Gretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ri... Read allGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. Sh... Read allGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. She has to travel elsewhere, however, to truly begin to understand why she fixates on the wr... Read all
- Awards
- 1 win total
- Rich
- (as Carlos Trevino)
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Featured reviews
The film takes it's time to really allow us to see inside the mind of the title character, Gretchen (a charmingly tortured Courtney Davis). The film also boasts a wonderful supporting cast (with Becky Ann Baker who brought wonderful life to the unfairly cancelled Freaks and Geeks years ago) and creatively depressing production design including a fast food joint that God forgot (complete with gurgling nacho cheese machine) and the lamest techno rave ever conceived (at least they sold popcorn for 50 cents).
Great work to everyone involved and congrats on your success.
The director walks a fine line between making fun of Gretchen and letting her break your heart, and some people might not get it. I thought the tone was refreshing, and totally different than most "teen" movies (In the end, Gretchen might not become a popular cheerleader or "get the guy", but you still cheer for her all the way.) The actors aren't actually in their teens, however, which is part of what makes it funny. This is a movie made by adults who are looking back on those high school years, and commenting on how over-the-top dramatic everything was. It's funny, and painful.
I watched "Punch Drunk Love" again the other day, and realized that "Gretchen" is much more similar to this movie than to "Napoleon Dynamite" or "Welcome to the Dollhouse" (the two movies that I've seen it often get compared to). Gretchen is like a teenage version of Barry lonely, scared, and harboring a pent-up rage that comes out in totally the wrong ways (Barry smashes a glass door; Gretchen scratches a classmate in the face). But unlike Barry, Gretchen hasn't yet met the person that's going to help her come out of her shell. We're just dropping in on her painful high school period.
"Gretchen" also has a similar tone to "Punch Drunk Love" (the way it skirts the line between comedy and drama), and there is a similarity in the look of both movies (precise compositions, dead-center framing, or the way the camera will rest for a long painful close up of Gretchen's face). Overall, if you enjoyed "Punch Drunk Love", I think you will probably enjoy "Gretchen".
It's The Jerk meets Benny and Joon, with a only a touch of Welcome to the Dollhouse. And it is slow.
Many in the audience found it funny, but many in the audience worked on the film or knew the filmmakers. When a big cheer goes up for the key grip credit, you haven't exactly been hearing an accurate audience reaction to a film.
By the way, I really liked Punch Drunk Love (see other User comment).
I heard this referred to as "Napoleon Dynamite with a female lead." That is accurate to a point. While Gretchen does employ the subtle, dead-pan humor that is found in the utter niavety of the main character, this is where the similarities between Gretchen and Napoleon Dynamite end.
This movie uses that humor to explore and approach serious questions of suburban life in modern America and incorporates those common themes of isolation, danger seeking (by finding that exciting bad-boy) and that snowballing phenomenon of rejection that occurs in high school.
This film is slow paced, so it is not the best choice for a party, but perhaps if you have an hour and a half to appreciate this movie and its very reserved brand of dark humor, you should be pleasantly surprised!
Did you know
- TriviaMariana Seoane's debut.
- GoofsThe mysterious caller tells Gretchen to meet her at the racetrack at dawn. Yet in the very next scene when Gretchen arrives at the racetrack at presumably the appointed hour, it is clearly mid-day as indicated by the bright sunlight and shadows directly underneath Gretchen and her car.
- SoundtracksMoonlight Sonata
Performed by Jeanine Attaway
Written by Ludwig van Beethoven
Arranged by Jeanine Attaway
Details
Box office
- Budget
- $200,000 (estimated)