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When his mother dies, a teenager takes a road-trip in a stolen car to find his long-lost brother. Along the way he discovers a profound connection with the car-owner and with himself as well... Read allWhen his mother dies, a teenager takes a road-trip in a stolen car to find his long-lost brother. Along the way he discovers a profound connection with the car-owner and with himself as well.When his mother dies, a teenager takes a road-trip in a stolen car to find his long-lost brother. Along the way he discovers a profound connection with the car-owner and with himself as well.
Erv Immerman
- Patient
- (as Erv Immeman)
Aaron Yamawaki
- Anal
- (as Aaron Mitchel)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Greetings again from the darkness. Saw this one at the AFI Film Fest and fully expect it to be on my top ten list at year end. This is everything I love about going to the movies ... great script, stunning photography and realistic performances all wrapped up in a straight-from-the-soul package delivered by a passionate writer-director who refused to compromise on his vision.
Lou Taylor Pucci (so terrific in "Thumbsucker") stars as a 19 year old who schemes to "borrow" a car so he can track down his long-lost half brother to inform him that their mother has passed away. The road trip that follows is very funny, a little frightening and full of self-realization and oddball characters ... not the least of which is the owner of the car: a 24 year old Zooey Deschanel. The two create quite the bond during an ongoing cell phone conversation as Pucci drives her car from city to city in his brotherly search. Anyone still not fully aware of Ms. Deschanel's talents are truly deprived. She is ultra-talented and so very soulful and interesting.
On the trip, Pucci tracks down his old junior high school crush played by the always-willing-to-take-a-risk Jena Malone. Writer/Director Martin Hynes admitted the role was written with Ms. Malone in mind and she was quick to commit after reading the script. Her offbeat appeal makes it easy to see how Pucci would become enamored and fall blindly for this babe that anyone's mom would prohibit her son from seeing! Another great character whom Pucci stumbles across is played wonderfully by Maura Tierney. Regrettably this story line is fairly brief, but suffice to say, you have NEVER seen a band like the one Ms. Tierney invites Pucci to join. Speaking of music, the soundtrack is excellent and compliments every scene. Much of the music is that of M Ward, who is actually the guitar player who gives Pucci the shirt off his back in the film.
Supposedly the film will have wide release in August, and I will do whatever I can to ensure word-of-mouth gets this one seen by everyone I know who loves a great story and thought-provoking, funny film. On a side note, the producer of the film, Lucy Barzun, is someone I am definitely pulling for. She also produced an amazing "little" film called "Pieces of April" and has an obvious eye and love for these marvelous visions of up and coming filmmakers. We need more people like Lucy Barzun.
Lou Taylor Pucci (so terrific in "Thumbsucker") stars as a 19 year old who schemes to "borrow" a car so he can track down his long-lost half brother to inform him that their mother has passed away. The road trip that follows is very funny, a little frightening and full of self-realization and oddball characters ... not the least of which is the owner of the car: a 24 year old Zooey Deschanel. The two create quite the bond during an ongoing cell phone conversation as Pucci drives her car from city to city in his brotherly search. Anyone still not fully aware of Ms. Deschanel's talents are truly deprived. She is ultra-talented and so very soulful and interesting.
On the trip, Pucci tracks down his old junior high school crush played by the always-willing-to-take-a-risk Jena Malone. Writer/Director Martin Hynes admitted the role was written with Ms. Malone in mind and she was quick to commit after reading the script. Her offbeat appeal makes it easy to see how Pucci would become enamored and fall blindly for this babe that anyone's mom would prohibit her son from seeing! Another great character whom Pucci stumbles across is played wonderfully by Maura Tierney. Regrettably this story line is fairly brief, but suffice to say, you have NEVER seen a band like the one Ms. Tierney invites Pucci to join. Speaking of music, the soundtrack is excellent and compliments every scene. Much of the music is that of M Ward, who is actually the guitar player who gives Pucci the shirt off his back in the film.
Supposedly the film will have wide release in August, and I will do whatever I can to ensure word-of-mouth gets this one seen by everyone I know who loves a great story and thought-provoking, funny film. On a side note, the producer of the film, Lucy Barzun, is someone I am definitely pulling for. She also produced an amazing "little" film called "Pieces of April" and has an obvious eye and love for these marvelous visions of up and coming filmmakers. We need more people like Lucy Barzun.
Mercer steals a car to track down his loser half-brother only to forge an unrealistic "bond" with the car's owner. Along the way he finds his way through a number of "quirky" encounters that help him appreciate his life and grow.
