Mulberry Street

I'm not one for loving cheesy films a whole lot. Sure I can dig Troll 2 for it's insane cheese, or even Blood Freak and it's Turkey Murderer. I guess I'm a fan of the genre, but I can tell you I won't be paying more than 5 bucks for any of them. So whenever I hear of a movie like Mulberry Street, I tend to just shrug and see what good can come out of it. Mulberry Street is a rare breed, it takes a corny premise...Rats infecting people to become killer Rat People, but the movie works, surprisingly well. I'm not gonna get into specifics, because this movie especially, is one you where you shouldn't pay attention to details. If you let it fly, Mulberry Street brings you on a consistently entertaining ride. And with this being a low-budget film, movies of this caliber should only be applauded. If you're looking for a apocalyptic/zombie/vampire/mutant flick, look no further, Mulberry Street is easily good enough to satisfy your Rat Bastard needs.

New York City has a rat problem it seems. The little furry pests are crawling all over the place and you better hope they don't bite a chunk out of you because, when that happens, you start growing hair out of strange places and want to eat human flesh! "Mulberry Street" is an apocalypse movie which takes "28 Days Later" and filters it through a post 9-11 New York. It begins at a rundown tenement building on the titular street where we are introduced to several of those who live there including Clutch, a retired boxer, a bartender named Kay (living with her teenage son) and Coco who is Clutch's best friend. Meanwhile, Clutch's daughter Casey arrives in New York City after serving in the Middle East and begins making her way home. Unfortunately, there have been several reports of rats biting humans, a nasty virus spreading through the city and people suddenly turning on one another. This results in the subways being shut down and Casey is forced to make her way home on foot. Are all these events connected? You bet!

"Mulberry Street" begins slowly with the horrors kept in the background. A feeling of dread infects the first third of the movie; dark figures shamble around alleyways as the characters walk past, a man sits silently in Kay's bar sweating and acting strangely, rats scurry around nearby gutters and televisions begin reporting strange events. I actually quite liked this - it was nice to watch a horror movie where the characters were developed, allowing the audience to get to know them before the city fell into Hell. There aren't any stereotypes either which makes a nice change. The characters in this movie probably do exist somewhere in Manhattan; enabling you to care about whether they'll survive or not.

The movie was made for a very low budget and features a lot of shaky-cam, which is obviously used to hide some of the effects (although they were, in my opinion, pretty good - the rat people are appropriately gruesome and deformed) but it doesn't hurt the film. In addition, the visuals have a dark and very dirty look to them. For a movie which revolves around rats, this adds to the atmosphere and makes it appear more gritty and realistic.

I really enjoyed "Mulberry Street". The acting was great all round, the storyline was interesting and it was nice to see a movie of this type that didn't use zombies for once! The squealing noises made by the rat people as they flood through corridors and streets was suitably disturbing. If you enjoyed "28 Days Later" or are a horror fan in general then you should certainly check out "Mulberry Street". Jim Mickel is definitely a director to watch out for in the future. If he can produce something this entertaining with such a low budget, who knows what he'll be capable of with more money?

In Mulberry Street rats in the subway system begin biting people causing them to turn into wererats. The story follows a group of apartment dwellers who try their best to survive. What I really liked about this movie is the way the characters all seem like real people instead of the bland teens we are usually supposed to care about in horror.

The effects aren't great but the monsters do look more or less like humanoid rats and the action zips along and you barely notice. What you do notice though is some nice camera-work that really puts you in the middle of the action. You'll probably also appreciate the clever use of television and radio to fill in the story, this isn't a new idea but it's done pretty well.

Overall I really enjoyed this movie. I noticed in a couple of other reviews people mentioned that they felt something when a character died, that's so rare in horror these days and is the sign of a well made horror movie!

This is a low budget movie. Now there are low-budget and low-budget. This is very well made out of "only" 60K (apparently) USD. If you can stand the idea of people turning into murderous rat-beings, then you would probably like this flick. It has a quite realistic feel to it, and the fact that everything is shot using a hand camera makes it quite documentary in style. The fact that a large part of the film follows the tenants of a NY building surrounded by these "rat-beings" makes it also quite claustrophobic. Good acting as well, all around - where the actors really build a relationship to each other and the audience.

A very well used 60K and if you like horror movies, the chance is that you'll not want to miss this one.

In Manhattan, in a dilapidated building on Mulberry Street, the super Ross (Tim House) has trouble to repair the decayed systems to improve the lives of the tenants. The former boxer Clutch (Nick Damici) is a leader in the building and is anxiously waiting for the return of his beloved daughter Casey (Kim Blair) from a hospital for veterans after serving overseas. He prepares a surprising homecoming party for Casey with his gay neighbor Coco (Ron Brice). Clutch feels an attraction for her neighbor, the single mother and waitress Kay (Bo Corre), and her teenager son Otto (Javier Picayo) respects him like a father. Clutch is also close to Frank (Larry Medish), who is very sick, and his friend Charlie (Larry Fleischman). Meanwhile there is a rat attack in a subway station, followed by two others in different stations, and forcing the Major to showdown the public transport system. Sooner the victims bitten by rats turn into flesh eater mutants, attacking the other human beings and there is an outbreak that puts Manhattan in quarantine. The inhabitants have to fight to survive the attack of the ratlike creatures and Clutch gives his best effort trying to protect Casey and his friends.

"Mulberry Street" is an effective low-budget horror movie that really works. The characters are human, realistic and very well developed, creating an empathy with the viewer; the plot is simple but explains the origin of the outbreak; and the attack of the horde of mutants is gruesome and claustrophobic, recalling 1968 "Night of the Living Dead" and "REC". There is no final redemption in the non-commercial end, and for me it is another plus in this good film. My vote is seven.

Title (Brazil): "Infecção em Nova York" ("Infection in New York")