Bernard and Doris

If there is a clue to the relationship between Doris Duke and her live-in assistant, Bernard Lafferty, it seems to be the moment in which she asks him point blank: "What do you want from me?" After all, Ms. Duke was used to buy people left and right, as it was rumored was the case when she paid a million dollars to French actress Danielle Darrieux for the privilege of divorcing playboy Porfirio Rubirosa. Doris, who evidently got tired of people and things easily, had the upper hand in dealing with what she needed at any particular moment.

"Bernard and Doris", an HBO film, directed by Bob Balaban, and conceived by Hugh Costello, is based on a relationship that is perhaps a fantasy in the mind of its creators. Fact and fiction are mixed freely, although this movie doesn't try to give us reality because after all, Doris Duke's real life story would have probably made a Hollywood epic.

Some things that come out in the film show us an heiress who enjoyed sex. That explains her marriage to Rubirosa a notorious man of mystical sexual prowess. Doris is seen bedding a rough man who, while satisfying her, he sought to have fun with her maid as well. When she fired the servant she immediately regrets it because of being fond of the way she worked.

Bernard Lafferty, a man that had a huge drinking problem, came to work for Doris during her last years. In the film, Bernard is subservient and meek, when reality indicates he probably ruled Doris life with an iron fist. The figure that emerges is not exactly who one could imagine him to be because of the many accusations after Doris' death. The real Lafferty and the screen Lafferty are two different persons.

The film is worth a look because of the work of the two principals. Susan Sarandon is totally convincing as Doris as is the case with Ralph Fiennes the way his character was conceived for this screen treatment. This is one of Susan Sarandon's best roles in quite some time. Mr. Fiennes is great fun to watch as the gay butler that loved to wear his employer's finery.

Maurice Rubinstein's cinematography captures the plush interiors of the Duke's estate. Alex Wurman contributed the music score and the editing of Andy Keir work well with Mr. Balaban overall concept.

As a gay man, I must say that I was captivated by Fiennes brilliant, gentle, and sensitive portrayal of an individual who became Doris Duke's confidante. He was not a gold-digger or a hustler but, rather, a man who had a great deal of love and respect for Doris Duke. I truly believe that he died, just a few short years after Doris Duke's death, because he was heartbroken without her. Like myself, he had no love for money. All he consistently set out to do was to make Doris Duke happy and, in her final years and right up to the end of her life on earth, he successfully achieved that goal by always 'being there' for Doris Duke. Sarandon, like Fiennes, is a top-notch actor. Like fine wine, she gets better and better with age. Was Sarandon too young to play the part of Doris Duke? Absolutely not! She captured Doris Duke's energy, youth, and zeal for life. Like "Emotional Arithmetic," I rate this movie a 9 out of 10. It is captivating. It delivers award-winning performances, and it is definitely a movie worth watching. I've done extensive research on Doris Duke, but the movie brings me much closer to her, and Doris Duke is a person I would like to have known in real life. She was a person filled with positive energy, and Sarandon shows that. Fiennes and Sarandon provide a mirror reflection of the vibrant life of Doris Duke. A gay man can deeply love a woman--but he is drawn, like a magnet, to a person of the same sex. If you will permit me to use a cliché, "a (gay) leopard cannot change his (homosexual) spots," but he has the capacity to love--not in spite of, but because of his "spots." The power to love is greater, and more powerful, than hate.

Bernard and Doris (2006)

A remarkably well told, subtle and moving movie. At first it might seem to about nothing, and the characters are stereotypes. But this is not at all the truth, as both Susan Sarandon and Ralph Fiennes are compelling and complex in their roles.

What finally happens between this butler who might have a drinking problem in his past and this woman who is a bit loose and unafraid of anyone is something neither of them expected. A kind of true love, though not in a normal, intimate way. Even better, really, respecting their different roles all along. Even at the end, when you know them and love them, the dramatic act that starts and then finishes the movie is tender and profound without a bit of sentiment or cheap heart-tugging. Well done!

The fact that this is based on a true story (loosely, they say) doesn't change the honest intimacy implied throughout. It's a quite movie—even as dramas go, it has lots of space and very quiet conversation. That's a strength, to me, but a warning to people looking for something more intense.

Mostly it's the really sincere, remarkable acting by the two leads, who take up almost every minute of screen time. You lose all sense that they are acting. Wonderful stuff. See it if it sounds like it might be your thing. Underrated.

This movie was OK. I don't know much about Doris Duke, so I don't know how accurate it was. But what I do know is that I found this HBO movie entertaining and a lot better than a lot of movies that get released in theaters. Susan and Ralph were very good in their roles. The movie shows Doris in her later years. She chases younger men and drinks a lot and moves between all her homes and fabulous vacations. She becomes friends with her butler Bernard. She probably likes the fact he likes to drink too and loves to kiss her @ss. She doesn't even mind when she catches him stealing her boos when she states any help stealing from her will get fired. Her death was controversial as to weather Bernard played a role in it and if he had anything to do with her will changing. He got 5 million plus control over her estate and foundation. But he didn't live to many more years after she died.

FINAL VERDICT: Interesting, amusing. Susan and Ralph were good together and what made this film work.

"Bernard and Doris" is a quiet story about a billionairess and her butler brought to life by great actors, a good script and a director that let's them be. Doris Duke inherited millions of tobacco money at a very early age and tried to live a life. Bernard Lafferty was Irish-born, barely literate and simply wanted to do his job -- take care of Doris. He was rewarded, upon her death, with controlling interest in her estate. He died three years later of complications of alcoholism, a disease that plagued him throughout his life. This movie, directed by character actor Bob Balaban and starring Susan Sarandon and Ralph Finnes, is steady and clear in its purpose -- to show us who these people were. Duke was shrewd with her money and philanthropic, too. She gave generously to the arts and education. Her personal life was a mess. She paid for sex with a very young piano player, much to Bernard's displeasure. Rarely do I talk about the soundtrack. It's usually a "heard but not noticed" kind of thing. In "Bernard and Doris" the soundtrack is integral. Wonderful jazz. Bernard worked for Peggy Lee at one point. He knew music and Doris even performed as part of a gospel group. Music was important to this pair. There's even sexual tension here, despite the fact that Bernard was gay. Frankly, that makes it all the more interesting. Finally, there isn't much excitement in "Bernard and Doris." It's all about characters. I found it a joy to watch two of the best actors on the planet become them.