American Teen

A mediocre movie that depicts a series of true life characters in their senior high school year. Unfortunate for the viewer that wants to see a more in-depth understanding as to why the teens behavioral patterns are how they are depicted - the writer/director fail(s) at showing why the most successful teens have the gift of having non-broken "quote on quote" normal families. Not much perspective in to family backgrounds, though hard to do in approx 1.5 hrs of film. I feel for Hanah's character, she seems like a very bright yet confused girl, and Jake was my favorite, perhaps because I felt like him at times in my high-school years, though my circumstance was quite different, being the only Caucasian boy in my school.

Some points missed are a character of a substance abusing person, most schools have them as well ; and teacher-student bonding, which is much more prevalent in closely knit communities like the one in this movie.

Final review: boring at times, too shallow, not enough character depth.

"In no order of things is adolescence the time of the simple life." Janet Erskine Stuart

As a non-television viewing guy, I may have just been introduced to a reality-show type of documentary, American Teen, directed and scripted by the acclaimed Nanette Burstein. That this look into the life of four typical graduating teens at mid-America's Warsaw Community High in Indiana may look like an episode on Real World I have on good advice. That it frequently seems like a docudrama I have on my own counsel.

American teen covers all the bases with stock characters: the nerd, the queen, the outsider, the jock, but these are real teens with real challenges such as attracting dates, getting accepted to the right college, meeting dad's expectations-- well, you know the drill if you know teens, be they in Indiana or Los Angeles. Burstein was successful in allowing the legendary producer Robert Evans to tell his unique story in The kid Stays in the Picture. "Unique" doesn't generally apply to American Teen.

As I questioned Errol Morris's manipulations in his documentary Standard Operating Procure (2008) (re-enactments, arty images, and sublimating music), so I question Burstein's artful interpretations: animated sequences about the teen's anxieties and dreams and arguably rehearsed or set-up scenes, the most obvious a face-slapping reaction that looks rehearsed if not just plain lucky for the filmmaker to be there to catch it. Similarly, but less dramatically, is a father calmly telling his son to get a basketball scholarship or go into the Army. It's all too pat, or as several critics have said, "slick."

Maybe because I had several children who passed through senior high with similar experiences, I am not feeling enlightened by American Teen. A successful doc usually gives insight; this one gives me reservations about the durability of the real documentary.

This was the only documentary we had a chance to see this year, and we picked well! I found myself getting so absorbed in the stories of these 4 mid-western teenagers that I forgot temporarily that they were actual people. It is unbelievable that the director was able to catch these kids on camera saying and doing the things they did. One of the characters was so unsympathetic that we wondered why on earth she would act the way she did. I can't help but wish the director had included a "what are they doing now" note at the end. These kids are the same age as my oldest daughter, and perhaps that's why I felt connected to them, but I truly do want to know if they followed through with their plans. We also enjoyed the occasional lapse into animation the film included; some were funny, some were disturbing, but we felt they were well done, if a bit slick. This was by far our favorite movie of the 10 we viewed at Sundance this year. I wish the director had been able to come for Q&A.

Winning a place on the guest list to American Teen was not a high priority for me. When I heard the title, I thought it must be a teen movie, and when I read that it was a documentary, I was even less interested. I could not have been more wrong.

This was the first time I've watched a documentary in a cinema, and it was well worth a Monday night. The stories of these five adolescents from Warsaw, Indiana were absolutely compelling, and wonderfully hilarious, as the raucous laughter from a near-empty cinema attested. Nanette Burstein has edited their experiences in their final year of high school with a deft hand, developing a rich, interwoven story well worth telling.

Watching these young Americans over-experience every emotion imaginable was fascinating not only because of the universal comedy of youth, but also because it reminds you just how much better our own education system is. Which is quite an accomplishment when your audience is a cynical old ex-teacher like myself.

American Teen is not ground-breaking or unique, but it is one of those rare pieces of film-making that exemplifies the best of the art form: simple storytelling, with characters that are easy to relate to, an awesome soundtrack, and an image of ourselves. Well worth a Monday night. Or even a Friday. Go see it.

American Teen, the latest documentary from Nanette Burstein (The Kid Stays in the Pictures / On the Ropes) is equally fascinating and moving. It follows the senior year of four High School students in Warsaw, Indiana. Burstein and her crew chronicle the lives of the students closely, capturing rare moments of beauty, truth, and doubt.

Although I really liked the film, it took me a while to get into it. It starts on their first day of school, and when we're first introduced to the main subjects, they seem cliché. You have the basketball jock (Colin Clemens), the popular girl (Megan Krizmanich), the artistic, liberal girl (Hannah Bailey), and the self-professed nerd (Jake Tusing). I'm watching a documentary about High School and they're focusing on stereotypical teens? Great. After a while, however, I realized that there's so much more to these people than meets the eye.

Along those lines, I was interested in Colin Clemens' story, especially with regards to his father. His father is very up-front about the fact that he can't afford to put Colin through college after he graduates from High School. He basically says that he has two options. The first is to get a scholarship from basketball, and the second is to join the Army. You'd expect Colin's father to be overbearing, pushing Colin to do well in basketball, but he isn't. I was impressed with the love he showed throughout the film. It was very uplifting and genuine.

As a documentary, it is indeed quite an impressive undertaking. I heard that they ended up filming over 1,000 hours of footage over a 10-month period of time. Nanette Burstein said in an interview that they had other subjects, but due to different problems, etc. they ended up with only four. I think it worked out well in the end. I'm not sure if I could have handled watching a documentary involving that many people. I felt like I knew each person individually by the end of the film and felt sorry to see them go.

At times it seemed like Burstein was waiting for the fantastic to occur, to be ready to capture it on film. When those moments do come, they really are awesome and penetrating. There are moments when I felt embarrassed, as if I were reading a friend's diary or personal letter. In those moments, the façade is pulled back and you see glimpses of real people in real life situations. Those moments helped quell my questions about how aware they are of the cameras recording their every move. I'm sure some of what was on-screen was a show, but underneath it all they seem very honest and open.

The film is largely made up of filmed instances in their lives, b-roll of their surroundings, and interviews with each individual. Sometimes scenes of computer animation, which I didn't think worked, would accompany these interviews. I thought that they successfully helped to convey visually what each person was talking about, but it really took me out of the experience of watching a film.

This film reminded me of "7-Up", an on-going series by Michael Apted. Starting in 1964, they documented the lives of seven-year-old British students from differing backgrounds and asked them what they thought about government, their future, etc. They have continued to get together with the same subjects every seven years. The last segment, 49-Up, was release in 2005. Both "7-Up" and American Teen show us different economic perspectives and backgrounds.

American Teen is a great fly-on-the-wall experience. Looking at the different lives of these students I see parts of myself in each one of them. There's a lot to learn from observing others; the decisions they make and the ones they don't.

I hope Nanette Burstein takes note of Michael Apted and decides to do a follow-up to American Teen several years from now. That would be fascinating.