and all of his movies are cheap copies. this is the same, he saw a movie. Liked it, but just didn't understand it. it doesn't even come close to the original. Everything is just worse as the original oldboy. Camera work, story (that doesn't work out anymore) de fighting is lame, making it not offending for the Indian audience by cutting out the incest totally destroyed the story. The actor had to be a pretty face, too bad he didn't have acting skills with it. This untalented director shouldn't even be allowed to sell pop-corn in a cinema. Too bad mom and dad had money.
Its a direct insult to the real oldboy, and Sanjay didn't even pay for the rights to rip it. Please don't watch it, get oldboy instead. This one will only make you vomit
Bollywood should NEVER try to be as ambitious to tackle films like Oldboy. Indian morality eventually gets in the way. Such attempts are cringeworthy. Do not bother watching Zinda unless you like talentless 'eye candy' type films. Watch the original instead. What is it with Bollywood anyway? They shamelessly copy from oriental cinema/Hollywood and try to pass it off as their own. You can't help but feel disappointed. It was a massacre of the cultish Oldboy. You have to have a strong stomach to stomach some of the things that happen in Oldboy. Its like Bollywood was sugar coating the themes in Oldboy and what do you end up with? A version which your granny can watch with you without feeling too offended. If that was the case then Zinda should never have been made. Well it shouldn't have!
Did you know
- TriviaThe film faced problem when makers of Korean film Oldboy sent a legal notice for copying the film without consent.
- GoofsThe knife in Balajeet's back changes positions from the center to top left.
- Quotes
Balajeet Roy: I'll kill you, Rohit
Rohit Chopra: If you kill me, who will tell you your daughter's whereabouts?
Balajeet Roy: Tell me her whereabouts, Rohit
Rohit Chopra: Your daughter is being plundered in this very whorehouse.
Rohit Chopra: She is getting fucked!
Balajeet Roy: [screaming] No!
- Alternate versionsThe film was edited for television premiere. The age rating was changed from A (adults only) to U (universal) after a few violent and sexual scenes were removed.
- ConnectionsReferenced in Woodstock Villa (2008)
- SoundtracksYeh Hai Meri Kahaani, Khamosh Zindagani
Written by Virag Mishra
Composed by Faisal Kapadia and Bilal Maqsood
Performed by Faisal Kapadia, Bilal Maqsood, Sanjay Dutt and John Abraham
Courtesy of Super Cassettes Industries Limited (T-Series)
- How long is Zinda?Powered by Alexa
Details
Box office
- Gross US & Canada
- $332,491
- Opening weekend US & Canada
- $167,246
- Jan 16, 2006
- Gross worldwide
- $3,474,820
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content