Cherry Crush

I liked Cherry Crush very much. Wonderful writing, with a cast filled with known and up and coming stars. Nikki Reed(Shay) from the O.C. and Jonathan Tucker(Jordan) from The Black Donnely's give memorable performances within dialogue that makes you think as well as entertains. Michael O'Keefe(Detective Griffin) was the perfect choice. He calmly delivers piercing lines and commentary making you feel uncomfortable like a good detective should. Cherry Crush grabs your attention right from the opening credits and never lets go. I also love where the movie title comes from. Nice touch! Cherry Crush is a job well done for a film company new to the scene.

I liked the story and would recommend it to almost anyone. It's not a romantic comedy, but there is some dark comedy and some suspenseful romance. The movie is a suspense overall and has some unique plot twists. It was great to see this movie in the theater. It definitely enhanced the scenery and suspense. The characters were edgy. The movie left me with an eerie feeling. It was impossible to know whether the two main characters, Jordan and Shay, would pull out of their destructive situation or dig themselves in deeper. The characters are in high school, but put themselves in circumstances that would lead you to believe they are older. This isn't that far fetched given the background of the two. Jordan is a rich kid, who's been kicked out of his previous high school photographing his coeds naked and he has a controlling, demanding father that just wants to groom him for success and power. Shay lives with her sister who is rarely home and is apparently a junkie. The two are intelligent and scheming; with Shay being more of the later, but it is Shays stunning looks and aloof demeanor that attract Jordan.

Here's a different movie. Two murders in an understated plot without the obligatory gore and more. Hmmm....a bit of Hitchcock, but without Grant or Stewart, it relies heavily on cinematography and editing. Good idea. Cherry Crush was terrific and surprising in a number of areas. Beautifully filmed from the photo stills at the beginning to the closing shot. Of course, it didn't hurt to shoot scenes of attractive people in attractive settings. Might have been a 'ten' except..... (I can't believe we're going here).... the lead actor's neck became longer and larger as the movie progresses. OK, shallow shallow me, but you go see the movie and tell me just how distracting the neck is. If you can ignore the neck, you'll find this movie head and shoulders above the usual fare.

Not bad at all, but not quite as good as I was expecting from the comments here. Jonathan Tucker does his best Toby Maguire in this story about a privileged young photographer who gets mixed up with a girl from the wrong side of the tracks.

As I watched this movie I tried to figure out what separates it from The Crush with Alicia Silverstone or Devil in the Flesh with Rose McGowan. While not directly analogous, those movies have the same type of noir lite feeling to them. But the difference is, aside from the fact that this movie really strives for believability and has decent writing, that those movies had lead actresses that really crackled on screen. I mean, you knew you were going to be seeing more of Alicia Silverstone after The Crush, or at least you should be.

Not so with Nikki Reed. She does a nice enough job and there's a restrained quality to her performance--to this whole movie really--that works well. (Too often this type of movie veers toward gushy melodrama and Cherry Crush manages to rein that in.) But again, Ms. Reed is not a show stopper. In fact, I found myself more interested in Julie Gonzalo on screen, even though she's got the boring, goody two shoes role.

What's worse is that there's no real chemistry between Reed and Tucker.

With that said, this movie has some nice touches. The high school seems especially real. The idea of being privileged is handled with respect, not given a superficial treatment. The second half of the movie becomes more involving than you expect and the ending is believable.

Overall, I liked it. But I wouldn't be surprised if I see it in the video store soon. It's better than some USA movie, but it's not quite ready for movie theaters either.

Nikki Reed (American Gun, Thirteen, "The O.C."), Jonathan Tucker (In the Valley of Elah, Love Comes to the Executioner, "The Black Donnellys"), and Julie Gonzalo ("Veronica Mars") come together in this indy film that has some interesting twists and fascinating characters.

There is nothing you haven't seen before in a film reminiscent of classic noirs of the 40s. People aren't who they seem to be, lying and distrust abound, and the final twist is predictable, but getting there was fun as we follow Jordan (Tucker), a rich kid, and Shay (Reed), as they do their dance, with D (Gonzalo) as the ignored friend who is called upon only when needed, and who comes through as a true friend in the end.

Not DiBella's first film, but certainly the first to get any notice. Looking for more in the future.