Sønner

This film is about a lifeguard's self imposed mission to stop a paedophile from exploiting teenage boys.

The film is emotionally captivating. The story itself is about a controversial topic, and the portrayal is raw and and relentless. The argument by the pool between Lars and his boss is particularly memorable. It shows how some people in the society chooses to turn a blind eye to such tragic abuse. It also shows how victims are manipulated by the paedophile, as we can see towards the end of the film. It also shows how righteous people can be exploited, as Lars got exploited by the prostitute.

It also reminds us how most victims chooses to remain silent, and not stand up against the paedophiles even if they had the chance. It also examines conscience and morality. As the paedophile commented that the boys were all willing, does it make him less evil? How do we decide what's good or bad? I think this film can provoke the thoughts of people who have not been giving this topic much thoughts.

Sønner is another proof that the Norwegian film industry is growing to a respectable level. In Sønner we get to know Lars and his discovery of a older man's abuse of young boys. His reaction and how he confronts the issue evolves to be a brutal conflict, seen as assaulter by the police, and as heroes by the public.

The movie is at some level disgusting, but a realistic portray of a 25 year old man's revenge and hostility against pedophiles. Excellent acting by somewhat unknown actors, and commitment by difficult roles as a pedophile, and the abused. The script is beautifully written as we begin to sympathize for all parts.

An impressing contribution to the Norwegian filmography.

I don't know when or how it happened, but recently I have been beginning to look toward Norway for good films, and it hasn't been in vain.

As in Sönner, where a completely unknown director (for me anyways) get a bunch of even more unknown actors together and the result isn't bad at all. Au contraire it is actually a pretty good movie.

Usually we are used to see pretty light, or feel-good movies like Elling, Fritt Vildt and Himmelfall, but here we are taken straight down into the darkness and a subject that we all have strong feelings about, pedophilia.

The protagonist, a young pool-guard, one day just put down his foot and says "Enough", a bit like Michael Douglas in Falling Down, when he suspect a pedophile in the pool. The result is excellent. The actor really pulls it off, with just the right amount of anger and frailness, and his presence is world class. The interacting between his character and the prostitute that lives next door is top.

I really hope that I will discover more of these Norwegian diamonds when I keep looking west. I confess, I do believe Norway has passed Sweden when it comes to making good and unexpected movies.

I will keep a look out for more movies from Erik Richter Strand and will definitely keep my eyes open for Nils Jörgen Kallstad

This movie is a psychological thriller focusing on the emotional crises created by pedophilia. While the subject matter may be distasteful, even disgusting, to some, this movie is an important contribution that depicts there is a very fuzzy line between good and evil. The movie rightly points out that the pedophile is not the only villain. He shares that platform with people who by not caring aid and abet the crime. Largely absent parents who don't care enough to screen who babysits a child, community services that turn a blind eye to what is obviously there, our social control mechanisms such as schools, police and child welfare organizations that are perceived as punitive all share responsibility for child abuse.

The title "Sons" tells us how children become emotionally trapped in what their adolescent mind perceives as love and consent. How with years the torment builds and explodes shows us the tragic consequences. The movie through its characters traces the destruction caused by molestation and reveals the toxic shame that emerges in adult life because of it.

The director is brand new but if future works are as cleverly crafted as this, he has a bright future. The cast is entirely believable.

This movie does not (nor does it intend to) delve into the mystery of pedophilia nor its possible treatment. It does give one pause to re-examine the knee-jerk attitude of moral indignation when we hear of its happening and asks us to examine if we care enough to watch what is going on about us.

Music. Lighting. Cinematography. Direction. Acting. Locations. Mood. Theme. Plot. Turns. Lights Out!!!!! This is a film to be regarded as one of the most thoughtful and daring when dealing with pederasty.

As always (in my subconscious film-maker), Norway is on the top list of best films. Sweden may be the second country to deal so well with such difficult subject matter (and with film-making, that's it).

Sønner is breathtaking, endearing, fearful, tearful, shocking and outstandingly well written. When I think about Scandinavian films, this one comes to my mind as many other Finnish or Swedish films from the late 2000's first decade.

The psychological drama you will witness from the very first minutes of Sønner, will leave you thinking why are there so few films in Hollywood to push the boundaries of the usual line so hard. Sønner takes the routine in Hollywood, with just a simple concoction, to a different and new level and, mind you, with just 1/100th of the budget!

I shouldn't compare these worlds, but I can't refrain. I've just witnessed one of the most gruesome mistakes (maybe I've seen another hundred of them) in "Låt den rätte komma in's" remake.

The American film industry (not the independent world) should stay away from trying to do better. They just can't.

Sønner is a beautiful and disturbing film. It simply does the job of telling a story and, in the way, it jerks our feelings, our stances on some very difficult subjects, and rips apart our hearts when the puzzle is solved.

Nils Jørgen Kaalstad is superb in his role. Mikkel Bratt Silset will make you shiver and cry. The rest of the cast is first-rate.

What Erik Richter Strand did with his script (and Thomas Torjussen's) is amazing.

Watch Sporløs, his first film... you'll get what this guy is into.