There are some very neat camera tricks and shots, especially how they "show" the phone conversations between Mercer and the woman from whose car is now in his possession. However, much of the film is shot using a poor hand held technique that can dizzy up the audience, something fierce. I too saw this at AFF and walked out due to motion sickness and a general lack of caring about the characters and story.
I found this movie to be awfully trite and derivative of other indie dramedies. The script is dreadful as characters react to in random and pointless ways. It read more like a parody of "quirky indie dramadies" than it actually is one. People do not act and talk the way the characters do in this film, the script limps along from improbable scenario to another, helped by weak performances and characters who are never fully realized. Zooey Deschanel comes across as creepy in her initial conversations with Mercer.
If this is what makes an indie hit, the movement is clearly losing steam.
There are some very neat camera tricks and shots, especially how they "show" the phone conversations between Mercer and the woman from whose car is now in his possession. However, much of the film is shot using a poor hand held technique that can dizzy up the audience, something fierce. I too saw this at AFF and walked out due to motion sickness and a general lack of caring about the characters and story.
I found this movie to be awfully trite and derivative of other indie dramedies. The script is dreadful as characters react to in random and pointless ways. It read more like a parody of "quirky indie dramadies" than it actually is one. People do not act and talk the way the characters do in this film, the script limps along from improbable scenario to another, helped by weak performances and characters who are never fully realized. Zooey Deschanel comes across as creepy in her initial conversations with Mercer.
If this is what makes an indie hit, the movement is clearly losing steam.
This is a fairly enjoyable road movie that mixes elements of romance, comedy and coming- of-age genres. We follow young Mercer's quest to find his half-brother after their mother's death. He steals a car travels many miles and meets many odd characters along the way.
Writer/director Martin Hynes probably tries too hard to concoct an odd story and as a result, the entire film feels a little too self-conscious at times. You can feel the writer's effort to make the various people odd, as opposed to organic and real.
Lou Taylor Pucci gives a solid performance as the protagonist, Mercer. Jena Malone is great as usual, although her part doesn't add much to the story except as a plot element. I'm a big fan of Zooey Deschanel and here she shines again as Kate, the stolen car's owner who connects by phone with Mercer and has conversations with him. This not only provides the most interesting story elements but also serves as an interesting device for the audience to know what Mercer (rather the quiet type) is thinking and feeling throughout his road trip.
Many other character appears, many of which are played by actors you will recognize and have enjoyed at one time or another. The one who stood out to me was Bill Duke, better known for his many roles in 80s action flicks.
The cinematography is adequate, although a little distracting at times. Any road movie benefits immensely from a good score/soundtrack and this is definitely the case here. The music that is featured in The Go-Getter enhances the movie experience greatly and, along with the solid acting, is probably what prevents us from completely losing interest.
Although I think Martin Hynes shows real talent, I think this is yet another case of an indie- movie that could have benefited from more people being involved in the formative stage. A second writer might have tightened things up considerably and led to a classic.
As it is, the movie is enjoyable but we are left on our appetite considering the amazing cast and music featured here.
Writer/director Martin Hynes probably tries too hard to concoct an odd story and as a result, the entire film feels a little too self-conscious at times. You can feel the writer's effort to make the various people odd, as opposed to organic and real.
Lou Taylor Pucci gives a solid performance as the protagonist, Mercer. Jena Malone is great as usual, although her part doesn't add much to the story except as a plot element. I'm a big fan of Zooey Deschanel and here she shines again as Kate, the stolen car's owner who connects by phone with Mercer and has conversations with him. This not only provides the most interesting story elements but also serves as an interesting device for the audience to know what Mercer (rather the quiet type) is thinking and feeling throughout his road trip.
Many other character appears, many of which are played by actors you will recognize and have enjoyed at one time or another. The one who stood out to me was Bill Duke, better known for his many roles in 80s action flicks.
The cinematography is adequate, although a little distracting at times. Any road movie benefits immensely from a good score/soundtrack and this is definitely the case here. The music that is featured in The Go-Getter enhances the movie experience greatly and, along with the solid acting, is probably what prevents us from completely losing interest.
Although I think Martin Hynes shows real talent, I think this is yet another case of an indie- movie that could have benefited from more people being involved in the formative stage. A second writer might have tightened things up considerably and led to a classic.
As it is, the movie is enjoyable but we are left on our appetite considering the amazing cast and music featured here.
