Chacun sa nuit

Visually, it's a fine movie. It looks great, with an attractive cast, excellent color cinematography, especially the lighting, and well-composed frames.

And the story is based on true events, provocative, at that. Four young guys, and one young woman named Lucie, explore life and love, perform in a band, and generally hang out together in modern day France. One of the guys (Pierre) is Lucie's brother. When Pierre goes missing and is presumed dead, Lucie sets about to find out what happened to him.

Except for the musical performances, "Chacun sa nuit" is generally a slow, quiet film, with very long camera "takes". Characters spend a lot of time lounging around in the nude, sulking, dawdling, brooding, lost in thought. The script is not overly talky, thankfully. Indeed, the dialogue is measured, deliberate, contemplative.

But, the film's structure is difficult, for several reasons. First, the script's inciting incident happens off-screen, which renders some confusion as to what is going on, in the first half. Second, events do not occur chronologically. Instead, flashbacks to the time when Pierre was alive alternate with events after his death. And that compounds the confusion, especially the first time I watched the film. The second viewing did help to clarify the plot.

In addition, given that the other three guys (Nicolas, Sebastien, and Baptiste) are all about the same age, the same height, and have similar appearances, I found it hard to keep them straight ... so to speak.

I wish the film's script had gone through another rewrite or two. A few changes here and there could have clarified who was who and what was happening. But despite a less than perfect script, "Chacun sa nuit" is a film worth watching, for the beautiful cinematography; for the provocative, underlying concept; and for a story that is based on real-life events.

Pierre and Lucie, brother and sister, are in a full sexual development swing with their friends, until one day, Pierre does not come home. The question of the movie is what happened to him. The curiosity of the movie, is how Lucie goes about finding out. We follow her as she uses the only power she has discovered, her body, to try to obtain answers in a micro- cosmos of perversity and sexual adolescent indulgence.

It is unfortunate that the movie suffers from a confusion from start to finish, due partly to the resemblance of the characters, partly to the bizarre nature of the script and partly to the (time-frame) editing. Consequently, the audience loses interest in what could have been an original youthful tale. Lucie's manipulation of others through their desire for her body is taken as her strength, which, even if taken as unfortunate, does not evolve into a more mature version. Character development is perhaps a lot asked for a group of youngsters, but a little more character would have helped. If you venture into the dark hall for this one, make sure its late and you are tired. You will leave with the inspirational originality of the sexual/ amorous melange without being too affected by the overall work. But beware of just being lulled into the realms of your own faraway dreamworld.

We're told this was based on a true story. Okay. The potential was there for a truly powerful, shattering film. Well, it isn't. However, I stayed glued to the screen due to the beauty of the cast. The girl, a throwback to the cookie females of the 60's and the boys one more cinematic than the other. It is difficult to guess - and why should anyone care - the intention of the filmmakers. An art film this is not and it's not a commercial venture, not really. If money was their objective they could have gone all the way. No. The film sort of works because one feels titilated by those eyes and those looks. So if their intention was to titillate they succeeded, big time. I wish this story could be re told with the same cast but with a great imaginative, powerful filmmaker at the helm.

This is the kind of film that I want to get away from virtually every minute I am watching it but there is so much nudity, frontal, rear, sideways, that I remain glued to my chair anxiously awaiting the next shot of pubic hair. The story, which apparently is based on true events that occurred in France, is an absolute mess. Who can even begin to follow it? There are so many flashbacks, flash forwards and flash everything else that you just sit there enjoying all the nubile flesh in its various contortions which are quite varied and utterly shocking, frankly. I'm such a small town prude. Just can't help it. The lead, a stunning young French girl is never boring to look at but you do want to strangle her she gets on your nerves so much.

A very french film. It stars a bunch of teenagers in some provincial town in France, living their lives and loving each other – both mentally and physically. A murderous event interrupts the lives of five very close people. Nudity and sexuality are present throughout, but they are not exploited, they rather serve as essential elements of the story that unfolds. And in a way – this probably is the most "french" element –, they are both graphic and tasteful at the same time. The physical attractions cannot be excluded from the characters' thoughts and deeds and developments, yet it is exactly the difference and/or connection between mind and body that marks a central element. Scenes jump from one point of the time line to another, yet the overall narration and presentation is quite realistic (after all, the film is based on a true story). Luckily, this is neither a moral tale nor an "investigating" look at the nightlife of the hedonistic youth of our time; it is a very "talky" movie which some inevitably will find boring while others will be mesmerized. Given it will not be shown often (which looks as if), "Chacun sa Nuit" is very likely to receive a sort of cult potential in the coming years.