Dante's Inferno

Yes, this is a puppet show. Yes, the puppets are kind of cheesy, hand-drawn paper animated with visible sticks. You know what? It fits. The art design is really interesting. Seeing Hell represented as an allegory of a crowded urban city is very interesting. They do a very good job of mapping (mostly) outdated "sins" to modern ones. If you liked the original poem, or even better Larry Niven and Jerry Pournell's novel "Inferno" than you'll enjoy this movie. To those that say it mocks Dante's beliefs, well, most of the people he populated hell with were political enemies, either contemporaneous or historical, and in those terms the source material could be seen as less about his vision of the afterlife and more a book of schadenfreude celebrating his enemies downfall. Funny how his allies with similar flaws as his enemies mostly wound up in Purgatory. I hope they consider making both Purgatorio and Paradiso.

If you haven't read Dante's INFERNO (part 1 of THE DIVINE COMEDY), you should. And once you have, you should check on this delightfully innovative spin on that classic tale.

This isn't the INFERNO as Dante wrote it. Dante has been completely modernized; Hell resembles Los Angeles, the punishments aren't quite what you remember, and the people populating Hell are now familiar faces (Ronald Reagan, Strom Thurmond, Condoleeza Rice). There's also a good dose of Monty Python and Mike Judge in the black humor that drenches every scene.

And while the take has its own novelty, what really elevates the film from good to great is the consistently enjoyable animation. The use of hand-operated paper cut-out puppets is wonderful. The care that has gone into crafting the sets and characters themselves is quite impressive indeed.

Highly recommended.

I had been flipping through the channels and I saw a preview for this movie and I thought it looked very interesting so I watched it and fell in love with it. I went out and bought the modern version of the book. I loved the art work in the book and being an artist myself I decided to draw a few pieces based on the art in the book. I latter went back to watch the movie again and found that almost all of the sets (backgrounds) were almost identical to the artwork in the book and the banter between Dante and Virgil was about the same also (although the movie is MUCH more humorous) I think it's a great modern spin on the old classic.

Having read the Inferno of Dante's works, it can become a bit stale with all of the adaptations and re-adaptations. The video game based on the works was okay but limited only to the horror/action genre that it had set itself up to be. I find this take on the classic to be NOT watered down, but a modern interpretation that a layman can view and perhaps be inspired to look more into it.

All of the snobs that say that it's dumbed down apparently don't realize that very old classic literature--especially ones with heavy religious themes--don't click with everyone and can appear on the surface as holier-than-thou to a modern reader. With this film the basics of not only the horrors of Hell and Dante's enduring love for Beatrice (which would probably seem obsessive and maudlin for today's audience) are presented in a digestible way. I was already acquainted with the Circles of Hell even before watching this film, but making parallels and connections to what I knew and the "updated" version of it proved to be just as entertaining as if I came knowing little about the source material.

It's been around 10 years since my last run in with anything related to Dante Allegeri. Junior year of high school we had a project where we had to make our own circle of hell. Ya know, cut outs, drawings etc. My circle of hell was dedicated to Pedophiles and Rapists, and it turned out pretty good. Though I was frowned upon by the nudity. So getting back on track, I enjoyed Dante's Inferno back then, and when I had the opportunity to watch this version of Dante's Inferno I became pretty excited. And when it was all said and done, I was pretty impressed with this unique little flick.

Present day Dante Allegeri is brought by Virgil (Roman someone) to the 9 circles of hell. From circles that have places chosen out for Money-Launderers, the angry, and even plain old fashion murderers. They go from the beginning right to the end, being circle 9. A linear story, but still a fun one with plenty of creativity.

Sometimes the film does feel like it's sole purpose is to be creative in the sense that they're just trying to throw certain celebrities in the circle of hell where they belong. Like you'd find Marilyn Monroe in the circle where you'll find suicides, and you'll find Cleopatra with all the whores. Eh, see what I'm saying? Actually trying to think of people that they mentioned is kinda tough. They used a ton of well-known people from history and it just kind of mashes together by the end. But that's not a complaint perse, since the movie showed intelligence and again, creativity.

With a witty, and intelligent approach to telling this story, and to the detailed art style it had, the film is definitely recommendable to the right viewer. Anyone who can appreciate films that clearly are labors of love, like let's say City of Rott or Blood, Tea and Red String, or hell, any film by Jan Svankmajer should find this film to be a welcome addition to their well-rounded viewings.