The Dark Hour

You will find absolutely no plot-info in this short comment/praise of director/writer Elio Quiroga's debut feature film. Because one of the cool things about LA HORA FRÍA is when you enter it, you have no idea what kind of movie this is. You think it might be some sort of post-apocalyptic drama, set in an underground facility. Pretty down-to-earth and believable. But as it progresses, you still don't have a clue what it's actually going to turn into. There's a re-occurring, strange supernatural phenomenon. A bit later it feels like you've just entered Romero's DAY OF THE DEAD vs. Cameron's ALIENS, so to speak (more in vibe than actual subject matter). And the real nature of this films pretty much continues to be a question mark right up until the final, fascinating revelation at the end. And don't worry, it's not some twist along the lines of "Oh, it's all not real after all...". A solid film that went beyond my expectations. Try to not read anything else about it, and just watch it. One thing I'll add: It's not straight-up horror but a great mixture of things, that's for sure. Great things, including haunting cinematography and a script soaked with a bleak sense of hopelessness, all accomplished on a modest budget.

The Cold Hour takes several cliché' horror film tropes, combines them in entirely unexpected ways, adds brilliant acting and great cinematography and ends with a purely science fictional image that will live in my mind for a really long time. This is a well put-together ensemble piece. I'd tracked it down, having been encouraged by the largely positive IMDb reviews, but mainly because of the Silke (Hornillos Klein) Rule: "Buy Anything She is In" that dates back to Julio Medem's wonderful, Philip K. Dickian, Tierra. Purely from the perspective of The Silke Rule, this film could almost have been seen as a disappointment since, although her character Maria is top billed, all of the characters are extremely well balanced and no one is really the lead. Every part is so well written and so well acted, however, that the viewer comes out ahead. In fact, the primary PoV is 8 year old Jesús, played by Omar Muñoz, and he is wonderful, despite my normal antipathy towards child actors. I can't, alas, say much more without revealing too much.

If you've read the other reviews, you already know that the primary situation appears to be similar to 28 days, et al. (This MAY actually be correct - if you prefer clear, pat explanations from a film, rather than have it ask as may questions as it answers, leaving you with a delicious sense of cognitive dissonance, then go watch something else). However, I've never seen that ultra-standard plot trope handled THIS way, or combined with THAT. Run, don't walk, to get La Hora Fría if you admire and enjoy originality, a continual sense of surprise, and a refusal on the part of the creators to spell everything out; if, like me, you prefer leaving the experience of a film with a deep sense of unease and the feeling that you have a lot of thinking to do especially about what that final shot meant. Your mind will have something to mull over for a long, long time.

Settling into the story, be prepared for a character-driven study, even hinted at within the movie itself. The acting is superb, the story intriguing, and the conclusion leaves you answering AND asking questions. The director brought it all together and made everything work. There are some drawbacks in terms of character/story logic - why wait so long to confront the Strangers? Would you believe Pedro's version of events? - but they do not take away from the experience of "living" through young Jesus and his video camera. It's one of those films for which I am BEGGING to be released on DVD in the US with a director's commentary. There HAS to be some importance to the character names - Jesus, Judas, Maria, Magda, Peter, Paul, Matt, Luke - even Paul stops by. Someone can take it and write a dissertation...if you do, please post a link. I've got more movies to watch and review...

The eight years boy Jesús (Omar Muñoz) has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptical war: the leader Maria (Silke) and her lover Pablo (Julio Perillán); the gays Lucas (Pablo Scola) and Mateo (Sergio Villanueva); the astronomer Magdalena (Carola Manzanares) and the teenager Ana (Nadia de Santiago); the soldier Pedro (Jorge Casalduero) and the lonely Judas (Pepo Oliva). They are permanently is state of surveillance, threatened by the contaminated mutants The Strangers and once a day they have to lock themselves in their rooms without heating to protect against the dangerous ghosts The Invisibles that attack in the Cold Hour. They cannot go to the surface, destroyed by a nuclear war. When they need supplies, medications and ammunitions, they organize expeditions to a store. When the menace of The Invisibles affects the safety of the group of survivors, they need to reach the surface.

"La Hora Fría" is a great low-budget movie showing a pessimist view of the fate of mankind after a nuclear war. The atmosphere is melancholic and claustrophobic and the story discloses the characters through the innocent eyes of an eight years old boy. I expected to find an explanation to their biblical names, but the film never clarifies. The story recalls "The Omega Man", "Day of the Dead" and "28 Days Later...", but is original and supported by a great cast that transmits fear, panic and lack of hope to the viewer, and by an excellent cinematography, using gloomy colors. I was a little disappointed with the ambiguous conclusion, and I understand that Pedro was right and the group was part of an experiment, but I am not sure if this was the intention of the writer. I believe the director Elio Quiroga failed since he was not able to express his real intention in the last scene. Probably due to commercial reasons, the Brazilian title does not correspond to the original Spanish title, as usual. My vote is seven.

Title (Brazil): "A Hora Negra" ("The Dark Hour")

This is a survival zombie picture, a quite slow one, with some action only later on. Of course those who liked this picture will probably say to that, that it is a character driven movie, with emphasis on both known and unknown threats, simply showing day to day survival after a big war somewhere in the future. But if it is suppose not to be an action flick, then why did they put in it that one typical zombie extermination scene? Also: why do they talk so much about means of survival and take care in maintaining order in the group to the degree of keeping reports from scavenger expeditions, and yet they have such holes in their defenses that it just beyond logical comprehension? And how did that lonely survivor was able not only to live outside that group for so long, but also at the same time in such vicinity to them, while staying under their radar? Things like that just show in clear sight, how (unfortunately) bad this movie really is

And the big plot twist at the end that reveals "the truth", could be the attempt of trying to save the movie by giving also a sense to the whole situation (and specially that other threat that is not named in this short review). But that twist does exactly the opposite, adding more faulty ideas. Because in the end that other (aside zombies) physical threat just does not make any sense. Was that suppose to be a thriller or horror? Sci-fi or fantasy? Or just a waste of film resources and the time of viewers?

This is surely not a science fiction movie. Unfortunately that is the problem with IMDb genres system: it does not have a "dystopia" or "apocalyptic" category, and as such often shows as a s-f something that has very little or nothing to do with that genre

This is a European low budget picture that makes the mistakes of a Hollywood big budget B-class movies. It slowly but inevitably degrades to a boring disappointment