The Flock

First of all i have seen 8 mm and i am normally quite resistant to some 'heavy' images. But this movie did disturb me.

Most of the viewers complain the movie had a very bad pace, to few twist turns. I both agreed and disagreed here, yes when watching the movie you know who's 'dunnit' way to early but I loved the pace. In my eyes they really made time to make you loath the bad guys and feel repulsed by the idea what they did to those poor girls.

Richard gere was holding back like always, but I often find he's perfect for these roles. Maybe he did not put of a good performance, but he was just made for these roles. Claire Danes didn't impress me in this movie, quite a shame cause i normally really love claire danes ;). You kind of get the idea they used her for eye candy above everything else.

The first 80 minutes of the movie were quite decent in my eyes but the last 20 minutes were a bit of a disappointment. They seemed to be a bit over the top.

All in all a decent movie. 6 out of 10

I have just seen this movie. It just opened today (November 9th 2007) in Spain. Let me say that I understand the bad word of mouth the movie is having, it deals with a difficult subject (sexual abusers) and its tone is as dark as say "9 MM", if not darker.

But all things considered it's a pretty good film. The investigation angle makes for a very tense thriller, but where the film really shines is in the depiction of Richard Gere's characters, as well as the villain's, which I won't reveal.

Gere is really all stops go here, it's easily his most intense role since "Internal Affairs". Even if you are not Gere fans, you're gonna love him in this.

On the minus side, I didn't like the way the film is edited. It's full of flashes, freeze frames and all those "arty" stuff they cram into your TV series and direct-to-DVD movies. I understand they wanted to give the movie a hard edge, but it's often too distracting. The film is already dark and gritty enough as it is, and this bells and whistles don't add a damn thing.

And then there's Claire Danes. look, she's an OK actress, but she was like a fish out of water here. They give her character some interesting background, but she's constantly out off key. She looks like a raving lunatic when she tries to act quirky or vulnerable, and not very convincing when the script calls for her character to toughen up a little.

So, it's an interesting movie if you can go beyond the surface of its visual trickery, but not as good as it could be. I would say it earns a 6'5 - 7 in my scale.

I finally caught "The Flock" on HBO. A taping at 4:20 am while I was asleep, true, but it's better watched at that hour, methinks. It was apparently only released to theaters in Japan and Turkey, from all reports, but North Americans really didn't miss much.

It's professionally produced, pairs Claire Danes memorably with Richard Gere, and makes their interplay (standard retiring-burnout-and-protégé) entirely believable in most ways.

The gore and corpses aren't beyond those in many modern horror movies, though the camera often lingers more than it should. The fetishes (and worse) of Gere's monitored ex-cons shouldn't shock anyone who's ever been in a triple-X shop.

Danes's acting is superb, especially in pursuing an abductor's trail (standard police-procedural, though by non-cops) with Gere's brooding and effective Errol. What blew a hole in this, though, is that she was miscast in the first place.

Even though one of Gere's well-worn "flock" is female, nearly all are intimidating men, and the role her character Allison is training to take up calls for more heft. Both physically and professionally.

I didn't believe for one minute that Allison chose such a grueling job out of anything more than economic need, certainly not from any more personal calling. No hints are made as to her motivation, nor is anything mentioned of her personal life, beyond nosy behavior and a clumsy allusion by compulsive background-checker Errol.

It's a miscasting on a par with what was done with Danes in "The Mod Squad," but unlike that idiocy of a plot-mangled remake, this gives Danes a quite strong setup — and much gore and many sad fetishes — to play against. If you accept that someone of her perception and refinement would ever take that job in the first place, that is.

Turn to it on cable, but I wouldn't take the effort to even go to the video store or put it in a Netflix queue. It's worth one viewing.

(Most of this review originally appeared on the IMDb board for Claire Danes, followed by considerable discussion.)

So there you are, in a car, driving after a guy who is running down a back-street and who has just been doing nasty things to a girl who was tied up by her wrists to a wall. You really, really, want to catch this guy 'cause he's a mean bugger. So you're driving and he's running, and as you get close to him he has the cheek to pick up a rubbish bin - you know, one of the small metal "trash cans' that you see in every back-street.

So when this desperado throws the trash can at your car, what do you do?

I'll tell you what I would do. I'd keep going straight and run the bugger down! But what does Richard Gere do? He's turns sharp left and crashes into a pile of rubbish, gets out of his car and lets the guy get away.

Who the hell wrote that piece of this pathetic script? Too unbelievable. I guess that's why I've never heard of this film.

Please try to choose better scripts, Mr Gere. You're a great actor - you just need to be more picky.

The Flock was nothing too original, but a movie doesn't have to be original in order for it to be good. For its few, if any, forgivable flaws as a by-the-books detective/Seven thriller, the Flock as a whole is still a taut, brooding, gritty, intense and fun little popcorn flick. Like I said, the material isn't exactly fresh but it is still far from stale and Richard Gere, who act as though he were a man possessed, elevates the script and the film that much higher in terms of overall quality. This is not bargain basement entertainment, nor did it deserve to go straight-to-video in the US, especially given the talent involved both in front of and behind the camera. The list includes: Richard Gere (in his prime), Claire Danes, Andrew Lau (director of Infernal Affairs), and of course, the Weinstein Company (who need no introduction seeing as they are Hollywood.)Despite the lack of hype, the Flock deserves recognition for its solidity, or at least a watch. trust me, its a hell of a lot more thoughtful and entertaining than 99% of the garbage that continues to get released on a daily basis.