Buenos Aires 1977

I can't say I watched alot of Argentinian movies but this one is certainly worth a watch. Also because the movie is based on actual events, it made it even more captivating and interesting to watch. The seventies, it's actually not that long time ago, were not really good times in Argentina if you had the idea of criticizing the actual regime. The military dictatorship of that time was systematically eliminating dissidents to the regime. In this story, that is sometimes hard to watch, we witness the kidnapping and interrogations of some alleged 'Desaparecidos'. It was not a good time to have 'lefties' ideas. The acting was very good, as it looked all very real and disgusting. A good movie from Israel Adrián Caetano. I will look for more of his movies.

This Argentinian movie set in the 1970s presents the real life story of four prisoners who manage a successful escape from their military junta captors during the Dirty War era in Argentina. The Dirty War era was a dark and infamous period in the history of Argentina when the right wing military government was responsible for the disappearance of several thousands - some estimates put the number at about 30,000 - of Argentinians on the pretext that they were suspected left wing terrorists.

This movie retells the real life story of Claudio Tamburrini and three of his fellow prisoners who manage to escape from a secret detention center. Claudio is a goalkeeper in a minor league soccer team and is abducted by the military secret police who suspect him to be a leftist terrorist. Their suspicion is merely based on the questionable testimony of another captive and they swoop down on an unsuspecting Claudio at his residence. Before Claudio could even grapple with the happenings, he is whisked away to a desolate detention center in a suburb where he is held as a blindfolded captive for several months along with others without any due process. The captives are put through a daily rigour of sadistic violence and humiliation in the name of interrogation by their captors who tend to play dangerous mindgames with the hapless captives. This movie is based on the autobiographical account by Claudio with further inputs from his fellow escapee Guillermo who leads their audacious escape on a stormy night.

The focus in the movie is on the daily ordeals faced by the captives and the unflinching cruelty of the thugs of the junta who inflict unspeakable horrors on them. The movie has a dark and foreboding tone throughout to provide a realistic edge to the happenings with just tiny flecks of rooted situational humour and the final act of escape is set as a thriller, albeit, sans any heightened drama. However, the movie does not bother acquainting the viewers with the social context to the unfolding events. Perhaps, this is one reason why there is a sense of something amiss while watching the movie.

Nevertheless, this competently acted movie is successful in presenting a very real account of the chilling, visceral torture meted out to the captives without being overtly gruesome and has a gripping and taut narrative which keeps the viewer tense throughout.

In 1977, the goalkeeper of the Almagro team Claudio Tamburrini (Rodrigo de la Serna) is illegally kidnapped from his home, arrested by the government forces and sent blindfolded to Sere Mansion, a clandestine detention center. His acquaintance Tano (Martín Urruty), who had been tortured for a long period, had falsely accused Claudio of being a revolutionary. Along the months, Claudio is kept nude and handcuffed together with the prisoners El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and Guillermo Fernández (Nazareno Casero) and submitted to all sort of humiliations and tortures, until the night they decide to escape from their imprisonment in the old mansion.

The dramatic "Crónica de una Fuga" is a true recollection of a dark period of dictatorship in South America sponsored by USA to fight the communism, more specifically in Argentina. The story is very well acted but limited to the situation of Claudio and the other three prisoners in the Sere Mansion and their escape. However it omits, for example, that Tano and the other prisoners have been certainly dropped airborne from an Air Force airplane (the Jeep indicates Air Force Argentine, and this was a common practice in the dictatorship period). My vote is seven.

Title (Brazil): "Crônica de uma Fuga" ("Chronicle of an Escape")

A great movie. About the pain of truth and the fight against a regime. About the hope and the sin. About democracy and fear.All is perfect. Actors, lights, screenplay. Slice by slice, the movie becomes a testimony. Not about a piece of Argentina history but about a reality in which many of us, actors, victims, silhouettes, are crumbs. The story is basic. The scenes are stone rain. The end is not happy, not heroic. But saint full. A film about every regime for who democratic values are fiction. About the power and not authority. About lies and dark illusion. About limits and resistance. About Albania of Enver Hodja or Cambodgia of Pol Pot. Or, maybe, Belarus of Lukashenko. A lesson. About the force to be more than a mask, number or victim. And a homage to the people for who the moral victory is more important than all prizes. Must see! Foe understand.

One of the aspects of this excellent film from Argentina is the disturbing fact that it is based on actual events. Director Israel Adrián Caetano (with Esteban Student and Julian Loyola) created the screenplay from the main character's memoir - 'Pase libre' by Claudio Tamburrini - and in doing so bring a sense of immediacy and unfiltered truth to this tale of the 1977 military dictatorship in Argentina during the time of the 'Desaparecidos' or terminal evacuation/elimination of dissidents to the regime.

CHRONICLE OF AN ESCAPE (Crónica de una fuga) relates the capture of soccer goalie Claudio Tamburrini (Rodrigo de la Serna, remembered for his magnetic portrayal of Alberto in 'The Motorcycle Diaries') during a soccer game in 1977 when he was abducted, blindfolded, and taken to a house of detention as a suspected revolutionary. Claudio is beaten, interrogated, starved, and forced to live nude, blindfolded and in handcuffs chained to his palette along with other detainees - Guillermo Fernández (Nazareno Casero), El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and El Tano (Martín Urruty). Each of the detainees is repeatedly tortured and deprived of the 'necessities' of living until after four months the group decides to escape. The tension of their ingenious escape provides the film with a tense and riveting closure, and at the end of the film the destinies of each of the detainees is revealed.

Though the world knows some of the details of the military junta in Argentina that lasted from 1976 to 1985, observing the calamity in the form of real individuals who suffered pleads the case for understanding the atrocities better than simply reading media accounts. The manner in which Caetano directs his superb cast is enhanced by the extraordinary cinematography of Julián Apezteguía and the moody and creatively subtle musical score by Iván Wyszogrod. The cast is uniformly excellent: though the men who play the evil torturers have not been named in this review they are all very strong actors. This is a tough movie to watch and the audience should be aware that the prisoners appear in the nude throughout the film (if that is a problem for some viewers). In Spanish with English subtitles. Very strongly recommended, especially in this time when the concept of 'detainees' is so very much in the public eye once again! Grady Harp