Prête-moi ta main

From the opening shots of the lead actor, we are given a early view on how so many mens lives are run by the women in them, and the humour that comes thru with all that goes on in the day to day of 'normal' life.

Eric Lartigau, the director picks up on how so many European men feel that they are in complete control of their lives, yet without the help/support of the women around them cannot seem to make things work. The use of facial image throughout the film is superb, and his clever positioning of the senior member of the family (mother) is spot on.

While there are more than enough laughs in the movie, it still deals with single parents/adoption and the strength of family in society. Truly rewarding to watch, and again one that only the French seam capable to make.

So far one of the best 50 or so Films I have seen this year, and well worth a five start rating. I look forward to adding this one to the DVD collection when it is released and highly recommend it to all ages.

There wasn't a dry eye amongst the audience yesterday afternoon after I left the cinema, having seen this gem of a film in a sold-out house as part of this year's Hamburg Film Festival. And the tears shed were all of laughter. This film was hilarious, there's no other way of saying this. There wasn't one boring bit in it, I laughed right through it and with me everyone else of us three hundred lovers of French cinéma.

Alain Chabat was absolutely terrific. A great clown if needs be and serious if the situation calls for it. The performance was of course completely over the top, but this was exactly what the story needed and what made it work so well. Equally great was Charlotte Gainsbourg who I love to see a lot, and the mother was also a very strong performance. The sisters could have been a bit more detailed in character script-wise, but apart from that there is nothing to moan about. I had a great afternoon seeing this film while Hamburg was drowning in rain outside, and I wish films like this from France would get a regular release in Germany. But the distributors is this country don't seem to understand that the French make good films. I at least can't wait to find a DVD which offers subtitles (Hello Australia? Please?) because that film I need at home to watch several more times!

Alain Chabat claims this movie as his original idea but the theme of reluctant lovers who finally get it together is as old, if not older, than Shakespeare.

Chabat is a "vieux garcon", happily single and not wanting any member of the opposite sex to disturb his life. He has a problem, 5 sisters and a matriarchal mum - the G7 - who decide he should be married. Enter the delightful, charming Charlotte Gainsbourg and what should be a simple plan. Charlotte has to pose as Chabat's girlfriend and then simply not turn up on the day of the wedding. No more talk of marriage from the G7. Of course the best laid plans have a habit of spiralling out of control.

There are very strong supporting roles from Lafont as the mother and Osterman as the tight-fisted brother of Gainsbourg.

There are some fantastic scenes as first Charlotte has to charm, then revolt the family. French farce with an English.

Didn't know anything about the movie before watching and I think it was the "no expectation" factor that helped me endure at first and later like it more than I anticipated.

The setting was interesting, strange but interesting. The storyline had gaps/jumps that I think throws the audience off a bit. There's no great soundtrack playing in the background, creating the "romantic" ambiance. BUT they all didn't matter.

The chemistry between Emma and Luis was simply exquisite. There was some inexplicable strange chemistry that I couldn't resist; I fell in love with it and here I am, writing this review. The subtle love portrayal by the two actors was superb, and I believe, that is the core of this movie.

This movie is not an everyday romantic comedy; in fact, not all of us will appreciate it. I had to sit a while and then slowly began to comprehend the little things I didn't catch at first. I cannot guarantee everyone will like it, but I hope YOU do.

"I Do: How to Get Married and Stay Single" is an extremely funny film. I really enjoyed watching a family try to control a 43 year-old's life. It seems to be such a foreign idea that a family would go through such extremes but makes for a great movie. I also enjoyed seeing how the director and scene writers decided to make the main character use his heartbreaks as encouragement for a career. The fact that he was able to channel those feelings into making perfumes that reminded him of the women who broke is hear was incredible.

The director in this movie, Eric Lartigau, brought his skills from working not only as a director but also as a former co-writer, assistant director, and actor to this movie. Though he was more involved with directing TV series, his knowledge brought him great success in this movie. Following this film, he continued with his career and got nominated for a Cesar Award as Best Adapted Screenplay for the movie "The Big Picture."

This movie brings up the involvement family members have in each other lives as well as the extremes people go through for their families to back off. These ideas seem to be the most interesting because they are working against each other. On one hand, Luis (the main character) is trying to get his nagging sisters and mother off of his back in finding a wife because they are just annoying him while all they want is for him to have a wife to be happy and do things for him. It is a bit of a Catch 22 because you want your family to be happy, but at what expense? Will you nag them to death because you think it is best for them? Hopefully not.

The setting of this movie was very modern. It gives the audience a great full view of their lives. It made the movie more believable and realistic by having such a broad and diverse setting throughout the film. It shows multiple sections of the office wear Luis works as well as his house, mother's house, etc. I also think Lartigau did a wonderful job in directing. He also got the actors feel believable. By the end of the movie, you feel a sense of a connection with each person. You feel exactly how they do and grow a sense of respect for each character.