Le Dernier des Templiers

I went into this film with a relatively open mind, knowing I'd never seen a Cage film (shocker) in its entirety and neglecting to look at any reviews, but I was pleasantly surprised. For the most part it's well acted, Perlman played a blinder as Cage's sidekick and Cage himself was quite good too. It was good to see MisFits star Robert Sheehan in a starring role, and the writing wasn't bad either, aside from the odd cheesy line. As far of the story goes, it works, although some of the aspects (such as Cage's motivation for going on the journey in the first place) seem a little far fetched, it's difficult to understand that Perlman's character in particular would go to such lengths for something which only affects Cage, perhaps a more developed background of the two knight's may have helped. The special effects, although in my opinion at times rather unnecessary, are pretty good, and I think the atmosphere of England suffering from the plague was recreated very well, except for the plague suffers seemed to look a little extreme.

I would have scored the film higher, except for that I feel it is very much aimed at quite a small audience, if you don't like the themes this film explores, you won't like it. The film could also have been longer (at 1h34m including a 10m credit sequence) I feel certain things (such as the Cage/Perlman background) could have been developed further to provide a more well-rounded film. Still worth a watch though, not as bad as people are saying.

SOTW may be a mediocre film, but at least it manages to entertain. Nic Cage really makes an effort and Ron Perlman, well has never been better than in a middle ages setting. For all the historic inconsistencies they at least got the atmosphere about right. What makes it entertaining in the end is the sustained air of suspense while being on route. Not that it keeps you on the the edge of your seat, but it is decent enough. Travelling in the middle ages must have been a sort of Russian Roulette with little more than a sword to rely on. Unfortunately the last 20 minutes or so, the film goes over the top in a strange , pointless , exercise of CGI effects. The CGI itself is passable, but in contrast with the subtle air of discomfort during the voyage that makes up for the 2nd part of the film. As proclaimed, a painless sit-through , but could have been better with a subtle last act..

This thrilling film deals with 14th-century knights who transport a suspected witch to a monastery, where monks deduce her powers could be the source of the Black Plague which spreads death across the lands and villages , decimating life across Europa . Set during the time of the first outbreak of bubonic plague , a warrior is tasked with learning the truth about his fate as he is charged in leading a fearsome witch , as Beheman and his group of mercenaries have to go a remote location. It's an exciting story plenty of battles , action and excitement . The scenery is beautiful, and so was the cinematography . The music was great. The acting and directing was acceptable . A beleaguered church ruled by Cardinal D'Ambrosio (Christopher Lee), deeming sorcery the culprit of the plague, commands the two knights named Beheman (Nicolas Cage) and Felson (Ron Perlman) to transport an accused witch (Claire Fay) to a remote abbey, where monks will perform a ritual in hopes of ending the pestilence. A priest, a grieving knight (Ulrich Thomsen), a disgraced itinerant and a headstrong youth (Robert Sheehan) who can only dream of becoming a knight join a mission troubled by mythically hostile wilderness and fierce contention over the fate of the girl. The group must fight mysterious creatures for consuming every living thing in their path . Eventually surrounded by the frightening and ferocious foes, they must conquer his personal fears and help battle the illusive invaders who emerge out of the shroud of fog in the black of the night. When the embattled party arrives at the abbey, a horrific discovery jeopardises the knight's pledge to ensure the girl fair treatment, and pits them against an inexplicably powerful and destructive force .

This sword and witchery epic movie begins with a real sense of wonder and surprise with impressive battles set in Crusades and wind up with continuous struggles against weird beings . The picture packs great loads of action , special effects abundant , horror, breathtaking combats and a little bit of gore and blood . Stunning battles scenes illuminate the full-blown adventure with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there and everywhere while other parts of body are slit open . The film gets an impressive control of the crowd scenarios with a climatic and overwhelming finale battle . Exceptional and colorfully cinematography is shot on location in outdoors from Hungary , Salzsburgo , Innsbruck , Tyrol, Austria , Croatia and Shreveport , Louisiana . The camera work by Amir Mokri in this film is dangerous and thrilling . Our perspective is intimate and that lends a great deal of excitement to the movie experience . Beautiful scenery, tense and bloody battles and a claustrophobic climax in a castle lift this story . Musical score by Orvasson is evocative and spectacular . There's something for everyone here ; fans of horror, fans of action, fans of medieval adventure should all find something to enjoy about this film . It may not be the best film ever made, but its still one passable movie. The motion picture is professionally directed by Dominic Sena who has got a career full of hits as ¨60 seconds¨ , ¨Operation Swordfish¨ , ¨California¨ but also some failure as ¨Whiteout¨ . Rating : Acceptable and entertaining film that will appeal to Nicolas Cage fans .

