Szabadság, szerelem

To those who are familiar with the end result of this true story, it is certainly not a happy ending. In 1956, Hungary was ruled by communism. Russian communism to be exact, and it was a few brave souls out of thousands, that gave up their lives for a dream - of freedom.

I am an American currently living in Hungary, and I felt very privelged last night, being able to see this film. There I sat in an auditorium, with a theater screen set up, and a projector as well; watching this film in a city of only 13,000, approximately one third of which sat all around me. I felt honored, and very happy to know that I was in this country, watching this film, amongst so many people who were celebrating an event that took place fifty years ago, here in this very country.

The film centers around a water polo team in the year 1956. It was in this year that people began to take up arms. They decided enough was enough. Communism had ruled for far too long by this point - but the tragedy was that it was to remain that way for a much, much longer time. At the end of the second world war, the Russians decided it was their turn to rule Hungary. They took it off the shoulders of the Germans, who had now lost, and Russia was the new Hitler. The star of the film is member of the Hungarian water polo team, and they become finalists in the Olympics that year. From the beginning of the film, until the end - we see the Revolution through the eyes of this young man. How he falls in love with a women, who is one of the leaders of the revolt, and finds himself fighting for his country alongside her.

Though it was a bit slow at times, and it was in Hungarian - it's a film, that in some ways you don't even really need to speak the language to understand. Although I'm semi-fluent in Hungarian, it was still very difficult for me to follow the dialogue. However, you can understand what's happening in the film, without a knowledge of what they're saying. A lot of explosions; fighting; guns; love scenes; and arguments - it's quite apparent most of the time what's going on.

I would say that acting wise -it's a Hungarian made movie. The actors are not the creme of the crop - but certainly better than your average Joe. The direction was brilliant, however. And I was quite amazed by the camera-work - and stage direction. Filmed on location in Budapest (and it's quite obvious), it gives those who have walked down some of the famous streets, and squares, chills down their backs, with the knowledge, that there were protesters and gun play in those places, all those years ago. Now, these streets and squares are famous tourist attractions.

Although I hate to give in to the self-pity most Hungarians carry around with them, I have to admit that the film does make you feel sorry for them as a people. First world war two, and then this. It was as though they were to never catch a break. Which might account for some of their cultural behaviors, even today. The communist mentality still seeping through. It is all apparent in the film, why they go about their ways, the way they do.

It is an interesting film, and a good historical reference. If anyone can find this with English subtitles (or subtitles for whatever language you speak), it might be good to see it, just so you know what actually happened in 1956, and how as much as the Hungarians fought for their freedom, life is not a movie- and the outcome was very realistic. They lost.

A final note. After the film, a lady who was in the car with me on my home, said something that I'll never forget. I mentioned that in the movie, I thought it was funny how someone got so excited, because they'd heard on the radio that the Americans were coming to save them. And, I said...I didn't think that was true, since I don't ever recall the Americans coming to the Hungarians aid. She said softly, and sadly, as though it were my fault, "No. You didn't come. You didn't come." A sad, yet memorable, historical and noteworthy event in world history. And, of course, in Hungarian history.

I may not be objective since I'm a Hungarian and a patriot, and especially after the very sad 50th anniversary, this was some kind of relief for me.

First the bad, then the goods... Dobó Kata is the only bad thing happened to this, but she's really bad. I never appreciated her - never saw any movie where she didn't pose in lingerie - but after this I have to say, she has to run around in lingerie because in clothes, there's nothing touching in her, nothing that makes you believe what she says, no emotions on her face whatever. She cannot act, that's it.

But the movie had so many strong appearances and so many talented people behind the cameras, that you easily forget about Dobó.

Iván Fenyö; is no surprise, he's been in the Jake Gyllenhal movie Jarhead before (which I didn't like though), and he can act. He's enjoyable here, not his best and not the best in the movie though.

Károly Gesztesi is phenomenal in his role as the coach, one of the most likable characters here. The other of the greatest performances is brought by Sándor Csányi. He's well-known for his leading role in Kontroll, and he simply outshines everyone here as well. The leading lady - after Dobó's failure - is surely Viki Szávai, Eszter in the movie (Dobó's best friend). She's playing so easily you can believe she's not even playing, it's her true self... I liked the character so much thanks her playing that the loss of her was one of the saddest moments for me though it was almost obvious what has to happen to her.

Vic Armstrong did a great job with what he had... The few tanks and other limitations didn't stop him to recreate what was happening on the streets of Budapest. You'll be scared by thinking it through, it's so real...

Kriszta Goda's second movie direction here makes you need to see the first as well. She did an amazing job here.

After all, I was touched, and touched is such a cliché when talking about this movie and the story behind it.

1956 means something for everyone who has at least a little percentage of Hungarian blood in his/her veins... either you were here afterwards and saw the aftermath, either you live here now as young and have the same needs, feelings for freedom, or you're living abroad and were raised on stories about Hungary and how your family had to live, run through the border while they were shooting at them... Or you've heard about the story, you know someone who's Hungarian. Or even reading about it here, and seeing this movie it'll change you a little bit, in what you think about Hungary. I hope less people will laugh at those cheap jokes by comedians on the US national TV after seeing this little history lesson.

