Adam Resurrected

Jeff Goldlum does the best "Jeff Goldblum" in the business. If you hire him to do a "Jeff Goldblum" performance, it's like money in the bank. But _Adam Resurrected_ is not that. Goldblum's Adam is a nuanced, unpredictable and intelligent piece of work, the best of his career thus far. Indeed, the film as a whole represents a welcome return to adult themes and emotions. Sorrow, loss, power, human dignity, and human degradation are but some of the themes at work in Schrader's movie. Happily, we are not handed a tidy resolution (with the requisite "redemption" at the end), but a deep sense that life is a complicated, conflicted and layered experience. See this film when and if you get tired of CGI effects, Ben Stiller fart jokes and "the genius of Seth Rogen."

Willem Dafoe is now Commandant Klein, and he is in charge of a concentration camp. Previously, he was a guest at a show of one of Germany's greatest clowns, Adam Stein (Jeff Goldblum), and now Stein stands before him in his camp. He graciously agrees to free Stein if he does two things, (1) act like a dog for his amusement, and (2) play the violin while his wife and daughter march to their deaths in the gas chamber.

Having lost his humanity, Adam is in and out of mental institutions while living in Israel. The patients love him, the doctor (Derek Jacobi) is fascinated with his case, and the head nurse (Ayelet Zurer)wants his body - why, I could never figure out.

Adam comes upon a young boy (Tudor Rapiteanu) in the cellar of the institution and begins a transformation that not only cures the boy, but restores his humanity.

The back and forth flashback may be disturbing to some, but it is essential to the story, and gives us a chance to enjoy the excellence that Dafoe brings to the screen.

Goldblum is excellent, as he always is.

Very touching movie.. Excellent acting.. I could not sleep properly after watching this movie especially the scene where Adam is playing violin and watching his wife and daughter being led away to gas chamber and howling in the night due to immense agony.. also, the scene in the cemetery where he cries and eats the flower and mud of the grave of his daughter.... Surprised why this movie is not considered for Oscar awards...

I am surprised at the hatefully negative reviews this movie has gotten. But then I suppose anything that handles a truly dark subject matter, and doesn't spoon feed the audience doesn't get much praise.

This movie is excellent with excellent performances. I didn't mind the accent because it doesn't matter. The meaning of the movie, and the metaphors of film employed are brilliant.

The movie details the struggle of a former circus performer and celebrity with his guilt over surviving his family in the holocaust. Goldblum portrays a man who finds insanity more comfortable then sanity, because sanity brings with it sad truths.

A masterpiece doomed to go unrecognized. Not too many people would like it or even sit through it, but in fact it's one of the best holocaust-related films ever made. Hateful reviews have commented on the fact that the film is disturbing and weird - or about the absurdity of a man surviving the holocaust by acting like a dog for the entertainment of a Nazi officer; is it any more absurd than the idea of people stamped with numbers or shoved into ovens? In the face of a horrifically absurd reality, insanity is often a valid option. Most WWII films center on the partisans, the heroes, the ones who kept their dignity and humanity in the face of genocide. But not everyone did. A major goal of Hitler's action was not just to destroy the Jews, but to dehumanize them first. And in many cases it worked. That's what this film is about - the loss of humanity, the feelings of guilt shared by the ones who survived at the expense of their own most basic human dignities, and it's small wonder that it's difficult for most to swallow.

Paul Schrader made a fantastic job adapting Yoram Kanyuk's novel; reviews blaming him of 'emotional detachment' miss the point that this detachment is very intentional. The cold and distant feeling experienced while watching it is very different from the pathos of Schindler's List or Life Is Beautiful, and, rather than draw the viewer into the actual events, brings them face to face with their very madness and incomprehensibility. Jeff Goldblum portrays that feeling perfectly in what may be the most powerful performance of his career - reminding me, at times, of Roy Scheider in All That Jazz. Master-character actors Willem Dafoe and Derek Jacobi compliment him perfectly without stealing the show, and some of Israel's biggest stars join in to complete the ensemble cast. Bottome line - a terrific film, and instantly a favorite of mine, but I hesitate to recommend it to anyone for fear of being blamed for it later. Watch it at your own risk, with an open mind, and with an empty stomach.