O Crime do Padre Amaro
- 2005
- 1h 40m
IMDb RATING
5.4/10
2.7K
YOUR RATING
An young priest commits a crime when he falls in love with a beautiful and troubled woman.An young priest commits a crime when he falls in love with a beautiful and troubled woman.An young priest commits a crime when he falls in love with a beautiful and troubled woman.
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- Awards
- 2 nominations total
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Featured reviews
Very cool! Finally a good Portuguese movie with "salt" and "rythm" in it! Very young adult film. Oh, and the priest is so "ugly".....or not!!!! Just remember this is a contemporaneous adaptation of a 19th century Portuguese romance. it's not just a script made for a "cool gangs-sex" movie... We may compare it to "Tentação" (1997) with Joaquim De Almeida, but it has an all new taste (visual and musical) to the movie, definitely a 21th century film. There's also a little bit of comedy involved, not "cheesy" but ironic. I would also say a strong language is involved in this movie, so strong that identifies with current issues of our society. My opinion... see it for yourself!!! It's worth it!!!
This film is a clear example of what makes contemporary Portuguese cinema absolutely disgusting. Moved by sentiments that are certainly anticlerical and atheistic, Carlos Coelho da Silva decided to bring to the cinema one of the most controversial and famous novels by Eça de Queirós, who was not sympathetic to the Catholic Church, but who gifted us with a writing of truly unparalleled beauty. Let me clarify this: the problem with this film is not to be against priests, but to completely distort Queirós work. It's a film without context, just a pretext for sizzling erotic scenes, worthy of a pornographic film, that turn a priest into a kind of "confessional sexual athlete". Why? Because sex sells. Just that.
The action of the film completely contradicts the book, so we can say that any similarity is almost coincidental. With the exception of the title and most of the characters, the film does not take advantage of the excellent material of Queirós, preferring to invent a new story in our time, where sex scenes fit better. The most reputable actors are there, but always in supporting roles (Nicolau Breyner, Ana Bustorff, Nuno Melo, José Wallenstein, Diogo Morgado, etc.), leaving the main characters for two weaker colleagues. Jorge Corrula has an angelic aspect in the cloth and Soraia Chaves may not have any talent but she looks great naked, and this was widely used in the film.
Needless to say, in an ignorant country like my dear Portugal, such a film was a huge blockbuster. Sex sells... sex involving priests sells even more. Did people read the book to compare, and did they also like good Queiros literature? I doubt that much. A pair of breasts are more appealing than a six-hundred-page book. A national shame.
The action of the film completely contradicts the book, so we can say that any similarity is almost coincidental. With the exception of the title and most of the characters, the film does not take advantage of the excellent material of Queirós, preferring to invent a new story in our time, where sex scenes fit better. The most reputable actors are there, but always in supporting roles (Nicolau Breyner, Ana Bustorff, Nuno Melo, José Wallenstein, Diogo Morgado, etc.), leaving the main characters for two weaker colleagues. Jorge Corrula has an angelic aspect in the cloth and Soraia Chaves may not have any talent but she looks great naked, and this was widely used in the film.
Needless to say, in an ignorant country like my dear Portugal, such a film was a huge blockbuster. Sex sells... sex involving priests sells even more. Did people read the book to compare, and did they also like good Queiros literature? I doubt that much. A pair of breasts are more appealing than a six-hundred-page book. A national shame.
I saw this film yesterday on TV. I had just finished reading the book in which the movie was supposedly based. In the opening credits it said "This is a free adaptation of Eça de Queirós' novel". I should have turned off my TV at that moment.
Vera Sacramento's idea of "free adaptation" is turning a story about Church's influence over people and the hypocrisy of people claiming morality at the end of the 19th century into a story about sex. In fact, the only thing she adopted from the novel was the sex part, which was only mildly referred in Eça de Queirós' novel. And, of course, the name of some characters.
As of the characters, in the novel, Amélia and João Eduardo were victims of church's influence. Amélia was seduced by Father Amaro and all the time she was controlled by him. João Eduardo, her fiancé, was excommungated by the priests, because he dared to criticize them. In this movie, Amélia seduces every one she meets and Father Amaro is just another victim. João Eduardo is a dealer of drugs and illegal weapons.
