After the end of the American Civil War, a former Confederate colonel hunts down a former Yankee officer with whom he has a grudge.After the end of the American Civil War, a former Confederate colonel hunts down a former Yankee officer with whom he has a grudge.After the end of the American Civil War, a former Confederate colonel hunts down a former Yankee officer with whom he has a grudge.
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I think you're going to see some very mixed reviews for this film. The tragedy is that it's going to be picked up primarily by fans of westerns, who are looking for shootouts and plots that can be boiled down to "good guys" and "bad guys." Do not go into this movie expecting that.
This is ultimately a revenge story, but not a straightforward or clean-cut one; in this way I would compare it to "Memento" and "The Three Burials of Melquiades Estrada".
It's not clear who we're "supposed" to sympathize with at the beginning. We want to sympathize with the revenge-seeker; but we're told almost nothing about why he wants revenge. As he displays at least as many brutal and mercenary traits as anyone else in the film, we question why we side with him, and realize that we're only inclined to do so because our previous experience with "revenge" stories has programmed us to do so.
But the quarry is far from a sympathetic character as well, and we're torn emotionally on what we want to see happen. That is, until the original tragedy is finally revealed. And I've honestly never seen such a well-conceived scene of this type... the tragedy is heart-rending.
I won't say much more except that as the film goes on, the degree to which it will appeal to fans of literal straightforward westerns decreases significantly. You see, as the film begins, Carver's pursuit of Gideon takes them through various isolated episodes: encounters with various characters. As the film goes on, these encounters become more and more obscurely surreal; the final such encounter seems almost supernatural or fantastic. The writer and director have peeled away the internal reality of the story, and are speaking to us through the form itself. Not something that your average Western viewer is likely to accept or appreciate.
Viewers will come to this film expecting a completely realist story; and that's what they seem to be getting at the beginning of the movie. The viewer is not prepared for this realism to slowly and obscurely fall apart - and while that may be the reason that the film creates such a powerful and somehow creepy experience by the end, the same factor is likely to leave most viewers feeling robbed.
Ultimately this film is definitely worth watching, but may not have enduring appeal to lovers of the traditional Western genre. A note while viewing: pay attention to the theme of loss, and how various possessions of the characters are lost.
This is ultimately a revenge story, but not a straightforward or clean-cut one; in this way I would compare it to "Memento" and "The Three Burials of Melquiades Estrada".
It's not clear who we're "supposed" to sympathize with at the beginning. We want to sympathize with the revenge-seeker; but we're told almost nothing about why he wants revenge. As he displays at least as many brutal and mercenary traits as anyone else in the film, we question why we side with him, and realize that we're only inclined to do so because our previous experience with "revenge" stories has programmed us to do so.
But the quarry is far from a sympathetic character as well, and we're torn emotionally on what we want to see happen. That is, until the original tragedy is finally revealed. And I've honestly never seen such a well-conceived scene of this type... the tragedy is heart-rending.
I won't say much more except that as the film goes on, the degree to which it will appeal to fans of literal straightforward westerns decreases significantly. You see, as the film begins, Carver's pursuit of Gideon takes them through various isolated episodes: encounters with various characters. As the film goes on, these encounters become more and more obscurely surreal; the final such encounter seems almost supernatural or fantastic. The writer and director have peeled away the internal reality of the story, and are speaking to us through the form itself. Not something that your average Western viewer is likely to accept or appreciate.
Viewers will come to this film expecting a completely realist story; and that's what they seem to be getting at the beginning of the movie. The viewer is not prepared for this realism to slowly and obscurely fall apart - and while that may be the reason that the film creates such a powerful and somehow creepy experience by the end, the same factor is likely to leave most viewers feeling robbed.
Ultimately this film is definitely worth watching, but may not have enduring appeal to lovers of the traditional Western genre. A note while viewing: pay attention to the theme of loss, and how various possessions of the characters are lost.
With this film you have to take your hat of for Mr. Brosnan he is great in his acting, This is a movie that will remain as one of the greatest western films of all times and some sequences of this film will be remembered for ever I will not tell anything but if you see it(and you must) you will remember this.
It is beautifully shot and has a solid script, great action and deep emotions mixed along the way. If you like western you will not be disappointed.
When you watch Seraphim Falls you will have your emotions mixed as the movie develops and when the fantastic finale arrives you will be even more pleased. It has one of the mos original showdown finale I have ever seen.
This movie is a must see!
It is beautifully shot and has a solid script, great action and deep emotions mixed along the way. If you like western you will not be disappointed.
When you watch Seraphim Falls you will have your emotions mixed as the movie develops and when the fantastic finale arrives you will be even more pleased. It has one of the mos original showdown finale I have ever seen.
This movie is a must see!
I thoroughly enjoyed this movie. It's a hunt movie, in the genre of Jeremiah Johnson or The Searchers type. Not gripping,then isn't supposed to be, but contained enough excitement and adventure to keep me fully engrossed. I thought Pierce Brosnan was excellent, almost unrecognizable with his beard and make up; poles apart from Bond. He really looks and plays his character as the quarry very well indeed. The locations photography, New Mexico and Oregon, are stunning. Liam Neeson never seems to give a bad performance plays his character well as the cold hearted, totally obsessed predator, He is well supported by a bunch of bounty hunters/villains lead by Michael Wincott.