No matter how many stories you've heard it's not like being there and seeing this movie will bring you back as a watcher, you'll understand them more and appreciate them more. After leaving the theater you'll surely believe the people who died on the streets or in the AVO prisons were true heroes. Makes you feel the need to do something patriotic as well...

Thus I hope everyone of you goes out to see it, internationally. After so many touching movies about American history, here's your chance to see how those in the Eastern block struggled and fought for their lives. It's totally different and I hope it'll bring difference.

Wanted to give a 10, but -1 coz of DK.

Hungarians are people of wars of independence. They can't stand oppression for a long time. They had wars of independence against Ottomans, Habsburgs and in 1956 against the Soviets. However there are very many exciting stories of the Hungarian history, unfortunately there are very few movies about them. This one commemorates the heroic freedom fighters of Budapest. The Hungarian title "Szabadság szerelem" (in English: Freedom and love) is a historical reference to a poem of Petöfi Sándor, the famous poet and revolutionist of the Hungarian revolution and war of independence of 1848.

You must see this movie to understand peoples of Central and Eastern-Europe and their history. They are all victims of the worst and perhaps the cruelest dictatorship ever in the world. I love this movie. And after that I must say: I'm proud to be a Hungarian.

In Budapest, the Hungarian Revolution of 1956 is beginning while the water polo team is training for the Melbourne Olympic Games. The player Karcsi Szabó (Iván Fenyö) meets the revolutionary student leader Viki Falk (Kata Dobó) and they fall in love for each other. When the Soviet force withdraws Budapest, Karcsi decides to rejoin the team and travel to Melbourne to participate in the Olympic Games. However, a larger Soviet force returns and invades Budapest, killing thousands of Hungarians and suppressing the resistance. Meanwhile, Karcsi and his team dispute the "Blood in the Water" match against the Soviets.

"Szabadság, Szerelem" is an impressive movie about two historic facts: the Hungarian Revolution of 1956 and the "Blood in the Water" match in the Melbourne Olympic Games. The director Krisztina Goda and the writers Joe Eszterhas, Éva Gárdos, Géza Bereményi and Réka Divinyi succeed in promoting the Fiftieth Anniversary of the bloody revolution in his country, unknown for many people, through an engaging and full of emotions movie developed in a perfect pace. The dramatic story uses the romance and chemistry of two charismatic characters performed by Iván Fenyö and the gorgeous Kata Dobó associated to sports, more specifically water polo, and a magnificent team of actors, actresses and stunts, to disclose the foregoing historic events. The cinematography, art decoration and costumes give a wonderful reconstitution of Hungry in the 50's, associated to a stunning and touching soundtrack and great special effects. The story concludes with golden key with the wise message that "freedom is the greatest gift of all". My vote is nine.

Title (Brazil): "Sangue nas Águas" ("Blood in the Water")

Note: On 30 January 2016 I saw this movie again.

Water polo in the 1956 Melbourne Olympics was more than just sports to Hungarians whose country was just going through an anti-Soviet uprising that was subsequently violently crushed by the Soviets when the Games were about to begin: in the pool, the small country was able to show to the world that they hadn't lost their national pride and power despite the oppression by their huge occupier. Written by Joe Eszterhas (of Basic Instinct fame) among others, Krisztina Goda's film is set shortly before the Olympics when the Hungarian water polo team is preparing for the tournament amidst political unrest in Budapest. The team's star player Karcsi Szabó (Iván Fenyö) is looking forward to his big chance to shine in the eyes of the world, but has to rethink his attitudes upon meeting a beautiful anti-Communist student activist Viki Falk (Kata Dobó). Being associated with her cause in public might cost him his position in the team, but he soon understands that closing his eyes from the country's problems is no longer an option.

The style of the film is as Hollywoodesque as can be: the constantly playing music by Nick Glennie-Smith ranges from bombastic to sentimental, always carefully following the conventions of epic movie scores. The plot is also somewhat predictable and includes all the scenes one expects to find in a classical war cinema: tragic deaths, recklessly brave resistance battles against almost indestructible enemy tanks, a woman crying over a dead body on a street and an oh-so-romantic "artistic" sex scene between the lead couple whose fragile romance blossoms despite the turmoil everywhere. However, the big budget also shows in good ways; the sets, props and costumes look authentic and the explosion-heavy action scenes are well created and directed. I also liked the brownish and bluish tones of the cinematography and the visual style in general.

Despite the athletic-sounding premise, the movie is not really a sports film as water polo is only played at the beginning and the end. The main purpose of the film has obviously been to commemorate the brave nation's patriotic efforts during the revolution and to remind audiences that war spectacles are not Hollywood's prerogative only. While the team's story is worth telling, I think the overall style is way too obvious in its emotional manipulation, and the general heavy-handedness hurts the film's chances to work as a truly affecting piece of cinema. On the surface it's an enjoyable war film though and can be enjoyed by fans of the genre.