After being involved in a car accident in 2006, DCI Sam Tyler wakes up in 1973. Lost and demoted, will he find his way home?After being involved in a car accident in 2006, DCI Sam Tyler wakes up in 1973. Lost and demoted, will he find his way home?After being involved in a car accident in 2006, DCI Sam Tyler wakes up in 1973. Lost and demoted, will he find his way home?
- Won 1 BAFTA Award
- 9 wins & 30 nominations total
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This British series, which made it's trek to the States, Has proved to me to be one of the best series on BBC America this year (the other being Hex).
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
10fayemark
How nobody thought of writing this before Matthew Graham and the other main writers on the show, i don't know. Actor John Simm (Sam Tyler) has been quoted as saying when he read the script he thought it was bonkers but, oh my does it work. Terrific casting not just Simm, but all the cast.Special mentions for Phillip Glennister as the Gene Genie!! and Liz White as the sweet but smart wpc Annie Cartwright.
All 8 episodes are both dramatically interesting and often very funny. The use of a terrific 1970's soundtrack complements it perfectly.
The DVD boxset release of this series offers terrific insights into the making of the series through documentaries and commentary on each episode.
The show is being picked up by broadcasters all over the world, so if you haven't seen this brilliant show yet i am sure you will soon. BBC America is showing it in July 2006 i believe. All UK fans can look forward to a new series early 2007.
All 8 episodes are both dramatically interesting and often very funny. The use of a terrific 1970's soundtrack complements it perfectly.
The DVD boxset release of this series offers terrific insights into the making of the series through documentaries and commentary on each episode.
The show is being picked up by broadcasters all over the world, so if you haven't seen this brilliant show yet i am sure you will soon. BBC America is showing it in July 2006 i believe. All UK fans can look forward to a new series early 2007.
Wow- yet another gem from the BBC after the brilliant Spooks and clearly taking a page from classic American sci fiction/police dramas. Simm looks perfect as the archetypal time travelling hero( he would have a good DR WHO!) and i cant believe that the viewing population would watch trash like reality TV shows featuring under sexed models with false noses and ex basketball junkie criminals. This already has my diary fixed for Monday evenings at 9pm and it is great to relive my past when i was at school- roll on Bowie, Slade ,The Glitterband and The Sweet- the age of glamorous rock bands, The SWeeney and Cortinas. A cracker! And will the BBC continue their great dramas in the months to come as there is very little on terrestrial TV to stimulate the cortices of my brain. I cant wait for the next episode- will Sam Tyler be remembered like Sam Beckett in Quantum Leap?
Stumbled on this series on BBC America and miss it terribly now that the first season is over.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
Like some of the reviewers here, I wasn't expecting much of this and started watching almost by accident.
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
Did you know
- GoofsThe bar scene: No beers cost 22p in 1973. Also, as the UK were still changing the money over, use and handing over of decimals would have been a lot slower than as shown in the film. Beer in Manchester would have been between 10np and 15np (or 2-3 shillings).
- Alternate versionsWhile the version shown on BBC in the UK are 58 minutes in duration, the repeats on Bravo (UK) and the versions shown worldwide are cut down to about 42 minutes to make way for adverts and to cut down on the more adult material (particularly nudity and swearing). Much of the 1970s music is also replaced with public domain music due to rights issues.
- ConnectionsFeatured in Timeshift: Creating 'Life on Mars' (2006)
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