SERAPHIM FALLS boasts outstanding cinematography from the very beginning, with scenery ranging from snowy mountainous locales to sun-scorched deserts. The landscapes look and feel beautiful and the characters all have that weathered look, particularly Pierce Brosnan who's almost unrecognisable in the leading role.
It kicks off with action at the outset and remains a chase film throughout. The storyline is slender and the back story annoyingly ambiguous, at least until a late-on flashback that solves that particular mystery. The chase stuff is done well, with tension, drama and violence. I always enjoy these survival-style stories so this is a bit of a no-brainer for me.
Another highlight is the film's cast. Brosnan is on good form (I've always liked this actor, just not when he played Bond) and Neeson his match, but it's the supporting cast who interest me the most. Michael Wincott (ROBIN HOOD: PRINCE OF THIEVES) had me thinking of a young Fred Ward throughout, Xander Berkeley gets to be gruff, scary Tom Noonan (THE MONSTER SQUAD) shows up as a preacher and Ed Lauter appears just as I was thinking of this film's similarity to the Charlie Bronson flick DEATH HUNT (in which Lauter also starred in virtually the same part).
The ending is a little weird, moving on from the action-adventure format and becoming almost mystical and allegorical, featuring late-on cameos from Anjelica Huston and Wes Studi. It's not the most entirely satisfying ending I'd have considered, as it goes against the heartfelt vengeance focused upon for the rest of the movie, but at least it's different. A good, if not great, little movie.
It kicks off with action at the outset and remains a chase film throughout. The storyline is slender and the back story annoyingly ambiguous, at least until a late-on flashback that solves that particular mystery. The chase stuff is done well, with tension, drama and violence. I always enjoy these survival-style stories so this is a bit of a no-brainer for me.
Another highlight is the film's cast. Brosnan is on good form (I've always liked this actor, just not when he played Bond) and Neeson his match, but it's the supporting cast who interest me the most. Michael Wincott (ROBIN HOOD: PRINCE OF THIEVES) had me thinking of a young Fred Ward throughout, Xander Berkeley gets to be gruff, scary Tom Noonan (THE MONSTER SQUAD) shows up as a preacher and Ed Lauter appears just as I was thinking of this film's similarity to the Charlie Bronson flick DEATH HUNT (in which Lauter also starred in virtually the same part).
The ending is a little weird, moving on from the action-adventure format and becoming almost mystical and allegorical, featuring late-on cameos from Anjelica Huston and Wes Studi. It's not the most entirely satisfying ending I'd have considered, as it goes against the heartfelt vengeance focused upon for the rest of the movie, but at least it's different. A good, if not great, little movie.
I rented this film without ever hearing of it before, and was pleasantly surprised...something which is becoming more and more rare in my movie renting experience.
This gritty, untypical western appealed to me on a number of different levels. The unusual casting of Liam Neeson and Pierce Brosnan intrigued me, their film presence was an enhancement without being a distraction to the film. The story was complex and minimalist at the same time, sometimes combining ultra-real and surreal elements. The cinematography is straightforward and beautiful, and a welcome relief from the jiggly camera technique, colorization, and other "contemporary" gimmicks that all too often nowadays cause technique and style to become a major distraction with the story being told. Thank goodness there are still directors that believe in having movies being filmed this way!
While the story grabs your attention from the very beginning and moves quickly, it takes its time in revealing who the characters are, and what are their motivations and the demons they are dealing with.
If you watch this with a preconceived notion of what a western should be, a la John Ford, Howard Hawks, etc. you may be disappointed, as some reviewers here obviously have been. I myself found this intelligent western - that is a little offbeat, with an element of mystery, and not always clearly defined bad guys and good guys - a refreshing change of pace from the racks of slasher film sequels, lame comedies, and Jennifer Aniston vehicles at the video store.
This gritty, untypical western appealed to me on a number of different levels. The unusual casting of Liam Neeson and Pierce Brosnan intrigued me, their film presence was an enhancement without being a distraction to the film. The story was complex and minimalist at the same time, sometimes combining ultra-real and surreal elements. The cinematography is straightforward and beautiful, and a welcome relief from the jiggly camera technique, colorization, and other "contemporary" gimmicks that all too often nowadays cause technique and style to become a major distraction with the story being told. Thank goodness there are still directors that believe in having movies being filmed this way!
While the story grabs your attention from the very beginning and moves quickly, it takes its time in revealing who the characters are, and what are their motivations and the demons they are dealing with.
If you watch this with a preconceived notion of what a western should be, a la John Ford, Howard Hawks, etc. you may be disappointed, as some reviewers here obviously have been. I myself found this intelligent western - that is a little offbeat, with an element of mystery, and not always clearly defined bad guys and good guys - a refreshing change of pace from the racks of slasher film sequels, lame comedies, and Jennifer Aniston vehicles at the video store.
Did you know
- TriviaLiam Neeson and Pierce Brosnan said they had the most fun in their career making this film. They loved westerns as kids, and were thrilled to finally to be in one.
- GoofsAt the railroad camp, numerous extras flail away at the new railroad tracks with spike hammers, even though no one is actually installing any spikes. In one particularly obvious case, two teams of laborers drop two rails on the roadbed side by side, then start hammering on them, without anyone placing any spikes, or even bothering to gauge the distance between the rails.
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- Release date
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- Also known as
- Duelo De Asesinos
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Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $418,296
- Opening weekend US & Canada
- $155,560
- Jan 28, 2007
- Gross worldwide
- $1,220,058
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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