I watch a lot of movies. I've seen a lot of Nick Cage's movies. Some are better than others - but he always seems to deliver "something" in each and every one. He's got this odd, weird - psycho kind of persona that just works in these adventure/fantasy/horror flicks. These kind of films just need the main actor be a tad "off". Trust me, there have been other films were he's been certifiable crazy - and this one pales in comparison in spots - but yet there is still that unmistakable Nick Cage fingerprint.

I love Ron Perlman too. The banter and friendship between him and Cage was enjoyable. I love Perlman in the "Hellboy" series. I loved him in this for all the same reasons. It was like "Hellboy", but without all the makeup.

I've read in other reviews people didn't like the special effects. I loved them - and thought they were excellent. Nothing about them was distracting - only an asset to the movie.

I highly recommend this movie. It's fun, exciting, scary at moments - and well worth a watch.

Season of the Witch is getting ravaged by reviews as I write this. Is it that bad? I don't think so. Is it fantastic then? Well no. This is one of those sword and sandal fantasy films that tread the middle ground, having an interesting premise set up in a fantasy fellowship quest, only for the execution to be hovering around mediocre standards following a rote formula of introducing the problem, gathering the players, and have them encounter sequence after sequence of battle obstacles on the way to their objective.

Nicolas Cage and Ron Perlman play buddies Behman and Felson respectively, knights of the Crusade who make a reputation of being fearsome warriors fighting for a higher cause, only to desert their army and turning their backs from continuing onto Jerusalem after realizing that they are nothing but fighting pawns for the whims of man. Their services get called for by a town inflicted by a plague because of a curse by a girl (Claire Foy) whom they deem a witch, and the agreement forged was for them to escort her to a monastery for a group of monks to decide on the authenticity of the claim, and if so, decide and inflict punishment.

Gathering Priest Debelzag (Stephen Campbell Moore), guide Hegamar (Stephen Graham), one of the remaining fighting fit soldiers of the town with Eckhart (Ulrich Thomsen) and a priest in training Kay (Robert Sheehan) whom the party picked up early in their journey, the group has to band together if they are to get to their destination in one piece, with the accused girl being locked up in a cage but always seem to be drawing undue attention to herself, raising questions about her innocence as we get to see her demonstrate abilities and superhuman strength even, while putting on a saccharine sweet face. Now while all these may point to certain plot loopholes and irrational human behaviour, I'm willing to overlook these flaws since they do get addressed in the final reveal, so all's not totally lost in Bragi F. Schut's story.

Battle sequence design was a little sleepy, and although the introductory big battle scenes involving soldiers of the Crusade were plentiful, it didn't go beyond the usual slash-parry- stab-wash-rinse-repeat cycle coupled with cheesy dialogue exchange between Behman and Felson that try to pass off as comedy. There's an awfully long and painfully executed crossing of a creaky bridge that doesn't seem to want to end, but otherwise passable CG was employed in an attack of wolves, and the money shot in the final battle where all hell breaks loose in the monastery with grotesque looking winged beasts and the expected big boss to fight in an all out melee done arcade style.

Some will probably find the themes here quite objectionable, especially since it sets its sights squarely on how religion gets manipulated by the few, and made suggestive queries what if the Crusade wasn't a calling made by god as claimed by the messengers, but of more negative forces since it involves the killing of innocents. What more, this was played out in quite direct fashion when the final act made that cross-reference in point blank fashion. It's bold in its statement and association, which otherwise the story here lacks any selling points to make an audience sit up and take notice

I'm not sure what Ron Perlman is doing here - the billing on the poster doesn't seem to give him much respect, preferring to marquee Cage alone instead, so while there are inside nods to Hell and the devil and demons here, I'm hoping that we'll get to see another installment of Hellboy instead. Under Dominic Sena's vision, you'd know what to expect when you scan through his resume, being responsible for flicks like Whiteout, Swordfish, and yet another Nicolas Cage starrer in Gone in Sixty Seconds. They're no more than Guilt Trips with potential not lived up to, so don't expect a classic or a masterpiece, but at best entertainment that will struggle to satisfy jaded audiences.