American Teen

A mediocre movie that depicts a series of true life characters in their senior high school year. Unfortunate for the viewer that wants to see a more in-depth understanding as to why the teens behavioral patterns are how they are depicted - the writer/director fail(s) at showing why the most successful teens have the gift of having non-broken "quote on quote" normal families. Not much perspective in to family backgrounds, though hard to do in approx 1.5 hrs of film. I feel for Hanah's character, she seems like a very bright yet confused girl, and Jake was my favorite, perhaps because I felt like him at times in my high-school years, though my circumstance was quite different, being the only Caucasian boy in my school.

Some points missed are a character of a substance abusing person, most schools have them as well ; and teacher-student bonding, which is much more prevalent in closely knit communities like the one in this movie.

Final review: boring at times, too shallow, not enough character depth.

Any enjoyment I may have experienced watching this film was killed by a nagging doubt that what I was watching was authentic.

Is it just me ... or does this film smell fishy? Not only is the camera ALWAYS in the right place when key events occur but each shot has degree of polish that would seem to have required a lot of advanced planning.

This feels like some sort of mockumentary and I'm amazed it has been so positively reviewed. Is America this naive?

Even if this film is real, it doesn't give us any more insight into the world of teen cliques than we got 25 years ago from John Hughes films. With most documentaries, there is are questions about what liberties were taken for the sake of the presentation but "American Teen" goes beyond that. I'm hoping Nanette Burstein will soon say, "By the way, I hope everyone realizes this was a gag." Otherwise, she has lost all credibility with me.

"In no order of things is adolescence the time of the simple life." Janet Erskine Stuart

As a non-television viewing guy, I may have just been introduced to a reality-show type of documentary, American Teen, directed and scripted by the acclaimed Nanette Burstein. That this look into the life of four typical graduating teens at mid-America's Warsaw Community High in Indiana may look like an episode on Real World I have on good advice. That it frequently seems like a docudrama I have on my own counsel.

American teen covers all the bases with stock characters: the nerd, the queen, the outsider, the jock, but these are real teens with real challenges such as attracting dates, getting accepted to the right college, meeting dad's expectations-- well, you know the drill if you know teens, be they in Indiana or Los Angeles. Burstein was successful in allowing the legendary producer Robert Evans to tell his unique story in The kid Stays in the Picture. "Unique" doesn't generally apply to American Teen.

As I questioned Errol Morris's manipulations in his documentary Standard Operating Procure (2008) (re-enactments, arty images, and sublimating music), so I question Burstein's artful interpretations: animated sequences about the teen's anxieties and dreams and arguably rehearsed or set-up scenes, the most obvious a face-slapping reaction that looks rehearsed if not just plain lucky for the filmmaker to be there to catch it. Similarly, but less dramatically, is a father calmly telling his son to get a basketball scholarship or go into the Army. It's all too pat, or as several critics have said, "slick."

Maybe because I had several children who passed through senior high with similar experiences, I am not feeling enlightened by American Teen. A successful doc usually gives insight; this one gives me reservations about the durability of the real documentary.

In the documentary "American Teen," which had its Regional Premiere here at the 2008 SXSW Film Festival on the heels of an auspicious Sundance debut, filmmaker Nanette Burstein chronicles a year in the life of a group of high school students from Warsaw, Indiana.

On the face of it, it seems like we've seen this before -- the popular girl, All-American jock, shy pimply geek, and wild child -- growing up and dealing with the overwrought, overblown, magnified time of life that is adolescence in rural America. But this is 2008, and issues that were never raised in the past, or were overlooked -- mental health, self-acceptance, peer pressure and the need to fit in -- take on a new, frightening reality in this day of Columbines and nooses and hatred taken to unheard of levels. The consequences of ignoring what our teens are saying are more frightening than ever before.

Yet Burstein's subjects are a refreshing dose of a reality we don't see on television -- yes, these kids are troubled and in need of support, but they also demonstrate an impressive capacity to heal themselves. They are smart, streetwise, and comfortable in their own skin. They are smart, funny, and adorable. They have more to teach us about the importance of being able to laugh at ourselves than we may be willing to admit.

Ultimately, they grow on us because we've all been there, if not one then a combination. There are more awww moments than one can count and, in the end, we want to stay there in Warsaw, Indiana.

This was the only documentary we had a chance to see this year, and we picked well! I found myself getting so absorbed in the stories of these 4 mid-western teenagers that I forgot temporarily that they were actual people. It is unbelievable that the director was able to catch these kids on camera saying and doing the things they did. One of the characters was so unsympathetic that we wondered why on earth she would act the way she did. I can't help but wish the director had included a "what are they doing now" note at the end. These kids are the same age as my oldest daughter, and perhaps that's why I felt connected to them, but I truly do want to know if they followed through with their plans. We also enjoyed the occasional lapse into animation the film included; some were funny, some were disturbing, but we felt they were well done, if a bit slick. This was by far our favorite movie of the 10 we viewed at Sundance this year. I wish the director had been able to come for Q&A.