The Backwoods

Atmospheric non-thriller. It has a strong cast but the script seems uncertain of what it wants to be and it requires a strong suspension of disbelief.

One must believe that men will resort to rape and murder with little provocation and that women will cower and cringe in all situations. I won't even go into the litany of other trite stereotypes but will summarize by saying that there are no surprises in the movie.

It's sad to see such a waste of potential here as the film could have been so much better if it had been willing to go in a new direction at any point, instead of strictly rehashing the well-worn back roads in these backwoods.

Ah, well...

For speaking Spanish, a great effort, and a good performance. He is a very versatile actor. I, too, thought that the creepy factor of the movie was going to rest on the child and her situation but I found that the fear was instilled by putting these men in a foreign town and in a situation out of control.

The movie opens with a song about "war" and I think this feeling predominated in the movie. I also found creepy the transformation of the more docile character (Paul's friend)

I also found that although the movie repeated some stereotypes from other scary movies, it was done in a sober manner. The performances (of the men specially) were good and credible. Maybe we were expecting a more "chilling" movie, but I took it for what it seems to be: a war among men, natives and foreigners, the primal versus a more civilized attitude but at the end: all primal.

Two couples—Paul and Isabel (Gary Oldman and Aitana Sánchez-Gijón) and Norman and Lucy (Paddy Considine and Virginie Ledoyen)—travel to a remote region of Northern Spain for a relaxing break and a spot of hunting (the guys having somehow brought a pair of shotguns with them through customs), but instead they incur the wrath of locals after freeing a young girl they find chained up in a run-down cabin.

The obvious inspirations for this rural survival thriller set in the late 70s are Deliverance and Straw Dogs (with Ledoyen in the Susan George role, teasing the drooling locals), although there are striking similarities to countless other examples of the backwoods genre, old and new. One might expect the presence of acting heavyweights Oldman and Considine to compensate somewhat for the derivative nature of the script, but even class performers such as they can do very little with what amounts to a collection of tired clichés presented with little flair or imagination.

The Backwoods also suffers from awkward performances from the leading ladies (this may be because neither actress speaks English as their first language), poor pacing, a lack of genuinely disturbing violence (surely a prerequisite of the genre), and a weak denouement that leaves the viewer feeling more than a little cheated.

Two Englishmen and their girlfriends go on holiday to a remote area of Spain, there one of them, Paul (Gary Oldman), has bought his Spanish grandmothers old house and hopes to settle down there permanently. His friend Norman (Paddy Considine) is having relationship problems with his French girlfriend after they lost a baby and they all hope this trip will settle some issues. While out hunting on their first morning in their house, Paul and Norman get lost in the forest and stumble across what seems to be an abandoned house, they enter and find a young girl that is being held there. They bring her back to their own house and clean her up, once there they become conflicted as to what they should do, this is where their problems begin.

The film is set in the 1970's and has obviously been influenced by films from that era like Deliverance or Straw Dogs combined perhaps with Calvaire, this all provides an immediate ambiance and sense of menace, one that I like and I knew early on I would enjoy it. Two giants of the British screen, Oldman and Considine add immensely to their characters, Paul is brash and confident, Norman is withdrawn and quiet. Their development when things go wrong is always interesting. If I have any criticisms its perhaps the ending can be seen coming, but its still fun getting there, Virginie Ledoyen is also a little wooden, though that may be down to speaking in English. The cast of Spanish locals is also excellent and well chosen, each one has that lived in face that suits that inbred feel. You'll have no problem believing these guys are capable of murder and rape. If there's one message to be gained from this film, its "Don't mess with the locals".

Exciting film set at the end of the 1970s , about four tourists threatened by hooligans locals , as there are hunters and prey . When they return to an ancestral village tensions build between them , a brewing conflict with locals becomes a threat to them . As two couples's holiday called Paul (Gary Oldman) , Lucy (Virginie Ledoyen) , Norman (Paddy Considine) , Isabel (Aitana Sánchez-Gijón) in Spain are interrupted when they discover a girl imprisoned in a cabin . Ledoyen and Considine play a young married couple who are going through a difficult patch in their relationship and come to visit a friend Paul (Oldman) who now lives in the Basque region because he has married a woman from there (Aitiana Sánchez-Gijón) . It escalates quickly into a bloody battle between Brits and Spanish rednecks (Kandido Uranga , Patxi Bisquert , Lluis Homar) . Paul whose pacifism is put to supreme test attempts to protect a dim-witted little girl who they have found locked . They try to help her by taking her away from a dark house , but the local villagers, who have to protect the girl and seem determined to keep her in atrocious conditions, start a pursuit in the forest they know much better than the visitors . As the jealous as well as resentful locals and desirous of women assault their house , as they are viciously attacked . Their house is put under siege by the incensed villagers , but they defend the mansion with ferocity . Later on , they flee seeking security , but their attempts to help the little girl are hampered by the denseness of the forest and a relentless pursuit by the nasty rednecks .

Violent film contains thrills , chills , suspense , twists , and results to be quite entertaining . A controversial violence-themed picture ; dealing with a known plot , as a group of British people go to a rural little village and face increasingly vicious local harassment . As their tranquil summer turns to horror when they discover a girl with horribly mutilated hands in the forest . We are facing a tense film , hard , tough , brilliant in many moments, with some aspect of western , with a grand and impressive ending . The picture packs intrigue , action , intense drama and lots of violence . The story takes parts , here and there , from famous films such as ¨Deliverance", ¨Wild bunch¨ , ¨Next of kin¨ and especially "Straw Dogs" . The main cast is frankly excellent with players of several nationalities as the British Gary Oldman and Paddy Considine ; French Virginie Ledoyen and Spanish Aitiana Sanchez Gijon . Support cast is mostly Spaniard such as Jon Ariño , Lluís Homar who excels in his acting , Kandido Uranga and special appearance of Álex Angulo , ¨Dia De La Bestia¨'s starring . Gary Oldman, Paddy Considine and Virginie Ledoyen were dubbed for the Spanish version of the film. The scenes where the characters had whole scenes with English dialog were all dubbed ; only when the characters spoke in English with the Spanish characters, the dubbing actors said their lines in English ; 'Aitana Sánchez-Gijon' dubbed herself .

Unax Mendia cinematography is excellent creating a rainy and cold atmosphere , he's expert on sombre photography , being stunningly shot on location in Navarra woods . Thrilling and moving musical score by Fernando Velazquez who subsequently would make a notorious career with successful films as ¨Orphanage¨ , ¨Devil¨ , ¨Mama¨ and ¨The impossible¨ . The flick was finely produced by the chairman of Filmax Productions , Julio Fernandez along with his brother Carlos Fernandez as executive producer , they're two successful producers and experts on terror genre , producing a lot of hits , such as ¨The machinist¨, ¨Rec ¨1¨, 2¨ and ¨3¨ , ¨Fragiles¨, ¨Darkness¨, ¨El perfume¨ , ¨The nun¨ , ¨Transsiberian¨ and many others . The flick was professionally directed by Koldo Serra in his only film and obtained moderated success . Serra uses many long shots, showing a leisurely narrative pace . Definitely a big "debut" of director Koldo Serra who promises to be a great filmmaker .