Prince of Persia: Les Sables du temps
- 2010
- Tous publics
- 1h 56m
A young fugitive prince and princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.A young fugitive prince and princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.A young fugitive prince and princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.
- Awards
- 1 win & 11 nominations total
- Hassansin Double-Bladed Halberd
- (as Domonkos Pardanyi)
- Hassansin Long Razor
- (as Massimilano Ubaldi)
- Hassansin Grenade Man
- (as Furdik Vladimir)
Featured reviews
The hallmark from the very beginning of the Prince of Persia franchise (a primitive DOS programmed, side-scrolling adventure through a castle to rescue a locked-up princess) was not only having a great story, but telling it in such a way to keep the player in that world. This film, surprisingly enough, doesn't play out quite as closely to the video games as I had expected. Still, without spoiling either the games or this movie, I can say that it shows Jordan Mechner had full involvement in the movie. Many storytelling elements present in the "Prince of Peria: The Sands of Time" video game can be found here, and made for a very entertaining romp through the vast lands of Persia.
I would say that my main gripe is the under-use of parkour, the running/fighting style the Prince deploys in the video games. This is a hard gripe to substantiate though, because of how difficult parkour is to execute, let alone master, nonetheless I had expected something resembling the wall-running, banner-ripping moves seen in the "Sands of Time" video game trilogy. It's harder still to be too down on a little parkour, due to Disney's desire that this film would be the first in a Prince of Persia movie franchise, equal to or greater than the "Pirates of the Caribbean" movie franchise. Therefore, I await with anticipation the creativity that more parkour would bring to the stories this most agile Prince can tell.
"Prince of Peria: The Sands of Time" gets 8 of 10 stars.
It has flaws, though there's enough to like about 'Prince of Persia: The Sands of Time'. I rate Jake Gyllenhaal as an actor, while I don't think he's perfect for this role I did enjoy his performance all in all. The special effects are neat, especially for the dagger. The support cast are satisfactory, Alfred Molina being the standout behind Gyllenhaal.
The premise is a pretty fascinating one, but I don't feel there is enough there for a near 2hr production. It felt, a number of times, that the story was going round in circles and overextending itself in order to fill the run time, there are many times where 'A' runs from 'B', 'B' finds 'A' instantly, 'A' gets away. In many different guises, but it kept happening.
Could've been far greater, but I still come away from viewing this fairly positively.
It's not perfect, but it is far superior to many other efforts that came before it. Even those that promised much like Hit-man failed to deliver on the hype beforehand, so with a trailer that had me questioning how good this really was (in hindsight it held back a lot of story reveals and the better scenes, which was quite a gamble) I went in not sure what I would get.
And what I got was a film made by people who seemed to understand what was required to entertain. The flow was perfect, and the story seemed to run cohesively. The story itself wasn't groundbreaking and at times could be a little predictable, but it was enjoyable and not over complicated or patchy.
Jake Gyllenhaal is an indie movie mainstay, so to see him in a role like this was interesting. He certainly looked the part and didn't do a bad job on the English accent, but the acting ability of the guy in general made him believable. Gemma Arteton has at time felt a little wooden in films I have seen her in, but this role of the feisty princess worked well for her and her chemistry with Gyllenhaal made the characters more believable.
The supporting cast were solid too, and the comedy turn from Molina's Amar was a very welcome addition.
But then a film like this will also live or die on the action, and this is an area that may divide people. The film wasn't packed out with it, but what action scenes there were came at perfect moments in the story, and some had genuine class to them. The nod to the earlier prince of Persia games too will not be lost on some of the older audience, like the leaping from one roof to another and climbing and running across strategic poles stuck out of walls. It offered a return to the swashbuckling sword fighting that looks very impressive and doesn't require a CGI monster to enhance it in any way.
To summarise this movie I would offer a comparison to another Disney film that was born of a different media, Pirates of the Caribbean, a ride that became a successful film franchise. Prince of Persia soars towards that level of quality, and is only really let down by a lack of a scene stealer of Captain Jack Sparrow's genius.
But it certainly has made a claim for the best video game adaptation of them all.
Jake Gyllenhaal plays the titular Prince of Persia, Dastan, who was an urchin picked by the King from the marketplace to be his third son. He and his brothers get caught in a web of political high jinx that cross their paths with Princess Tamina of Alamut (played by Gemma Arterton), and the fabled powers of the Sands of Time.
This is Jake Gyllenhaal's most accessible film so far, and he goes to town with it. OK, granted he does not look the least bit Persian, or of that particular time period, but somehow his charisma was able to carry us on this fantastic ride. I also enjoyed his interaction with the beautiful Arterton, which sparks with humor and romance. She was my favorite part of "Clash of the Titans (2010)," and same here.
I highly recommend this film for a good old-fashioned, action-adventure film set in ancient times. The parkour sequences are definitely of the highest order and very well-edited and photographed. The sets and visual effects are excellent. Best of all, the story is intelligent and well-constructed. Producer Jerry Bruckheimer has again delivered a very entertaining summer blockbuster. A very well-executed film of its genre. A must watch!
Did you know
- TriviaIn this movie, characters are prominently seen handling apples and pomegranates. Pomegranates were considered the "original" apples, and were symbols of strength to the Persian armies.
- GoofsHashshashins/Assasins (Hassasins in the movie) order was established in Islamic Persia at around 1100 AD. The world in the movie is not yet aware of Islam.
- Quotes
[last lines]
Tamina: How can I trust the man who breached the walls of my city?
Prince Dastan: Well, I'm starting to think I'm no longer the same man who breached those walls.
Tamina: That's a short time for a man to change so much.
Prince Dastan: Perhaps.
Tamina: It sounds as if you've discovered something here.
Prince Dastan: And what might that be?
Tamina: A new spiritual awareness.
Prince Dastan: Destiny.
Tamina: Yes, exactly.
Prince Dastan: I believe we make our own destiny, Princess.
Tamina: You have an unfortunate lack of curiosity.
Prince Dastan: No doubt one of my many flaws.
Tamina: Please don't mock me, Prince.
Prince Dastan: Oh, I hardly think we know each other well enough for that, Princess, but I look forward to the day that we do.
- SoundtracksI Remain
Written by Alanis Morissette and Mike Elizondo
Strings Arranged by Bruce Fowler
Produced by Mike Elizondo
Performed by Alanis Morissette
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El príncipe de Persia - Las arenas del tiempo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $90,759,676
- Opening weekend US & Canada
- $30,095,259
- May 30, 2010
- Gross worldwide
- $336,365,676
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1