49 Up

I grew up in England, and saw the first documentary there. I emigrated to Canada at 18, and have seen the rest of the series here. It has been both an opportunity to see how England and the English have changed, as well as seeing "old friends" every seven years. I grew up in a Navy family,we were not wealthy, but because my father was a Naval Officer, we were considered upper middle class, so I rode horses, went to the Continent on Holiday and and attended boarding school from age 10. I also attended a 1 room schoolhouse and changed primary schools with alarming rapidity, so I met many kids just like all the ones on 7-UP, I could even understand Nick's Yorkshire accent! My favorite is also Bruce, but I love Tony, Neil and Symon, and can totally empathise with Suzy! Funny how so many of the kids had broken childhoods, but became wonderful parents themselves. I am looking forward to catching up with them at 56!

Michael Apted's unique longitudinal TV study of the lives of twelve (originally fourteen) London schoolchildren from a variety of backgrounds all born in 1956 is here updated to 2005. Reality TV is intrusive TV and Apted's subjects do not relish his probing into their lives every seven years. The original "lefty" Granada producers (Apted was a junior researcher on the original show) saw this "World in Action" program as a way of demonstrating how class in Britain determines outcomes, but with each iteration class becomes less important and personality and character more important. Each kid still has the capacity to surprise, just as life has the capacity to surprise them.

At 49, most of them are leading fairly settled lives with long-term partners and an increasing number of grandchildren. One striking feature, though it is typical of their generation, is the number that are on to their second and even third marriages. In some cases their careers have been more stable than their relationships. Another feature is that the disadvantaged kids of 1963 have by and large done better than expected. No-one has gone to jail or been murdered and many of their children have done better educationally and career-wise than they have. The girls have had a rougher time than the boys, being pushed out into the labour force yet still having to do the lion's share of family maintenance.

John, Andrew and Charles, the three upper class boys, have had a relatively easy time. John, now a Chancery Silk (was it he who read the "Financial Times" at seven?) allowed Apted into his life again only to give his Bulgarian charity some publicity, but he clearly has a comfortable and fulfilling lifestyle. Andrew, a solicitor, is "guarded about being guarded" and gives very little away (he did not appear in "42") but he seems comfortable enough also. Charles, the BBC producer, left the series after "21". Suzie the upper class girl who went through a bad time as a young adult is now mature, poised and affable. She says however this "Up" will be her last.

By contrast the three working class girls, Jackie, Sue and Lynn, have done it tougher, especially where men are concerned. But they have held down jobs, brought up children and generally have become solid citizens. Tony the jockey turned cabbie, despite his infidelities, is still married to the same woman and they have grandchildren, and (something unimaginable for them in 1963) a holiday villa in Spain. The two "orphans" Paul and Simon, one from a broken home and the other the son of a white mother who had a fleeting affair with a black man, are still working class, but again solid citizens with jobs, children and grandchildren.

The middle class boys, Bruce and Nick (son of a Yorkshire farmer), have succeeded in academia, Bruce as a maths teacher in a colorful array of schools and Nick as a Professor of Physics at the University of Wisconsin. Bruce surprised everybody (and probably himself) by getting married for the first time at 42 and producing two children. Nick's first marriage folded and he is now married (at long distance) to another academic. His career faltered when his longstanding research into nuclear fusion hit insuperable obstacles, but he continues to be a gifted teacher.

And of course there is Neil. A delightful, imaginative seven year old, he was a troubled adolescent,dropped out of university, and slid in his 20s into depression. His thirties, spend in some of the colder parts of the UK such as Scotland and the Shetlands, were not much better and he became the most likely candidate for the first permanent disappearance from the program. But something happened to Neil in his 40s, and at 41 he had moved back to London and become a local councilor in Hackney. Now at 49 he has moved to Cumbria, got on the local council there and become a lay preacher. Somehow, you think this man has found God, if not himself, though it has been a long and lonely journey. This is the kid who at seven said he didn't want children, and the man has the same view, but he has found a niche in society for himself.

I've no doubt Apted will go on with this until he drops – to get this far indicates a fair degree of obsession (it is not that the busy director has nothing else to do). I can't help feeling things are going to flatten out a bit – 49 to 56 are usually fairly stable years and this group (even Neil) are a fairly stable group. But, to repeat, it's a unique program, and maybe there are some more surprises in store.

In 1964, English filmmakers including director Michael Apted assembled a group of fourteen British children from various economic and social backgrounds, all age 7, and made a documentary about them called 7 Up. Every seven years afterward, Apted revisited the same children and made another documentary about them, chronicling their lives at the ages of 7, 14, 21, 28, 35, 42 and now 49. The first installment that I watched, 28 Up, made me fall in love with these films. Much has been said about the series depicting the rigidity of the English class system, but as decades go by, the human element, the nature and personalities of the individuals being profiled, seems to be almost as important in affecting how their lives turned out. After seeing 28 Up and 35 Up, I remember feeling very bad for one kid who grew up coping with mental health problems and eventually wound up homeless, and thought leaving the theater that he wouldn't be alive for 42 Up. But by then he had moved to London and involved himself in local politics, a rewarding turn of events for him, and for the audience as well. The kids from the upper crust backgrounds have predictably had more affluent lives, and turned out to be the least forthcoming and most guarded on camera as adults, and less easy to warm up to. Some kids had deep seated feelings of shyness and insecurity that stayed with them as adults, and very publicly evaluating their failures and achievements every several years has been very difficult and uncomfortable for them. But even though some seem to resent the filmmakers' intrusion in their lives, they generally seem to understand the larger value of the series and twelve of the original fourteen kids continue to participate, even though they have misgivings or regrets about it. It's interesting to watch marriages and relationships suddenly begin and end, and usually people quickly remarry or find another relationship, often to someone more compatible and attractive. I identified most with the children who grew up to be teachers and academics, highly likable, intelligent people who realize that they aren't the most socially or economically successful but in many ways seem to be the most happy and fulfilled ones of the bunch. Despite their ambivalence, the participants deserve a big round of applause for letting us grow up and old along with them.