Vera Sacramento has turned a novel which criticized moral costumes of an epoch and turned it into just another movie with lots of (bad) sex. Even worse, her story was completely empty of ideas. Two wasted hours! Eça de Queirós surely did not deserve this.
Vera Sacramento's idea of "free adaptation" is turning a story about Church's influence over people and the hypocrisy of people claiming morality at the end of the 19th century into a story about sex. In fact, the only thing she adopted from the novel was the sex part, which was only mildly referred in Eça de Queirós' novel. And, of course, the name of some characters.
As of the characters, in the novel, Amélia and João Eduardo were victims of church's influence. Amélia was seduced by Father Amaro and all the time she was controlled by him. João Eduardo, her fiancé, was excommungated by the priests, because he dared to criticize them. In this movie, Amélia seduces every one she meets and Father Amaro is just another victim. João Eduardo is a dealer of drugs and illegal weapons.
Vera Sacramento has turned a novel which criticized moral costumes of an epoch and turned it into just another movie with lots of (bad) sex. Even worse, her story was completely empty of ideas. Two wasted hours! Eça de Queirós surely did not deserve this.
As you might not know Eça de Queiroz is one of Portugal's most rightfully celebrated writers. He was witty, he spared no one in his critics and must now be rolling in his tomb. And that's not due to this movie being bad, which it is, but as a result of the treatment dispensed to one of his masterworks "O Crime do Padre Amaro". It's treated like cheap, throwaway trash.
When it was publicized that this was to be a "modern and urban" take on the book I feared for the worst, normally modern in these contexts means taking the liberty to take the p**** when doing an adaptation, to half arse it in the shoddiest possible way. And so the moral and social dilemma of a priest having a secret,forbidden affair are substituted by extra-long passages of people dealing drugs and singing hip-hop for no particular or pertinent reason to the plot. It's just there like it might very well not have been.
Oh and there's lots of sex so you can at least be counting on that when you put this on. Remember how every movie in the 80's, no matter the genre or the tone always found a way to sneak in some nudity? If it was a thriller and they had no need for it they simply found a way that when they were capturing a felon he "happened" to be in bed with a woman that would prance around screaming (naked of course) when the cops barged in. Ahem, gratuitous is the word I think. Not that there's anything wrong with nude scenes but here they make the creators of this movie look desperate simply because there's nothing else to the movie, it's totally devoid of what do you call it dramatic content.
When it was publicized that this was to be a "modern and urban" take on the book I feared for the worst, normally modern in these contexts means taking the liberty to take the p**** when doing an adaptation, to half arse it in the shoddiest possible way. And so the moral and social dilemma of a priest having a secret,forbidden affair are substituted by extra-long passages of people dealing drugs and singing hip-hop for no particular or pertinent reason to the plot. It's just there like it might very well not have been.
Oh and there's lots of sex so you can at least be counting on that when you put this on. Remember how every movie in the 80's, no matter the genre or the tone always found a way to sneak in some nudity? If it was a thriller and they had no need for it they simply found a way that when they were capturing a felon he "happened" to be in bed with a woman that would prance around screaming (naked of course) when the cops barged in. Ahem, gratuitous is the word I think. Not that there's anything wrong with nude scenes but here they make the creators of this movie look desperate simply because there's nothing else to the movie, it's totally devoid of what do you call it dramatic content.
The film is nothing else than an exposition of nudity. Has anyone noticed that all three main female characters appear naked? It looks like the only winning bet for Portuguese filmmakers is to include some (if not a lot) of nudity of the local stars, together with slang which otherwise, in the nowadays Portuguese society, is repulsed with horror. If you watch advertising for Portuguese films at Portuguese TVs, they all have included a "hot" scene from the movie. I'm not saying, by any means, that Portuguese society is alienated; just that the movie industry does not seem capable of finding others ways of success. Going back to the movie... There is nothing left from the spirit of the book, which is a masterpiece. The film could have been a good one, had there been emphasized the real idea of the book (of actuality at any time) and not the strictly erotic part. It had almost all the ingredients... but the "chef" was awful...
Did you know
- TriviaSoraia Chaves's debut.
- Quotes
Amélia: What do you think about love?
Father Amaro: Love is the motor of the world, Amelia.
- ConnectionsVersion of O Crime do Padre Amaro (2023)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Crime of Father Amaro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €1,477,671 (estimated)
- Gross worldwide
- $713,099
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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