A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.
- Director
- Writers
- Stars
- Awards
- 9 nominations total
Elijah Wood
- #9
- (voice)
Jennifer Connelly
- #7
- (voice)
Crispin Glover
- #6
- (voice)
Christopher Plummer
- #1
- (voice)
Martin Landau
- #2
- (voice)
John C. Reilly
- #5
- (voice)
Fred Tatasciore
- #8
- (voice)
- …
Alan Oppenheimer
- Scientist
- (voice)
Helen Wilson
- News Caster
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
9 is a rag-doll who wakes up after a war between humans and machines that has devastated the world and wiped out humanity.He later meets a group of surviving rag-dolls and he tries to convince them to save 2.9 and 5 go to save 2, but they accidentally awaken a machine known as Brain.After they escape the dreaded machine, Brain hatches a scheme to build machines and hunt down the remaining rag-doll survivors.
"9" is like a combination of "The Terminator", "War Of The Worlds", and "Wall-e".With the war, machines, and apocalypse, there's no way you can disagree with that.The PG-13 rating is most certainly deserved.Afterall, the imagery is a bit frightening and will have young kids begging for their parents to take them to see "Wall-e" so they can get all of the disturbing images out of their minds once and for all.As for the movie, I can't say that I was disappointed.With it's spectacular visuals, great action sequences, and convincing characters, "9" is a must-see for those who want to take a visually thrilling roller-coaster.Clocking in at a brief 79 minutes( 72 minutes if you take out the end credits), "9" will take your imagination and put it into a world that will make you want for a sequel.We all know what the title would be, so I don't need to go any further."9" deserves a 9.
"9" is like a combination of "The Terminator", "War Of The Worlds", and "Wall-e".With the war, machines, and apocalypse, there's no way you can disagree with that.The PG-13 rating is most certainly deserved.Afterall, the imagery is a bit frightening and will have young kids begging for their parents to take them to see "Wall-e" so they can get all of the disturbing images out of their minds once and for all.As for the movie, I can't say that I was disappointed.With it's spectacular visuals, great action sequences, and convincing characters, "9" is a must-see for those who want to take a visually thrilling roller-coaster.Clocking in at a brief 79 minutes( 72 minutes if you take out the end credits), "9" will take your imagination and put it into a world that will make you want for a sequel.We all know what the title would be, so I don't need to go any further."9" deserves a 9.
As a long-time fan of animation, I like to believe (misguided or not) that I have high standards and am not easily impressed. But this creation blew me away, so much so that I felt compelled to write my first ever review on this site. Please forgive me for the abundance of clichés that may follow.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 is better than average... but only barely.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
I don't know how much of a market there is for animated films like this but as someone who appreciates good artwork and computer animation, I enjoyed it. Yeah, the story is only so-so but the characters keep your attention - both good and bad guys, and it is deceptively involving.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
This film at it's core explores the idea of humanity and what it means to be human. It does this by exploring themes such as friendship, curiosity and discovery, family and the fundamental question we all ask "why am I here and what is my purpose?" What makes the film so unique is that it projects these onto the main characters which are small ragdoll like automatons who have been set with the task of undoing the wrongdoings of their creator. This film has heart and on a first viewing the core themes and story may be lost by the stunning visuals of the characters and the environment they interact within. So I recommend at least watching this film twice to really appreciate all it has to offer. This film is set In a post apocalyptic setting yet it still manages to feel so unique. The closest I can think as far as cinematography is The Book of Eli, yet this is much more menacing and darker. Although wrapped up like a children's film with the animation, it definitely is for a more mature audience.
Did you know
- TriviaShane Acker first made Numéro 9 (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- GoofsOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Crazy creditsSome of the end credits emerge from 9's talisman.
- Alternate versionsIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- SoundtracksOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Language
- Also known as
- Nueve
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $31,749,894
- Opening weekend US & Canada
- $10,740,446
- Sep 13, 2009
- Gross worldwide
- $48,428,063
- Runtime1 hour 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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