The Call of Cthulhu

The Call of Cthulhu is one of Lovecrafts superb horror short stories. The action is set in the 1920's and this film does not change any details of the plot (at least as far as I can tell).

Films based on Lovecraft's Cthulhu mythos are nearly always terrible. This is because modern horror films rely on gruesome shocks and all too familiar plots. Lovecraft's tales tend to be non linear (e.g. told in dream sequences or as pages from a diary and so on), and the monsters rarely make appearances. Turning 'The Call of Cthulhu' into a film is certainly no easy prospect - especially on a low budget.

The makers of this film have made a virtue out of a necessity. The home made quality of the special effects are charming. The film is presented in black and white and with no dialogue. This all helps to maintain as professional a standard as possible in this small scale production. Captions are provided to accompany the storytelling and the film has quite a striking soundtrack.

Most horror fans will find this film tedious and the special effects jerky (and sometimes home made). I enjoyed the quirky and inexpensive approach to the special effects used in this film and felt that the production imitated the techniques that may have been used in a vintage film or in a stage production.

A must see film for all real HP Lovecraft fans. Not for fans of gore-fests, or slick, expensive horror films.

This film was a great filler for the afternoon. It's the sort of thing that only fans of Lovecraft would actually enjoy. It's black and white and silent, the way a film actually would have been made at the time Lovecraft published his first work featuring Cthulu. The effects are done in a similar manner, looking old fashioned. They're not embarrassingly bad, though. You see no strings or unintentional shadows from off stage. It's not quite an hour long, so don't plan an evening around it. Also, there's no nudity, foul language or awful gore, so if you want, you can watch it with your kids and explain to them the mythology of Lovecraft's Old Ones.

Making a story by H.P. Lovecraft into a silent film in 2005 may not have been the most obvious move, but it turned out to be a major artistic success. I was a little skeptic myself about this weird approach, but I have to say that Andrew Leman's "The Call Of Cthulhu" is the best Lovecraft adaptation I've seen so far.

The beautiful, dark pictures and the old-fashioned score along with the over the top acting and the make-up of clown-proportions - the whole ancient feel of a silent movie - create a haunting atmosphere. Not only does the viewer feel as if he himself was in the dark about the spooky ongoings, he seems to be taken back to an early age long before mankind could rely on science.

If you're familiar with Lovecraft's novella, you might think that it's impossible to make this rather complicated and possibly special effects demanding story into a silent movie with only 45 minutes running time. Leman somehow pulls it off, though, and proves that less is more. His characters only "say" the most important things we need to know to follow the storyline. A lot of it is explained by facial expressions, newspaper clippings or diary entries. Special effects wise, Leman stays true to the silent film genre without making Cthulhu look ridiculous. The monster is only hinted at in shadows and quick cuts. This may sound weird again, but you have to watch the movie to see how it works.

"The Call Of Cthulhu" remains faithful to both, the original Lovecraft story and the silent movie genre (one little complaint I have would be that the camera-work on the first boat scene looks a little too improved for a silent movie, but that's really being nitpicky). As old-fashioned and reduced as this movie might be, it's still spooky as hell and more effective than most modern popcorn horror flicks.

This is my first review on IMDb. I was so pleasantly surprised (in such a twisted way) by this film that I felt almost obligated to comment on it.

I've always loved H. P. Lovecraft's stories and have read pretty much everything he produced. Unfortunately, his work must not translate well to film because most movies based on his stories are pretty regrettable. Many excellent and unique movies have incorporated elements and themes from his stories (The Ninth Gate, Cast a Deadly Spell, The Evil Dead movies, In The Mouth of Madness etc.), but many of those taken literally from his writings (The Dunwich Horror, Beyond The Wall of Sleep, The Curse, etc.) just don't work.

This film contains many elements that also generally don't work, at least for modern audiences. It's a silent movie filmed in black and white. The acting is consistent with old silent films or stage, with exaggerated expressions and movements and is even comical at times. It is clearly a very low budget affair with outmoded special effects. The strange thing is that all of this works very well with the story, making it perhaps the best screen adaptation of a Lovecraft story that I've seen to date.

Because of its format, TCOC takes a little patience but overall it's a lot of fun to watch and manages to build a fair amount of suspense and tension even as it amuses.

Wow! This is quite good.

This is a silent movie, with dialog cards rather than sound dialog. It has a quite good, atmospheric music soundtrack.

If you're a Lovecraft fan this film is a must see. It's not long, less than an hour, after all the original material is a short story, not a novel.

The film stays close to Lovecraft's material. Special effects are minimal, but workable. After all, we're talking H.P. Lovecraft Historic Society budget, not Hollywood.

All in all, this is a worthwhile little gem.

HPLHS is at www.cthulhulives.org.