It is not quite a 50th Birthday invitation, but as most of the original cast of the landmark documentary 7 Up, approach the big 5-0, we are invited back into their lives to celebrate their most recent trials and tribulations in Michael Apted's 49 Up.

It was the Up series that launched Apted's career, and he now has some thirty titles under his belt, including James Bond: The World Is Not Enough and Gorilla's in the Midst.

The Up series began in 1964 as a sociological experiment. Apted, armed with a video camera, set out see if life was pre ordained for children by the class they were born into. To test this concept, 14 children of the same age, but born into varying social strata's were filmed interacting together at a zoo. The Up series is credited with paving the way for other historically important screen documentaries.

It is remarkable in itself that Apted has managed to keep track of the original, and willing Up participants. As her revisits them every 7 years, the footage from these lengthy interviews is what makes up the series. By 49 Up, the 'class outcomes' are put to bed.

Apted should be credited for moving beyond the class wars, and choosing to focus on journey and personal growth of his participants as the greatest mark of achievement. This was summed up beautifully by a UK movie buff: "in a real sense, all are successful, when we define success as finding fulfillment in where you are and in what you do."

The greatest success story and Apted's own personal favourite is the story of Neil. After learning of Neil's stints of homelessness, and battle with mental illness, fellow Up participant Bruce, threw him a life line 7 years ago by offering Neil a place to stay and then went about helping him get on his feet. Now, Neil lives independently with a fixed address and is running for town mayor.

Most participants have something inspiring and surprising in their stories. Even John Brisby, who features in 49 Up as a prominent lawyer, has lived his life very much like her predicted when he was a child. When we meet John at age 7, he was apparently reading the Financial Times, was most concerned about schools becoming free, fearing they would become 'terribly crowded.' He had aspirations of attending Cambridge and becoming a lawyer.

So in 49 Up it was a touch ironic that he had committed a large portion of his life to building free schools in Bulgaria and working to improve the medical system. His reasoning to appear in 49 Up was to 'raise awareness on a greater platform'.

The tearful admission of tough but lovable Lyn Johnson about her loosing fight to stabilize funding for her work she does with disabled children will touch all, and hopefully mobilize the relevant agencies to do something about it. What is also surprising is how media savvy both Lyn and John have become to use the series to further their own causes.

On a lighter note, little Tony, the knockabout kid from the east end who wanted to be a jockey, is now Tony the owner driver of a cab, grandfather and , has a villa in Spain as well as his home in London. He has done some acting work thanks to the Up series, and his honest and welcoming account of his last 7 years is a highlight. However, my favorite is still Bruce, for no prolific reason. You'll have a favourite by the end too.

49 Up intended to be a fly on the wall documentary, but you can't help to wonder if their lives are a product of the experiences presented to them, because of the Up documentaries. It is a phenomenal series, and its format has been copied in other countries and it is used as an education aid in VCE psychology classes, yet, after 42 years, they participants are still bewildered by our interest in their 'ordinary' lives. John offers us his insight about our fascination: " It's like watching Big brother except the viewer gets the added bonus of watching us all grow old and get fat."

For all the differences in their back grounds, the participants are seem to have a similar trait- optimism and resilience, and it is satisfying to watch. Yes the once wide eyed 7 year old are now plumper, greyer, and more precocious then ever, yet there is a little bit of all of them in us, and that is why we will eagerly await 56 Up in 2013.

"49 Up" (2005), co-produced and directed by Michael Apted, is the seventh episode of a unique venture in film-making. Apted began filming a group of children at age seven, and has followed and filmed their lives every seven years since then.

For us, as spectators, following the progress of the lives of these children has been fascinating. However, the children themselves, who are now well into middle age, don't appear to be very happy with themselves or with the project.

I have two questions about this. In the first place, why are these people so angry at Michael Apted? (We never see Apted, but the individuals confront him, and we hear his answers to their comments.) Naturally, it's hard to know what Apted puts into his films, and what he leaves out. However, as far as I can tell, he's fair and objective in what he shows us. The characters in the movies certainly don't like the films, and most of them don't like Apted. One person, while conceding that being in the film helped him raise money for his favorite charity, refers to the process as the poison pill that he swallows every seven years. The United Kingdom has a population of about 60 million people. That means that these people had roughly a two in a million chance to be chosen for the project. No one else in England--even the Queen--is scrutinized in quite this way. Why aren't they happy to leave a record of their lives?

The second question is, If they hate the project so much, why do they continue to participate? (I don't know if they are paid--that's never been made clear.) In any event, they certainly don't have any legal, moral, or ethical obligation to allow Apted to film them. They could just tell him that they're finished with the project. Why don't they? (Some have, but most return every seven years.)

I had a thought about this after seeing 49 Up. This time, I found the film pretty depressing. Naturally, some people were happier than others, but no one appeared to be really satisfied with his or her life. Could it be that something about being filmed every seven years has altered the trajectory of the lives of these people? Maybe they think they would have been happier if they had never heard about Apted's project. Maybe they're wrong, but maybe they're right.