Vision des ténèbres

Once again people who dislike horror movies seemed to have rated this movie low... This is a horror movie so if you like horror movies then you will like it! It had a genuinely creepy feeling which was great for this movie. In fact it was made pretty artistically because it goes from her normal life where everything is super bright to the point where it almost hurts your eyes, then her dreamself which is really dark and morbid. There is a lot of symbolism in this film and a killer ending. I love movies with twisted endings that aren't predictable. If you pay close attention to details you can begin to figure out a few things, but its hard to guess. This was an original idea, and pulled off really well. This would have gotten a higher rating if they created more suspense, I mean there was a few good parts but for how great the story was they could have done a better job!

Dark Corners, directed by Ray Gower, is one of those films that is designed to have its audience ponder long and hard about events, and then come to their own conclusion about what they have seen. The problem is, even after much consideration (and on-line research), it's unlikely that a satisfying answer will be forthcoming. There's a point beyond which ambiguity simply becomes frustrating and Dark Corners cruises right past it and keeps on going; in fact, the film is so confusing that it's quite possible the makers didn't really know what the hell was going themselves.

Thora Birch stars as a young, blonde wife named Susan who suffers from terrifying nightmares prior to having IVF fertility treatment. In these vivid dreams, she sees herself as another person—a brunette named Karen (also Thora Birch)—who inhabits a hellish world where she repeatedly wakes from her sleep covered in blood and bruises.

In order to try and quell her night-time hallucinations, Sarah visits Dr. Woodleigh (Toby Stephens), a psycho-analyst who suggests hypnosis as a way of dealing with the problem. However, her appointment with Woodleigh proves to be the start of even more horror for poor Sarah, as her life gradually becomes more intertwined with that of her imaginary self, and she becomes a target of a knife wielding killer known as The Nightstalker.

There's a lot of conjecture on the Dark Corner message board about what is really supposed to be occurring, with some posters proposing that both Sarah and Karen are manifestations of Dr.Woodleigh (AKA The Nightstalker), who is reliving his sins endlessly in hell. Whilst this is certainly a possibility, quite how one reaches that conclusion based on the evidence offered in the film is beyond me. Don't get me wrong, I don't believe in being spoon-fed the answers, but in this case, a couple of satisfying morsels wouldn't have gone amiss.

Fortunately, although the story is a real head-scratcher, the quality of the acting prevents this film from being a total loss. Birch is great as both versions of her character (and also rather cute to boot, particularly as the brunette), and she is ably supported by Christien Anholt as Sarah's understanding hubby and Joanna Hole as best friend/work colleague Elaine Jordan. These solid performances, plus a fair bit of graphic nastiness, make the film a reasonably engaging and entertaining experience; just don't expect to understand all that you are seeing.

4.5 out of 10, rounded up to 5 for IMDb.

To call this a movie a hidden gem, is not a hyperbole, but it reflects its quality.It is a dive into the darkness, in an unknown place that salvation seems so far away. I haven't seen a lot American horror movies which are more frightening than this. It's a shame that this movie didn't get the recognition it deserved. 5.1 is not a fair rate. I would give it a 7.5. I think that the reviewers should award efforts like that, for encouraging producers/directors/writers who don't have large budget in their movies, to keep their vision up. Finally, i must confess that i wouldn't have understood the meaning of the end if i had not read the interpretation here, in movie's page in IMDb. Maybe that was the only flaw, the end is a little confusing.

I caught this movie several months ago, and it was only after happening to come across it in my collection recently that I realized it was really worth commenting on here. So here goes.

Firstly, my brief take on the plot: Karen Clarke lives in a city where dark and horrifying things exist just beyond the edge of her vision. Susan Hamilton is a happily married woman suffering from recurring nightmares. Each considers the other to be the person they become in their dreams. So who is real? Now, this is not one of those "are you sure this is low-budget?" productions. There are numerous qualities about this film which make it very clear to the viewer that we are, in fact, in the land of independent financing, ranging from certain scenes shot like they're using 1950s camera equipment to the typical "small roles filled by people with all the emotions of a cardboard box" syndrome. This even extends to one of the more significant minor roles, an older blond woman whose acting ability alternates between competent and "Plan 9 From Outer Space" depending on the scene.

With that said, there's still something to this film. It takes a bit to get going, with the first 30-40 minutes leaving the viewer with a lot of puzzle pieces and very few ways to connect them, but the pieces themselves are reasonably interesting. Once we hit the halfway mark, however, things begin to connect a bit more. Most of it is executed well, leaving the viewer feeling neither confused nor as though they've been led by the nose. A few times, however, clues are all but identified with bright neon signs, particularly a seemingly pointless conversation which suddenly draws attention to itself with a rather unorthodox camera pan. The presentation otherwise is excellent, with many of the scenes set in the "dark" city just about oozing a sense of corruption and decay. Much of the content is surprisingly robust as well, with a lot of allegory and outright symbolism present throughout. (Though the significance of it all isn't truly clear until the end of the film) While the smaller roles are filled with the typical low-budget riff-raff, the principals all do an excellent job in this film. Thora Birch is entertaining to watch and, as always, you can sympathize with her character(s) almost instantly. Toby Stephens gives a short, interesting, and dark performance which is perfect for the film, and in a pleasant surprise Alan Perrin makes a highly intriguing detective in both "sides" of the narrative.

However, the real winning part of this film is the final reveal, the "twist" if you will. While it isn't what I would call exactly genius, it's still pretty clever; even the most observant of viewers will at best be able to determine part of the twist, but not all. More importantly, the reveal is both creepy and satisfying, albeit in a Schadenfreude-y kind of way. It's a worthy payoff for 90 minutes of invested time.

BOTTOM LINE: It's not really award worthy and it's certainly not perfect, but it's entertaining and has a wonderfully satisfying-yet-creepy ending. If you're a fan of "twist" movies like Memento and Sixth Sense but prefer a "darker" feel this may be right up your alley.

This dark thriller isn't bad, its not great, but certainly watchable and suspenseful. The acting is good. Thora Birch gave a pretty nice performance even though she sometimes didn't seem to really understand her character. the atmosphere is great. The dream was good, and the nightmare was dark and disturbing. and it had a morale to the story. Though a lot of people might not like it (which might contribute to the low rating). It will also please gorehounds, as there is plenty of brutality and blood. I think it should have a little higher rating. Its definitely worth the watch if you come across it. I rate it 6/10 Rated R for bloody violence, disturbing images, terror, and brief nudity