Le gospel du bagne

It's a return-to-feel-good-ol' reliable that never fails to bring back laughs and surprises with forgotten scenes. Although maybe best known as a comedy, there are several quite touching scenes that say a lot about relationships between couples, parents and children, and community. Quite the cast! There's Olivia Cole and Loretta Devine! Keith David, Chi McBride, Rickey Smiley, and Katt Williams! A number of actors who never really got their due, especially Malinda Williams and Regina Hall. It's held up well. I'll continue to come back to this film for many reasons. It's inexplicable why the overall rating isn't higher.

Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.

First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.

Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.

His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.

The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.

I'm baffled by the anger in some reviewer's critiques. Sure, this movie is hardy Citizen Kane or even up to the level of the Barbershop movies, but it's not terrible. It's main issue is its inability to sustain a tone. Instead, it varies between pathos, light comedy and (of all things) hostage drama.

As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.

The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.

I really enjoyed this film for a number of reasons. I think Katt Williams is hilarious all by himself and was a great person to cast as choir director. I thought the plot was not as generic as most theft-based plots that hit Hollywood. I thought the transitions that happened as the film developed were fun to watch. Overall I thought the movie was really good.

If you are trying to decide whether or not you want to go see this movie, consider this as you make your decision. First, the film is stereotypical. The main characters live in and attend church in a run down community exposed to crime, drugs, and other stereotypical things you expect to find in a stereotypical community overrun with stereotypical people who are stereotypically Black or Hispanic. Second, the film is funny. Things that are funny to people who understand the complexities and realities of being Black will realize this; people who do not understand will find it challenging to find the comedy. Third, the film will not be an Oscar nominee. The movie was not so well shot, scripted, edited, or presented that you will see it up for major awards. That being said, a number of movies come out every day that are entertaining but are not award-winning and we watch them because we want to be entertained. This is another one of those films. So, if you want to be entertained, you understand the positive and negative inner workings of Black society, and you do not mind viewing a film that displays both stereotypes and truths about the way Black people live, move, and have their being, this movie is for you.

So, it turns out "blaxploitation" films are still alive and well, and these days cast Ice Cube, Katt Williams and Tracy Morgan in the leading roles.

This offensive film parades just about every stereotype about African Americans that you can get away with while still maintaining a PG-13 rating. That translates into a ghetto setting curiously devoid of drug dealers and crack whores. There is one character who dresses like a pimp, but I'm convinced that was because of a mix-up in wardrobe, rather than a deliberate attempt at authenticity.

What is inexcusably absent though is a discernible plot. The screenplay seems to be a weak attempt to re-purpose the flimsy dramatic premise that powers "Die Hard", but relocating it in a church and mashing some Agatha Christie mystery elements for good measure.

What emerges then, in place of a plot, is a severely frayed thread, ambitiously intended to link together a series of set pieces where the various performers deliver signature material - kind of like what you'd find at a school concert, only less coherent.

"First Sunday" does have some funny moments and to be fair, the family did chuckle about the movie for a couple of days after watching it. So think of this movie as a set of toppings in search of a (first) sundae.