James Dean: Forever Young

During the mid-50s, everybody was fascinated with James Dean, including, obviously, Paul Newman. I have never seen such blatant flirting between two men on the screen.

Paul wanted this role as Dean's brother in "East of Eden," and it showed. The "test" was nothing more than Dean and Newman standing side by side taking direction from an off-screen voice. "Now, turn and look at one another," the director orders. Dean, whom we know was gay, was smitten with the ultra-handsome Paul. When their eyes met, Newman could certainly sense Dean's "interest" in him. Isn't it always IN THE EYES? Newman boldly flirted back (oh, those blue eyes!) But then, Dean was equally as handsome. I tell you - those eyes were COMMUNICATING!!!

At one point, while staring into one another's eyes, Dean says to Newman, "kiss me." Newman smiles and whispers, "can't here." They both laugh. Several homo-erotic moves and comments follow, something about "I can't let this guy (Newman) get behind me!".

When I showed this to a female friend, she was floored. "I can't BELIEVE they did that," she quipped. Now, I saw Paul Newman in person coming out of Sardi's in New York one evening. You just wouldn't believe how handsome he was and how mesmerizing his blue eyes were. And, going back to 1953, he was at his zenith in good looks. I suppose Jimmy had good taste. Wait 'till you see this screen test! Paul didn't get the part, but did show up the next year in "The Silver Chalice," his first film, co-starring with the gorgeous, Virginia Mayo, who was top-billed. Newman was "introduced."

James Dean: Forever Young (2005)

*** 1/2 (out of 4)

Extremely impressive documentary about the final five years in the life of James Dean. The documentary, narrated by Martin Sheen, is certainly unlike any other you're going to see. For starters, there are countless documentaries, magazine articles and countless other tributes to Dean. I mean, after all there is a reason he's still so highly recognized all these years after his death. If you want to learn about his childhood then there's plenty of information out there. If you want to hear about his public life then that too is out there. This documentary doesn't just focus on his life, career or death but instead it tries to show you a little bit of everything that he was doing. Using film clips, TV episodes, home made movies and countless other items, this documentary starts at the beginning of Dean's career and travels down to his final three movies. I really enjoyed how the documentary tried to cover every aspect of Dean's professional life. We get to see countless clips that would take you hours to track down via the web or other sources and to have all of it within an 88-minutes film is just terrific for fans. We see the work that he did on TV. We get behind the scenes stuff from the set of GIANT. We get to see the places that Dean hung out at before he became famous. We even get to see some rare photos of him hanging out with friends and other celebrities. Best of all are some outtakes from EAST OF EDEN and the early screen tests including one with Paul Newman. We even get the now legendary public service spot that Dean shot just days before his death. If you're a fan of Dean then this here is going to be a dream come true simply because of how much footage we get to see. The early television stuff was especially exciting to see as were some of the lesser known shows that he did early in his career.

If you're a James Dean fan and only really know him from the three films that brought him fame, you'll be interested in seeing how he kept busy before that big break in EAST OF EDEN ('55).

As interesting as these early TV clips are, none of them are set up in a way that helps us follow what is going on. Seen out of context it's difficult to assess just how well Dean is doing in his various roles, but it does appear that he had already adopted all of the quirky mannerisms he displayed in his major films. His method acting is on full display in all of the '50s TV work he did, including episodes with Ronald Reagan and Geraldine Page. It would have been interesting to know why Louis Jourdan had little to do with him during their Broadway appearance in "The Immoralist." It's a fact that is quickly mentioned and then dropped by narrator Martin Sheen.

His test with Paul Newman for EAST OF EDEN to see whether they could play brothers in the John Steinbeck drama is one of the more interesting highlights. And ironically, his willingness to appear with Gig Young in a short about driver safety shortly before Dean's death in an auto accident leaves an indelible impression.

For fans of the actor, an interesting glimpse of his personality before and during the height of stardom, but not an incisive full-bodied portrait of the actor at work.

"James Dean: Forever Young" is a look at the actor, focusing a lot on the pre-Hollywood television years. There is lots of rare footage, plus the famous Newman-Dean screen test for "East of Eden", which I had seen on the A&E bio of Paul Newman.

I know James Dean's story very well, but you wouldn't think I knew it at all from my reaction. When narrator Martin Sheen says, "In 1953..." and introduced another television show, I thought, "Gee, it's 1953. He died in 1955. When is he going to Hollywood?" The entire time, I kept thinking, he died before his 25th birthday? As if I didn't know that. Somehow, seeing this gifted, beautiful, vital man in action, it was harder to comprehend. Even harder to comprehend than that is that he was a contemporary of Martin Landau's. Think of Dean today, at 79. What might have been? I didn't really like Martin Sheen's narration. I found it intrusive and (this isn't his fault) it was like a resume. There wasn't footage on ALL of the TV shows, yet he talked about every one of them. Believe me, they could have skipped some. The narration also made the same stupid mistake that we hear over and over again: "He only made three films." Why does that drive me so crazy? He only STARRED in three films. He MADE more than three.

The Hollywood part was fascinating. And the photos. Boy did the camera worship this man. He was born for the movies. This is well worth seeing for the photo shoots and footage of Dean off the set. There are no interviews with friends and coworkers, which is okay too. He speaks for himself.

I read some complaints about the music. I had no problem with it. It wasn't '50s music but it fit the subject matter.

As this was coproduced by Dean's nephew Marcus Winslow, the documentary emphasizes his interest in women. Like all classic stars, there are lots of rumors about his sexuality. Also, he was supposedly obsessed with Marlon Brando and emulated him in every way possible - this also wasn't covered.

What is covered is that James Dean was an unusual person, possibly not as eccentric as he portrayed himself, but nevertheless a passionate and talented person, extremely magnetic and sexy. A true icon.

Dean's love for fast cars and racing - at that age, I'm sure he felt immortal. And guess what, in a way, he was.

Don't miss this one despite a few flaws.

"James Dean: Forever Young" is a good but not great documentary about one of the most enigmatic stars in Hollywood history. It's free of the usual talking heads (one British film about him in the early 1970's was promoted as the last one made when both Natalie Wood and Sal Mineo were still alive and available for interviews) and it focuses mostly on Dean himself via his surviving work on live TV shows and screen tests. It presents a sanitized version of his life, ignoring his sexuality almost completely (the real Dean was almost certainly Bisexual and his relationships with older men were probably quite a bit more than the innocent "mentoring" ones they're presented as here) and also leaving out his interest in horror films (as a teenager he played the Frankenstein monster in an amateur play, he hung out with Maila "Vampira" Nurmi of "Plan Nine from Outer Space" infamy, and the film in which he planned to make his debut as director, as well as starring, was an adaptation of "Dr. Jekyll and Mr. Hyde" he had asked his friend, screenwriter Bill Bast — a name unmentioned in this movie even though Bast published the first book ever written about Dean — to write for him). What was really most frustrating about this film was that it showed off the sheer extent of Dean's legacy — a LOT more of his acting survives than the three starring films we've known for over half a century — and at the same time offered it only in tantalizing clips. It's about time that whatever rights holders are involved got together for a COMPLETE (or nearly so) presentation of Dean's surviving TV work on DVD so Dean's fans can have a complete picture of his work and can see the performances that have been left to rot in vaults all these many years. James Dean did a lot more than just three big movies, and the tragedy of his early death only underscores the need for a complete and respectful presentation of ALL the work he actually DID leave behind.