Apologies everyone, but I am totally in love with Zooey Deschanel. She coos on the phone, she dances in black and white, she even sings on the soundtrack in that dreamy, sleepy voice of hers ("When I Reach the Border"). And she does it all with casual grace, not nearly trying half as hard as most other actresses her age. I cannot wait to see her as Janis Joplin in "The Gospel According to Janis". Director Martin Hynes teams her up with a slightly quirky, yet very charming male lead (Lou Taylor Pucci). They take the laughter and the tears as the off-beat script sends them on a somewhat unusual road trip in pursuit of his past and her future, taking viewers right back to that magical nowhere land between adolescence and adulthood. They even get to play the identity game ("20 questions") twice, two thirds into the story and, again, in the closing scene. Essentially, "The Go-Getter" gives you romance minus the usual cheese. Think "Rushmore" meets "Elizabethtown", with a soulful indie soundtrack. Notable off-screen guest appearance by Brian McNamara as the voice of the book on tape.
I saw this at the Waterfront Film Festival in Saugatuck, Michigan.
Teenager Mercer steals a car and takes off across the wester United States to ease some of his recent personal grief. While driving, he makes an unusual connection with the girl he stole the car from, talking with her on the phone as he travels.
Written and directed by Martin Hynes and starring Lou Talor Pucci (Thumbsucker), Zooey Deschanel(Elf), and Jena Malone (Saved!), the film is actually very good. After first viewing it, I wasn't sure what to think about it, I didn't really get much out of it. But now, a few days after seeing it, it's actually stuck with me. There are some great scenes throughout the film. It does drag at some moments, but when the film was over, I looked back and realized without those dragging scenes, it wouldn't have possible to tell some of the next scenes.
The acting was great, with this and Thumbsucker, I'm really looking forward to seeing more of Pucci's work. I particularly love the scenes with him on the phone with Zooey, the owner of the car. The two are so perfect together, even though they have never met in person. But the director does a wonderful during those phone scenes, making it more than just two people talking on a phone.
The soundtrack is great. Songs from M. Ward, Elliott Smith, The Black Keys, and The Replacements, they all fit in perfectly with the film.
The director Martin Hynes was at the festival and he was extremely nice and helpful. I talked to him a lot of over the weekend (I feel kind of bad, I talked to him so much he was probably sick of seeing me). But he one of the nicest guys I've met at the festival over the years. I wish him all the best and am looking forward to seeing his next projects.
He had some great stories to tell about the making of the film. One actor in particular managed to get himself cast as three different characters in the film.
Search out this film, see it, then spread the word.
Teenager Mercer steals a car and takes off across the wester United States to ease some of his recent personal grief. While driving, he makes an unusual connection with the girl he stole the car from, talking with her on the phone as he travels.
Written and directed by Martin Hynes and starring Lou Talor Pucci (Thumbsucker), Zooey Deschanel(Elf), and Jena Malone (Saved!), the film is actually very good. After first viewing it, I wasn't sure what to think about it, I didn't really get much out of it. But now, a few days after seeing it, it's actually stuck with me. There are some great scenes throughout the film. It does drag at some moments, but when the film was over, I looked back and realized without those dragging scenes, it wouldn't have possible to tell some of the next scenes.
The acting was great, with this and Thumbsucker, I'm really looking forward to seeing more of Pucci's work. I particularly love the scenes with him on the phone with Zooey, the owner of the car. The two are so perfect together, even though they have never met in person. But the director does a wonderful during those phone scenes, making it more than just two people talking on a phone.
The soundtrack is great. Songs from M. Ward, Elliott Smith, The Black Keys, and The Replacements, they all fit in perfectly with the film.
The director Martin Hynes was at the festival and he was extremely nice and helpful. I talked to him a lot of over the weekend (I feel kind of bad, I talked to him so much he was probably sick of seeing me). But he one of the nicest guys I've met at the festival over the years. I wish him all the best and am looking forward to seeing his next projects.
He had some great stories to tell about the making of the film. One actor in particular managed to get himself cast as three different characters in the film.
Search out this film, see it, then spread the word.
Did you know
- TriviaJudy Greer and Martin Hynes had been friends before this film was made.
- ConnectionsReferences Bande à part (1964)
- SoundtracksBanshee Beat
Written by Joshua Dibb, Panda Bear, Avey Tare and Geologist
Performed by Animal Collective
Courtesy of Fat Cat Records
- How long is The Go-Getter?Powered by Alexa
Details
Box office
- Gross US & Canada
- $11,931
- Opening weekend US & Canada
- $11,931
- Jun 8, 2008
- Gross worldwide
- $11,931
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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